Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Valentine said, 'Just got electricity out here a few years ago. Liked to took forever for the county to do it. Grover had to do most of the work himself.'

'This is where Boyd Gibson's father lives?'

'Course it is. Where'd you think I was taking you?' Valentine took off his hat and wiped his forehead with the back of his sleeve. He was sweating as bad as Jeffrey, and it suddenly occurred to him that Jake Valentine had been just as wary during their tense walk through the woods as Jeffrey had been.

Valentine pointed to a dilapidated wooden picnic table tucked back into the woods. It'd obviously been there for a while; kudzu had taken over. Valentine told Jeffrey, 'Me and Boyd used to sit up there and smoke weed when we was kids. Skipped school all the time, always in trouble. Now, it was his brother, Larry, who was the jock. Me and Boyd were the stoners.' He was quiet for a moment, seemed to be reflecting as he stared at the picnic table. 'Boyd's old man hated my guts. Mind you, I wasn't crazy about him, either. He beat his wife to an early grave and then he started hauling off on his sons. Beat me once, too – blamed me for getting Boyd hooked and I think maybe he's right.' He rubbed his jaw as if in memory of a punch. 'Maybe I'm just fooling myself because I sure as hell drink too much, but with drugs I think that some folks can take it or leave it. I tried a little bit of everything: coke, speed, dope. It was nice, but then I met Myra and she didn't stand for that kind of thing so I just left it behind. Boyd couldn't do that. He got into meth real heavy, started shooting up, which was something I was always too chicken to do – needles scare the crap out of me. Once Boyd started putting that shit in his veins, he never looked back. You and Sara got kids?'

Jeffrey was taken aback by the sudden question. 'We're trying.'

' Myra says she won't bring a baby into this world without knowing he's gonna have a daddy.'

Jeffrey and Sara had talked about the same thing many times. 'It's dangerous work being a cop, but you can't put your life on hold because of it.'

Valentine nodded, looking back at the picnic table. Jeffrey could see the beginnings of a bald spot on the crown of the man's head. That would explain why he wore a hat all the time. Jeffrey's father had been an asshole of the highest degree, but Jeffrey took comfort in the fact that his old man had died with a full head of hair.

Valentine said, ' Myra and me, we knew each other in high school – well, the kind of way you know who the bad folks are and who the good folks are. Her family moved to town my sophomore year. Big city girl.' He laughed at a private joke. ' Myra was the good one, in case you need to be told. Real religious, loves the Lord. She was pretty surprised when I showed up at the same college as her, thought I was just some dumb pothead who'd end up slinging tires at the factory. I had to work my ass off to convince her I wasn't just some fool chasing a piece of tail.' He chuckled again. 'That was ten years ago, and she hasn't changed a bit. God, but she's pretty. Smart as a whip and don't mind putting me in my place, which I probably need more often than not. Now, I can't even imagine what my life was like without her. Miserable, I guess. Maybe I'd be in jail instead of running the place. Could've just as easily been me as Boyd thrown through your window last night.'

Jeffrey crossed his arms, wondering if what he was hearing was the truth or some carefully planned story to get his defenses down. Valentine hadn't exactly been forthcoming over the last few days, and now he was laying down his life story like he was testifying at a tent revival.

Valentine leaned back on his heel, put his hat on his head. 'You wanted to know who's been setting fires, who chased off Hank and got his place closed down?' He glanced back at the small house as if to make sure no one was listening. 'Answer to both questions is Boyd Gibson. He was working the bar, slinging Bud Light with meth chasers, when the ATF came in. As far as who stabbed him, I've got me some ideas, but I'm gonna have to trust you a hell of a lot more before I tell you that.'

'Did he torch the Escalade?'

'Wouldn't be surprised.'

'Why did my detective run?'

'I gather she's as hardheaded and arrogant as her boss. I arrested her because I think she's involved in this up to her eyeballs. I'm gonna find her again, and I'll be goddamned if I let her slip away from me a second time.'

Jeffrey spoke from experience. 'You're fighting a losing battle.'

'Yeah, well…' He shrugged. 'We'll see about that.'

'Who's in charge?' Jeffrey asked. 'Who's running the skinheads?'

'If I could answer that, you and me probably would've never met.' Valentine's sloppy grin came back. 'Anyways, Chief, I guess I should warn you that the last time I saw Grover Gibson, he threatened to beat the shit out of me if I ever stepped foot on his property again.'

Part of Jeffrey relished the idea of the young sheriff getting his ass kicked. 'Maybe you should call some backup, then. I'm not really here in an official capacity.'

'I figured as much when you got into my squad car without your gun.' He gave Jeffrey a wink before heading toward the house, saying, 'I hope that pretty wife of yours really is a doctor. I have a feeling I'm gonna need some stitches.'

LENA

FOURTEEN

Deacon Simms was one of those men who always looked old and out of step with the world, even when he was in his twenties. Lena supposed Deacon had considered himself a rebel, that when his gray braid slapped against his back as he drove his ancient Harley to the bar, he had thought he was making some kind of statement against society. He still looked every inch the Hells Angel he'd been in his younger days: Handlebar mustache. Confederate flag on the T-shirt stretching across his gut. Leather chaps over faded jeans.

Even in the 1970s, he had looked like someone caught in a time-warp, an old hippie whose slow speech and delayed reasoning proved that you didn't quit being a pothead no matter how many years ago you stopped lighting up. Like Hank, Deacon was wrapped up in AA and NA and any A that would have him. Unlike Hank – please God, hopefully unlike her uncle – Deacon was dead.

Now, leaning over the man's body in Hank's attic, Lena guessed Deacon had been beaten to death. His face looked more like a bruised plum, his sunken cheeks caked with dried blood. His lip had been broken open, the split cutting into his mustache so that it hung off like an actor's prop. Deacon must have lived for a while. Lena wasn't a doctor, but she had seen enough bodies at Sara Linton's morgue to know that you didn't bruise like that unless your heart was still pumping blood. If Lena had to guess again, she'd say that he'd been dead a week, maybe ten days. How long had he waited to die? Had the con with the swastika stuck him up there? Had Hank?

There were certain procedures to follow when you found a stiff. Lena had learned them all her second week at the police academy, when they taught the important stuff they didn't want to waste on the cadets who washed out in the first week.

First, you roped off the scene, then you made the phone calls. By law, the coroner had to pronounce that the person was dead, even if the body was so putrid the smell made your eyes sting. It was the coroner's job to decide whether the death was suspicious or not. Deacon Simms was what you'd call a no-brainer, an instant call to your chief who would then radio out homicide to take over. Next, forensic evidence had to be gathered, pictures taken, the area around the body vacuumed and fingertip-searched for any trace evidence that might have been left by the killer. Only after that would they remove the body for autopsy and go over their findings in order to track the killer.

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