Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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She picked up the camera again and photographed the nude body, zooming in around the knife – Lena 's knife. When Sara had first seen the weapon last night, she'd known instantly who it belonged to. The look on Jeffrey's face had confirmed the belief. She could tell then that he didn't want to share the information, didn't want to admit that Lena was more than a passive spectator in this mess they had gotten themselves into.

And what about Hank? It would have taken two people to swing Boyd Gibson through the motel window. Sara had only met Lena 's uncle a few times, but from her recollection, Hank Norton was a slight man, and not very tall. If he wasn't Lena 's accomplice, then who was? There was no way Lena had managed to do this alone.

Or maybe she hadn't done this at all. Just because the knife belonged to Lena did not mean that she had been the one to stab the man. Sara had to keep an open mind. She couldn't go into the autopsy with preconceived notions or she'd blind herself to other possibilities.

Sara leaned over Gibson's body, going in for a tighter shot of the stab wound. She frowned, noticing a discrepancy between the size of the blade and the size of the wound. The handle of Lena's knife was almost exactly perpendicular to the body – traveling slightly upward and perhaps a few inches to the left, suggesting a right-handed killer, who'd come from behind and stabbed into the heart. Yet, the elongated shape of the wound indicated that the knife had gone in at an angle from an extremely superior position. Lena was right-handed, but she was roughly five feet four inches tall. Either the knife had been bumped in transport or Lena had stood on a ladder to stab him.

Knowing the Elawah sheriff's office, Sara would have bet half her paycheck that the knife had been bumped during transport. She made a note to ask Jake Valentine about this. The inconsistency was just the type of detail a defense lawyer longed for. Sara would have to be very specific how she described the wound in her notes in case this ever ended up in court. Otherwise, she would be torn apart on cross-examination.

Then again, the deposition Sara had given in the malpractice suit had pretty much proved that no matter how thorough you were, no matter how carefully you prepared yourself, there was always some greedy jackal of a lawyer out there who could twist your words to suit their cause.

Sara muttered a few expletives in the name of lawyers before she continued the external examination.

She found a few cuts and scrapes on the palms that most likely came from sliding down the bank of the creek outside Hank's bar. The burn marks on the man's arms were unremarkable and certainly survivable barring a radical infection. The singed hair would have grown back in a few months, the eyelashes in a few weeks. Surprisingly, Gibson had only one tattoo, the ugly red swastika Jeffrey had pointed out the night before. Usually these guys were as marked up as a bathroom wall. Sara used one hand to press a small metal ruler against the tattoo and with the other held the camera as she documented the size and detail.

She stopped, putting down the camera to make more notes, wishing not for the first time that Jeffrey were there to help speed along the process. They had developed a rhythm yesterday, and she found herself wanting him there if only to share her observations on the body. Gibson had a series of old scars crisscrossing his back that made Sara think that at some point he'd been whipped with a belt or something similar. There was a long, white scar down the side of his right thigh that appeared to be from an open fracture.

The timer on the X-ray developer buzzed, indicating the films were ready, and Sara studied them on the ancient light box hanging by the door. Dark lines told the story: signs of an old spiral fracture in the left forearm, as well as long ago posterior, lateral breaks in the ribs. The skull showed long-healed fractures across the suture line. Indications of a long bone shaft fracture dated back at least ten years. If Sara had to guess, she'd say that Boyd Gibson had been severely abused as a child.

She turned back to the body, unable to keep herself from feeling sorry for the man. How many postmortem X-rays had she seen in Grant County exactly like this? It was very seldom she came across a dead criminal whose body did not reveal some sign of childhood abuse. As a pediatrician, she had to wonder about the people in Boyd Gibson's early years. How had he hidden such abuse from his teachers, his doctor, his pastor? How many times had Gibson's mother or father made an excuse about clumsiness or boyhood exuberance to cover for broken bones and concussions? How many adults had ignored the evidence before their eyes and believed them?

While childhood abuse certainly didn't excuse the man's adult actions, Sara could not help but wonder whether Boyd Gibson would have ended up on her table if he'd had a happy childhood.

Of course, there were plenty of people out there in the world who had suffered worse than this and they didn't turn into Nazi drug dealers. Or end up killing them.

Had Lena done this horrible thing? Had she stabbed this man in the back? Sara couldn't see it for the same reason she couldn't see Lena burning someone alive. The woman had a temper, true, but if Lena Adams killed someone, she would be looking them in the eyes when, she did it.

Hardly a defense, but the truth was often awkward.

Sara turned her focus to the murder weapon. She could tell from the powder marks on the pearl handle that Jake Valentine had already dusted it for prints. From the looks of it, nothing had been lifted. Lena would have known to use gloves, to wipe down the weapon. Was that when the knife had dislodged, as she cleaned the handle of her prints?

Sara zoomed the camera in close to see if there were any minute ridge marks the Elawah sheriff's department had missed. Her eyes blurred as the handle came into sharp detail, and she glanced away for a second to clear her vision.

'Wait a minute,' she said to no one in particular. In looking away, she had seen something else. Three small, round bruises were on the back of the dead man's arm. Someone very strong had grabbed Gibson hard enough to leave a mark. Sara could tell from the color that the bruise had happened immediately prior to Gibson's death.

She pressed the ruler underneath the bruises and took photos from several angles. Then, just to make sure, she went back over the body inch by inch, searching for other marks she might have missed.

Satisfied that she'd done all she could, Sara removed her gloves and reviewed her notes, making sure that she could read her writing and that nothing could be misinterpreted. From the moment Sara entered an autopsy suite, she always kept it in the back of her mind that everything she did would eventually be reviewed at trial. On the heels of the malpractice deposition, she felt doubly paranoid.

She kept coming back to the knife, not because it was Lena 's – a fact that she blatantly left out of her notes – but because the wound still troubled her.

Sara took off her reading glasses and rubbed her eyes. Unlike the day before, the adjacent garage was in full swing, air compressors buzzing on and off, exhaust fumes seeping into the morgue. She wasn't happy that the garage odors were so overwhelming, not just because it was giving her a headache but because an autopsy was more than about what you saw. Certain smells from the body could point to anything from diabetes to poisoning.

Sara slipped on her safety goggles and a fresh pair of latex gloves as she walked to the table in the middle of the room. Using a large bore needle, she took central blood and urine samples and labeled them accordingly. With her foot, she pushed over a small step stool so that she would have enough height to stand over the body. Once she was in place, Sara braced her right hand against Gibson's back and wrapped her left around the handle of the knife. She was about to pull out the knife when someone knocked on the door.

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