Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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In the case of Hank's attic, someone would point out the way the rat turds and dust were disturbed in a large swath from the access panel to Deacon's final resting place and conclude that he'd been dragged there. Maybe they would notice the boxes stacked in front of the body and assume that he'd been hidden there, left to die. Certainly, they would see the deep cuts on his palms and forearms and say that he had tried to defend himself from someone who was wielding a very sharp knife. The fact of his missing clothes would indicate that there had been something on said clothes that the killer felt might lead back to him. Or maybe the doer got some kind of sick twist out of beating a sixty-year-old man to death and leaving him naked up in an attic to die.

The most disturbing part was the trophy – the patch of skin that had been removed right above Deacon's left nipple. Blood surrounded the area, but the wound had not been fatal. It was just the skin the killer had wanted, a twp-inch by two-inch square that had been expertly peeled from the body. The faded tattoos surrounding the missing flesh offered some clue as to what had been drawn on the removed section. Before his death, Lena had never seen Deacon without his shirt on, but she was more than familiar with the scenes adorning his chest. Deacon was Hells Angels, the original hate-mongers.

Someone had carved off his swastika.

The only good thing the missing skin told her was that Hank had not been involved in Deacon's death. The two had argued just about every day of their lives together, but Hank would never have hurt the only person in the world who could be called his friend. No matter what dark places Lena had let her mind go to over the past few days, she knew now without a shadow of a doubt that Hank would never intentionally harm anyone but himself. He was not a murderer.

The thought brought Lena to an obvious question: what had Hank been doing while someone had beaten Deacon to death and left him in the attic to die?

She had to find Hank. The local police would assume Hank had something to do with Deacon's murder. They would see a desperate drug addict and a violent death and leap to the obvious conclusion. Even Jeffrey would have a hard time believing Hank was innocent. He'd want to know how many days had passed with Hank living in the house and Deacon lying dead right above him. He'd want something more concrete than a missing piece of skin to prove Hank's innocence. Lena couldn't give him any of that. The fact that Hank was missing sure didn't do much to help matters. You only bolted if you had something to hide.

Or maybe Hank was hiding from someone. Maybe he was hiding from Lena.

She crawled back across the attic on her hands and knees, then dropped down onto the kitchen chair. Lena reached around the access panel and moved the box back in place. When she was finished, she found a rag in the bathroom and wiped the trim around the panel's opening so that her dirty fingerprints didn't show. She put the chair back in the kitchen, turned off all the lights but the one over the kitchen sink, then locked the door behind her.

She felt like a criminal as she drove her Celica through town. Hell, she was a criminal. Not only had she failed to report Deacon's death, she'd hidden the body, wiped off her fingerprints. She could just imagine sitting in Al Pfeiffer's office, the old fart leering at her as she told him what had happened. Al would find Hank. He'd bring him in and have him up on murder charges before Lena could even open the phone book and look for a lawyer.

Some of the outside lights were on at the bar as Lena pulled up, but there were no other cars in the lot. She assumed the lights were on timers, but then saw the rigged cords where Hank had strung together some cheap solar panels. The bulbs were a pale, fading orange and she doubted they would stay on for much longer. She leaned over and got the flashlight out of the glove compartment before getting out of the car.

Tape with the logo of the Bureau of Alcohol, Tobacco and Firearms still crisscrossed the front door. Lena checked the seal with her flashlight to make sure it hadn't been broken before heading to the back of the building. She felt the hair on the back of her neck go up as she crossed out of the semi-lit parking lot and walked along the dirt path that led to Hank's office. Considering the week she was having, she didn't think her paranoia an unhealthy emotion.

She had tried to cover the hole she'd kicked in the wall of Hank's office with a couple of trashcans from the bar. Unless you knew what you were looking for, the damage wasn't as obvious as she'd thought. She glanced over her shoulder, shined her light toward the woods, before pushing aside the trashcans and going into the office.

Inside, the shack looked exactly as she'd left it. She couldn't decide if it was a good thing or a bad thing that Hank hadn't been back. Deacon Simms was dead. Other than Charlotte Warren, Hank didn't have any friends he could turn to. There was no couch he could crash on, no spare room he could hole up in.

The checkbook was still open on his desk. She sat down in the chair and went back through the register. As far as she could remember, everything was the same as when she'd found Charlotte 's letters. Still, Lena flipped through the checks, making sure none were missing. Next, she went through the desk again, this time looking for anything that might connect to Deacon Simms. All she found was Hank's spare set of keys under a beat-up old copy of I Am the Cheese.

Lena pocketed the keys and flipped through the book, which bore the stamp of the Elawah County Library on the spine. Glued on the back of the cover was a paper pocket with a checkout slip tucked inside. 'Lena Adams' was scribbled on the strip where she'd signed out the book a billion years ago. She'd needed it for an English paper. Lena had loved the book but blown off the assignment. When the teacher had called Hank to let him know, Lena had lied, told him she'd lost the book. In addition to tanning her hide, Hank had made her pay for the book out of her allowance.

And the asshole had kept it this entire time.

Lena tossed the book onto the desk, accidentally knocking over a stack of receipts. She was scooping them up, trying to put them back in a pile, when she saw the telephone underneath. The phone was old, the kind they started making shortly after getting rid of the rotary dial. Lena reached behind it and followed the cord under the desk, looking for the answering machine. She guessed that as with the electric supply, Hank hadn't bothered to pay the phone company to get service all the way out to the shack. The galvanized pipe with the extension cord that led back to the bar was about two inches round – there was plenty of space for a long telephone extension cord.

She tucked the checkbook under her arm and knelt down to leave the shack through the hole.

There wasn't anything worth stealing in the office, but she moved the trashcans back in front of the hole.

The back door of the bar was padlocked, but that had been Hank's doing, not the drug agents. As with the front door, ATF had stuck their usual tape across the jamb but she easily cut the seal with one of the keys. Lena matched the Kryptonite key to the padlock, then a smaller Yale key to the deadbolt. The metal door groaned as it opened, the pungent odor of stale smoke and beer spilling into the night air.

The soles of her shoes snicked across the rubber fatigue mats as she walked through the kitchen. Something ran over her foot and she stood stock still, hoping that it was just a rat then hoping that it was alone. She used her flashlight to find the light switch, her mind conjuring a host of rabid rodents eager to attack. There was a noise in the corner that she chose to ignore as she walked to the front of the bar.

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