Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Jeffrey didn't know whether it was just for his benefit, but Jake Valentine was a painfully careful driver. The man never met an intersection he didn't slow down for and he actually stopped at a green light on the outskirts of town, telling Jeffrey, 'It turns red real fast.' He liked to talk, and Jeffrey kept his own counsel, nodding to keep him going as they made the trip to tell Grover Gibson his son had been stabbed to death.

After half an hour of nonstop babbling, Valentine seemed to exhaust himself of talk of the weather and local anecdotes involving high school seniors pulling pranks during homecoming week. Not once had he brought up the reason for their trip, or speculated on who might have killed Boyd Gibson. Jeffrey knew that even Jake Valentine would've dusted the knife sticking out of Boyd's back for prints. He'd have to scan in anything he found and send it to the state lab for cross-referencing. Unless he put a rush on it, and that was seriously doubtful, he'd have something back in a few days.

Jeffrey asked, 'You ever been in a situation like this before?'

'What's that?'

'Known a victim,' Jeffrey answered. 'This Boyd Gibson. You went to high school with him, you said.'

'We ran in different crowds.'

'You were with the jocks and he was with the stoners?'

'Oh, me.' Valentine laughed. 'My daddy's biggest disappointment was me not being able to handle a basketball.' He glanced at Jeffrey. 'Dad was all-state his last year at UGA. Scored thirty-seven points in the last half pretty much on his own. Me, I'm just good for changing lightbulbs and getting down boxes from the top shelf.'

'What made you pick up the badge?'

'Oh.' He waved his hand, dismissing the question. 'Just thought it'd be something to do.'

'Seems like a pretty dangerous job to take up on a whim, considering the last guy who had it was chased out of town.'

'He landed on his feet.'

'Sounds to me like he got when the gettin' was good.'

Valentine gave Jeffrey a sharp look. 'You telling me I should do the same?'

'I'm telling you this is a dangerous job for somebody who doesn't have his heart in it.'

Valentine slowed his car for a turn onto a one-lane dirt road. 'I might just surprise you, Chief.'

'You know what surprises me?' Jeffrey asked, feeling the temperature drop in the car as they got out of the sun and drove down the tree-lined path. 'It surprises me that you don't seem to have any questions.'

'What kind of questions should I have?'

'Start with why my detective gave you the slip,' Jeffrey began. 'Who made Hank Norton disappear? Who got his bar closed down? Who's been setting fires? Who killed your buddy from high school?'

Valentine slowed the car to a stop. He put the car in park and turned toward Jeffrey. Two things occurred to Jeffrey. One was that they were in the middle of nowhere and the other was that Jake Valentine was the only one of them who was armed.

He felt a bead of sweat roll down his back.

Valentine rested his hand on the bottom curve of the steering wheel, his fingers inches from the gun on his belt. He said, 'You look nervous, Chief.'

'I want to know why you stopped.'

'To answer your questions,' he said. 'Come on, let's go for a walk.' He opened the door and got out. Jeffrey sat there, his heart beating hard enough to feel. The lane they were parked on was little more than packed dirt, dense forest on either side. No one knew they were out here but Sara, and there were a lot of excuses she could be told as to why Jeffrey never came back.

Valentine stood in the road a few feet in front of the car. He waved for Jeffrey to get out. 'Come on, Chief.'

Jeffrey opened the door. He'd left his gun in the back of Sara's car, locked in the trunk with their suitcase. He'd thought they were coming here to tell a man that his son was dead, not chase bad guys.

Valentine said, 'It's getting cool out.'

'Yeah,' Jeffrey agreed. He felt the wind stir up as he got out of the car. He'd put on a light jacket over a long-sleeved T-shirt this morning but he didn't zip the jacket closed. He wanted the sheriff to think that Jeffrey wanted to be able to reach into the coat if he needed to.

Jeffrey closed the car door. The lane was covered in fall leaves, the trees bending over to block out the light. It would've been gorgeous if Jeffrey hadn't had the powerful suspicion that he'd been brought out here for some kind of ambush.

'This way.' Valentine started strolling down the lane, slow enough for Jeffrey to catch up.

Jeffrey said, 'I didn't plan on going for a walk.'

'Pretty day for it, though. Might want to zip up your jacket.'

'I'm fine,' Jeffrey assured him.

Valentine reached up and tugged a bright orange leaf from an overhanging branch. He twirled it in his fingers as he talked. 'Good country folk live out here. Real simple people. Most of them, they just wanna go to work, come home to the wife and kids, maybe have enough money left over at the end of the week to get a couple of beers and watch the football game on TV.'

Jeffrey kept his hands at his sides. There was a way you walked when you were carrying a gun, like you had brass ones swinging to your knees. ' Grant County 's not that much different.'

'Guess not.' Valentine let Jeffrey get a foot or so ahead of him. The move was subtle, but Jeffrey knew the other man was looking for the telltale bulge of a gun at his back.

Valentine said, 'Most small towns are alike, I think. Politics and all that crap blurs things, but we all have the same goals whether we're in south Georgia or south France or Timbuktu. We want to feel safe. We want our kids to go to good schools and have the opportunities we didn't. We want to live our lives and feel like we've got some control over our destinies.'

He was sounding like a different person now, the aw-shucks gestures and good-ol'-boy slang all but gone.

'What's this leading up to, Jake?'

He gave Jeffrey a lazy smile. 'This way.' He pointed to a small trail that cut through the woods.

'What's down there?'

'See for yourself.'

This time, Valentine took the lead and Jeffrey followed, the hairs on the back of his neck prickling as they went deeper into the forest. The trail didn't appear to be well-used. The ground sloped downward and Jeffrey slowed his pace, putting some distance between himself and the sheriff. Valentine didn't seem to notice. He kept walking, still twirling the leaf. It wasn't until he reached a small clearing that he stopped, waiting for Jeffrey.

'Lookit this,' Valentine said. He pointed to a sloped rock with a hole in it. A long section of white PVC pipe was propped up against the hole. A trickle of water fed into the pipe.

'It's a natural spring,' Jeffrey said, more than a little surprised. He knelt down to check it out before he could think about what he was doing. He looked up at the sheriff, waited for the man to make his move.

'Here.' Valentine offered his hand, helped Jeffrey stand. 'The pipe goes down the hill here.' He started walking, following the pipe's path. The woods started to clear and the trees thinned out as they made their way down the slope toward what looked like an abandoned shack. Jeffrey guessed they walked about fifty yards before they reached a huge plastic holding tank of springwater. Jeffrey could hear the water dripping into the tank, saw the larger plastic pipe feeding into a shack sitting in the middle of a clearing.

'Plumbing,' Valentine told Jeffrey. 'Springwater goes into the hookup at the house. Cold as a witch's tit if you wanna take a shower, but pretty damn smart, don't you think?'

'Yeah,' Jeffrey agreed. He could see a beat-up Ford parked in front of the shack. A long wire ran from the roof to an electric pole. Except for the small satellite dish angled off the roof, he could be looking at a home circa the Great Depression.

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