Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Bart was still studying Boyd Gibson's X-rays. He gave a low whistle. 'Not much of a childhood.' He traced a faint line along the clavicle. 'Nasty break.'

'Did you know him?'

Bart turned around, and for the first time since he'd come into the room, he seemed to be really looking at her. 'Yeah,' he said, his tone filled with sadness. 'His mama used to bring him in. She was always torn up.' He indicated his face, and Sara realized he was indicating abuse. 'Never saw it in Boyd or his brother – he's got an older brother -but I called the sheriff plenty of times about Ella. That was her name.' He turned his back to Sara as he looked at the films again, or maybe he just didn't want her to see him upset. 'She was a great lady. Quiet, respectful, good cook. Everything you'd want in a wife. I guess some men can't be happy with that. Grover sure as hell wasn't.'

Sara waited to make sure he was finished speaking before asking, 'What did the sheriff do when you reported it?'

'This was back when Al was in charge,' Bart said, turning back around. 'Al was a good man, but you couldn't press charges back then without the wife on board to testify, and Ella wasn't going to say a word against Grover. Not that she had any love left for him, but she knew what he would do to the boys, and it wasn't like she could go out and get a job to support all of them.'

'Is she still with him?'

'No,' he said, looking down at his feet. 'Cancer took her when Boyd was about ten, maybe eleven. I didn't see him much after that. Grover wasn't gonna waste his drinking money on having their teeth cleaned.' He pointed to the corpse. 'Course, I've seen him plenty lately.'

'How's that?'

Bart directed his gaze toward Gibson's forearms, where track marks scarred the flesh. They were fairly healed, at least four to six months old. Gibson was also heavy, and meth users tended to be extremely thin.

She said, 'He doesn't look as if he's been using lately.'

'Yeah, he got cleaned up for a while.' Bart shrugged. 'Lots of 'em clean up for a month, sometimes a year. Then something happens and they're back on the needle quick as you please.'

'Is that what happened to Boyd?'

Bart didn't exactly answer her question. 'He came in about six weeks ago. He didn't have the money for the work, but I set up a payment schedule for him. He was in awful pain. His whole mouth was infected. Would've lost the rest of his teeth if I hadn't done something.'

'I saw the bridge,' Sara said, indicating the dental film. She hadn't yet examined Gibson's mouth.

Bart looked at the X-ray. 'Not as bad as it could've been.' He gave a quick smile. 'You must see that kind of thing a lot more than me.'

'What's that?'

'Indigents,' He pronounced the word sharply, but Sara could not tell if she was meant to infer derision or pity. 'They come in and you know they can't afford it but you can't turn them away because that's not why you went to school.'

Sara nodded and shrugged at the same time, not knowing what else to say. She was hardly going to have a protracted discussion about the dismal state of healthcare with this man.

'Well.' Bart glanced at his watch as if he had just remembered an appointment. 'Anyway, I just wanted to drop by and make sure you were making yourself at home. Let me know if you need anything, all right?'

'Thank you,' Sara said, and she really meant it until he flashed one of his ferret smiles.

'You take care now, darlin'. Wouldn't want you to get mixed up in any of this.'

She felt her own smile tighten on her face. 'Thank you,' she repeated, but Fred Bart had already left.

Sara looked back at the dead man lying on the table as if he might offer some wry comment about what had just happened. Of course he did not. Sara took off her gloves as she walked back over to her notes. She found the right page and recorded that Fred Bart had assisted with the removal of the knife. She also noted that the knife had easily slipped from the wound. Bart was right about one thing; usually the blades stuck, whether from dried blood or tissue that stiffened around the metal.

She pushed this to the back of her mind as she continued the external examination, photographing the healed scars that indicated needle use, making note of a few scratches on the front of the shin. Gibson's mouth was already open and the bridge spanning the gap where his front teeth should have been popped out easily. Though she didn't want to, Sara had to admit that Bart did good work. The gums were almost completely healed and there didn't seem to be any indication that the bridge had fit awkwardly.

Sara checked the time, wondering what was taking Jeffrey and Jake Valentine so long. They were supposed to bring Boyd Gibson's father in to identify the body but that had been a good two hours ago. Technically, Jake had already positively identified Boyd Gibson, but she knew from experience that the family generally needed to see the victim in order to get some closure.

She called Jeffrey's cell phone but he didn't pick up. She left a message for him, but after twenty minutes passed without him returning her call, she decided to go ahead with the internal examination. She could always cover the body when Gibson's father arrived to spare him the more graphic aspects of his son's death.

She regloved and returned to the table, where she picked up a scalpel and began the Y-incision. Because there was a Dictaphone over the autopsy table that she used back in Grant, Sara could not stop her mind from doing a running narration of every movement she made, so that when she opened the rib cage or examined the pleura, she heard a little voice in her head echoing the motions.

She followed the penetration path of the stab wound to the heart, finding just as she'd predicted. The blade had pierced the left posterior thoracic wall and exited the anterior, causing almost immediate death. She stopped here, making some more notes, taking photographs and measuring the blade's path, then doing her own drawing of exactly what she'd found.

Even without the stab wound, the heart was in bad shape. Enlarged from the extra weight on Gibson's frame, the major arteries were already showing signs of disease. Had the knife not killed him, his bad health habits would have ensured he didn't live into a comfortable old age.

Though she had obvious cause of death, Sara continued the autopsy in minute detail, carefully weighing and dissecting the organs, taking tissue samples. Boyd Gibson's last meal had been similar to the one Jeffrey and Sara had shared: pizza. He preferred pepperoni from the looks of it, but he'd chosen to eat a healthy salad to balance it out. Maybe he had smoked while he ate. Judging from the coloring and the enlarged air spaces in his lungs, Gibson had been a heavy smoker. Considering this, Sara thought it odd that he hadn't had cigarettes in his pockets.

She made a note of this, took more photographs and did so many drawings that her hand cramped. Unfortunately, her devotion to detail was only punishing herself. By the time the clock hands ticked past noon, her feet were killing her and her back felt as if it had been bent into a shepherd's hook.

And, honestly, Sara had never been an artist. Her drawings looked like the class project of a psychopathic kindergartener.

She covered the body and sat down, every vertebrae in her neck popping as she looked up at the ceiling in hopes of counteracting the fact that she had been looking straight down for the last two hours. She was just starting to let herself worry about Jeffrey when she heard a car pull up outside.

Jake Valentine opened the door, knocking at the same time. 'Sorry we're late,' he told her, a sloppy grin on his face. He had a piece of toilet tissue shoved up his nose. The bridge was swollen, the fingertips of a bruise spreading under his left eye.

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