Алекс Михаэлидес - The Silent Patient

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The Silent Patient: краткое содержание, описание и аннотация

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"That rarest of beasts: the perfect thriller. This extraordinary novel set my blood fizzing—I quite literally couldn’t put it down. I told myself I'd just dip in; eleven hours later—it's now 5:47 a.m.—I've finished it, absolutely dazzled."
**—A. J. Finn, #1 *New York Times* bestselling author of *The Woman in the Window***
**Promising to be *the* debut novel of the season *The Silent Patient* is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive…**
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
**
### Review
"Superb... This edgy, intricately plotted psychological thriller establishes Michaelides as a major player in the field."
**― *Publisher's Weekly* , starred review**
“ *The Silent Patient* sneaks up on you like a slash of intimidating shadow on a badly lit street. Alex Michaelides has crafted a totally original, spellbinding psychological mystery so quirky, so unique that it should have its own genre. I read it in two nights and savored every luscious word, every grim encounter, every startling twist. The pages will burn with the friction from your hands turning them.”
**―David Baldacci**
“Smart, sophisticated storytelling freighted with real suspense―a very fine novel by any standard.”
**―Lee Child**
"One of the most spellbinding psychological thrillers we’ve read in years. Beautifully written, exquisitely plotted, the story relentlessly pulls you in and doesn’t let you go until the last shocking (and yet brutally logical) twist. This is an absolutely fantastic and extraordinary read."
**―Douglas Preston and Lincoln Child, #1 *New York Times* bestselling authors of the Pendergast series**
“Alex Michaelides has written one of the best psychological thrillers I have ever read. *The Silent Patient* is a swarming, paranoid nightmare of a novel with an ending that is destined to go down as one of the most shocking, mind-blowing twists in recent memory.”
**―Blake Crouch, *New York Times* bestselling author of *Dark Matter***
"This is a wonderful new voice. Listen to it. It's about to tell you a thrilling and scary story. *The Silent Patient* paints a picture, crawling into your soul in the very best way. Take a chance."
**―Brad Meltzer, author of *The Escape Artist** *
"Dark, edgy, and compulsively readable."
**―*Library Journal** *
" *The Silent Patient* isn't quiet at all. It loudly announces that Alex Michaelides is a new talent in the field of psychological thrillers."
**―*Shelf Awareness** *
"Unputdownable, emotionally chilling, and intense, with a twist that will make even the most seasoned suspense reader break out in a cold sweat."
**―*Booklist** *
### About the Author
**Alex Michaelides** was born in Cyprus in 1977 to a Greek-Cypriot father and an English mother. He studied English literature at Cambridge University and got his MA in screenwriting at the American Film Institute in Los Angeles. *The Silent Patient* is his first novel.

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“I think this will definitely put your patients in a good mood.”

Indira laughed and looked pleased. I realized why I liked her—she radiated a kind of maternal calm. She reminded me of my old therapist, Ruth. It was hard to imagine her ruffled, or upset.

I glanced around the room as she made the tea. The nurses’ station is always the hub of a psychiatric unit, its heart: staff flow to and from it, and it is where the ward is run from day to day; at least where all the practical decisions are made. The goldfish bowl was the nurses’ nickname for the station, as its walls were made of reinforced glass—meaning staff could keep an eye on the patients in the recreation room, in theory at least. In practice, the patients hovered restlessly outside, staring in, watching us, so we were the ones under constant observation. The small space did not have enough chairs, and the ones that were there were generally occupied by nurses typing up notes. So you mostly stood in the middle of the room or leaned awkwardly against a desk, which gave the space a crowded feel, no matter how many people were in it.

“Here you are, love.” Indira handed me a mug of tea.

“Thanks.”

Christian ambled in and nodded at me. He smelled strongly of the peppermint gum he was always chewing. I remembered he used to smoke heavily when we were at Broadmoor together; it was one of the few things we had in common. Since then Christian had quit, got married, and had a baby daughter. I wondered what kind of father he made. He didn’t strike me as particularly compassionate.

He gave me a cold smile. “Funny seeing you again like this, Theo.”

“Small world.”

“In mental health terms, it is—yes.” Christian said this as if to imply he might be found in other, larger worlds. I tried to imagine what they might be. I could only imagine him in the gym or in a scrum on the rugby field.

Christian stared at me for a few seconds. I’d forgotten his habit of pausing, often lengthily, making you wait while he considered his response. It irritated me here just as much as it had done at Broadmoor.

“You’re joining the team at rather an unfortunate moment,” he said eventually. “The sword of Damocles is hanging over the Grove.”

“You think it’s as bad as that?”

“It’s only a matter of time. The Trust is bound to shut us down sooner or later. So the question is, what are you doing here?”

“What do you mean?”

“Well, rats desert a sinking ship. They don’t clamber on board.”

I was startled by Christian’s undisguised aggression. I decided not to rise to the bait. I shrugged. “Possibly. But I’m not a rat.”

Before Christian could reply, a massive thud made us jump. Elif was on the other side of the glass, hammering at it with her fists. Her face was pressed up against it, squashing her nose, distorting her features, making her almost monstrous.

“I won’t take this shit no more. I hate this—these fucking pills, man—”

Christian opened a small hatch in the glass and spoke through it. “Now is not the time to discuss this, Elif.”

“I’m telling you, I’m not taking them no more, they make me fucking sick—”

“I’m not having this conversation now. Make an appointment to see me. Step away, please.”

Elif scowled, deliberating for a moment. Then she turned and lumbered off, leaving a faint circle of condensation where her nose had been pressed against the glass.

“Quite a character,” I said.

Christian grunted. “Difficult.”

Indira nodded. “Poor Elif.”

“What’s she in for?”

“Double murder,” Christian said. “Killed her mother and her sister. Suffocated them while they slept.”

I peered through the glass. Elif joined the other patients. She towered over them. One of them slipped some money into her hand, which she pocketed.

Then I noticed Alicia at the far end of the room, sitting by herself, by the window, looking out. I watched her for a moment.

Christian followed my gaze and said, “By the way, I’ve been talking to Professor Diomedes about Alicia. I want to see how she does on a lower dose of risperidone. I’ve brought her down to five milligrams.”

“I see.”

“I thought you might want to know—since I heard you saw her for a session.”

“Yes.”

“We’ll have to monitor her closely to see how she reacts to the change. And, by the way, next time you have a problem with how I medicate my patients, come to me directly. Don’t sneak off to Diomedes behind my back.” Christian glared at me.

I smiled back at him. “I didn’t sneak anywhere. I have no problem talking to you directly, Christian.”

There was an uncomfortable pause. Christian nodded to himself, as if he’d made his mind up about something. “You do realize Alicia is borderline? She won’t respond to therapy. You’re wasting your time.”

“How do you know she’s borderline if she can’t talk?”

“Won’t talk.”

“You think she’s faking?”

“Yes, as a matter of fact, I do.”

“If she’s faking, then how can she be borderline?”

Christian looked irritated.

Indira interrupted before he could reply. “With all due respect, I don’t feel umbrella terms like borderline are particularly helpful. They don’t tell us anything very useful at all.” She glanced at Christian. “This is a subject Christian and I disagree on frequently.”

“And how do you feel about Alicia?” I asked her.

Indira pondered the question for a moment. “I find myself feeling very maternal towards her. That’s my countertransference, that’s what she brings out in me—I feel she needs someone to take care of her.” Indira smiled at me. “And now she has someone. She has you.”

Christian laughed that annoying laugh of his. “Forgive me for being so dense, but how can Alicia benefit from therapy if she doesn’t talk?”

“Therapy isn’t just about talking,” Indira said. “It’s about providing a safe space—a containing environment. Most communication is nonverbal, as I’m sure you know.”

Christian rolled his eyes at me. “Good luck, mate. You’ll need it.”

CHAPTER FOUR

“HELLO, ALICIA,” I said.

Only a few days had passed since her medication had been lowered, but the difference in Alicia was already apparent. She seemed more fluid in her movements. Her eyes were clearer. The foggy gaze had gone. She seemed like a different person.

She stood at the door with Yuri and hesitated. She stared at me, as if seeing me clearly for the first time, taking me in, sizing me up. I wondered what she was concluding. Evidently she judged it safe to proceed and walked inside. Without being asked, she sat down.

I nodded at Yuri to go. He deliberated for a second, then shut the door behind him.

I sat opposite Alicia. There was silence for a moment. Just the restless sound of the rain outside, raindrops drumming against the window. Eventually I spoke.

“How are you feeling?”

No response. Alicia stared at me. Eyes like lamps, unblinking.

I opened my mouth and closed it again. I was determined to resist the urge to fill the void by talking. Instead, by remaining silent and just sitting there, I hoped to communicate something else, something nonverbal: that it was okay for us to sit together like this, that I wouldn’t hurt her, that she could trust me. To have any success at getting Alicia to talk, I needed to win her trust. And this would take time—nothing would be accomplished overnight. It would move slowly, like a glacier, but it would move.

As we sat there in silence, my head started to throb at the temples. The beginnings of a headache. A telltale symptom. I thought of Ruth, who used to say, “In order to be a good therapist, you must be receptive to your patients’ feelings—but you must not hold on to them—they are not yours—they do not belong to you.” In other words, this thump, thump, thumping in my head wasn’t my pain; it belonged to Alicia. And this sudden wave of sadness—this desire to die, die, die—did not belong to me either. It was hers, all hers. I sat there, feeling it for her, my head pounding, my stomach churning, for what seemed like hours. Eventually, the fifty minutes were up.

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