Karin Slaughter - Skin Privilege

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Sara stood in alarm. 'Where's Jeffrey?'

Before she had finished the question, he came in behind Valentine, shutting the door.

'Slight altercation,' Jeffrey explained. He shared the same sloppy grin as the sheriff, as if they'd just had a great deal of fun together.

'What kind of altercation?' Sara felt like she was talking to two naughty children, and Jeffrey's burst of laughter did nothing to disabuse her of the notion.

Valentine laughed, too, though she could tell from the tears in his eyes that it hurt to do so. He told her, 'Grover wasn't exactly happy to see me.'

Jeffrey explained, 'He punched Jake in the face as soon as he opened the door.'

Sara noticed that he was using the sheriff's first name now. Only two cops could bond over one of them getting their face punched.

Valentine told Sara, 'Lucky thing you told me to bring him along this morning. You'd probably have me on that table right now if he hadn't been there.'

'Shit,' Jeffrey replied. 'Probably be both of us if you hadn't tripped the old fool.'

Sara resisted the urge to roll her eyes. 'I take it Mr. Gibson is not coming in to do the formal identification?'

Valentine explained, 'He wasn't too broke up about losing his son. They weren't exactly close.' He shrugged, allowing a hint of seriousness to enter his voice. 'Maybe when he sobers up, it'll hit him.'

Jeffrey turned serious as well, telling Sara, 'He was out of control. We cuffed him, took him to the station, so he could sleep it off. Not the first time he's been there, from the looks of it.'

'No,' Valentine agreed. 'Probably won't be the last, either.'

'I took several photographs of his face,' Sara offered. 'You can show those to his father. It might make things easier.'

Jeffrey asked Sara, 'Did you find anything?'

'Not really.' She picked up the murder weapon and placed it on a sheet of brown paper so that she could photograph it. This was the first time Sara had really examined the full blade and handle. Looking at it now, she noticed two things about the knife: the blade was thin, maybe half an inch wide, and it was at least four inches long. Most important, unlike the majority of folding knives Sara had seen, there was no serration. The blade was smooth on one side and sharp on the other.

Valentine's cell phone rang, the opening bars of ' Dixie ' filling the room. He checked the caller ID, then told them, 'If y'all could excuse me for a minute?'

Sara waited until the door closed before picking up the camera and scrolling through the photographs.

Jeffrey asked, 'Did you call the hospitals to see if Lena or Hank have been admitted?'

'There are three within a fifty mile radius,' she told him, scanning through the photos. 'No sign at any of them.'

'I guess that's good,' he said, though she could tell he was disappointed. If Lena had been tucked up in a hospital last night, there was no way she could have been out killing Boyd Gibson.

Sara found the photo she wanted. 'This should make you feel better.'

'What's that?'

'Look at the wound,' she said, finding the series of close-ups she'd taken. 'It's jagged at the bottom and jagged at the top. I knew something wasn't right.'

Jeffrey looked at the knife on the table, then back at the camera's LCD. He obviously knew where she was going with this, but still said, 'Okay.'

'The knife – this knife' – she indicated Lena 's knife on the table-'Would have made a wound with a V-shaped bottom and a squared edge at the top. A serration leaves a jagged edge in the skin. The top and bottom of the wound in Boyd Gibson's back is jagged.'

He was nodding. 'Based on the wound, the knife that killed Gibson was double-edged, serrated.' She could hear the excitement in his voice. Statistically, most stabbing victims were killed with single-edge serrated knives because that was what was usually in the kitchen drawer. Sara had never seen a double-edged serrated knife, let alone a stab wound from one. If there was someone out there in Elawah carrying such a weapon, he was more than likely the killer.

Jeffrey tapped his fingers on the table, processing the new lead. 'I'd bet it was a custom job. Maybe something off-market for the military. Definitely full tang, probably a custom handle to match the sheath… How long do you think the blade would have to be?'

'From the hilt to the point of the blade would have to be at least six inches long, then I'd guess from the wound that it's around an inch and a half wide, tops.' She pointed to Gibson. 'Look at how big he is. His chest is huge, his heart was enlarged. I found an entrance and exit wound through the left chamber.' She indicated Lena 's knife again. This blade might have pierced the back of the heart, but there's no way it could have gone all the way through the heart and out the front. It's not long enough – the whole thing tip to handle is eight inches long.'

'There's got to be a local who makes these things.' He could not wipe the smile off his face. 'With the handle, a six-inch knife would run close to nine, ten inches. The guy we saw outside the hospital had a big knife on his belt. He left it in his car before he got out.'

'It's not unusual for men to carry knives,' Sara pointed out. 'My dad keeps one on his belt for work.'

'Last time I checked, your dad doesn't have a big fat swastika on his arm,' Jeffrey countered. 'Whoever did this was trying to frame Lena. No wonder she ran.'

'Or maybe he was close to his knife and didn't want to let it go.' She walked over to the table where she had bagged Gibson's personal effects. 'Look at Gibson's knife. It's not off-the-shelf. He paid some good money for it. This isn't something you'd easily let go of.'

The door opened and Valentine appeared. He kept the door propped open with his foot, as if he didn't plan to stay long. The man was obviously furious when he told them, 'That was the principal from the high school on the phone.'

Jeffrey exchanged a look with Sara. 'And?'

'He found some blankets and a couple of empty bags of potato chips in one of the temporary classrooms.' He shook his head, his teeth clenched so tight that his jaw stood out like a carved relief. 'Looks like we've found out where your detective's been sleeping.' Jeffrey flashed a smile that sent Valentine straight over the edge. 'My wife works at that school, you fuckwad.'

Jeffrey offered, 'Well, I wouldn't feel too bad, Jake. I'm sure Myra didn't let her sleep there on purpose.'

Valentine pressed his lips together, obviously struggling to think of a cutting response. He finally settled on, 'Go to hell,' then turned on his heel and slammed the door shut behind him.

LENA

SIXTEEN

Two years ago, Jeffrey had thrown Ethan Green's arrest jacket in Lena 's face, ordering her to read it.

Of course she never had.

She had pretended to skim the file, taking in every fifth or sixth word, then pushed it back in his face with a belligerent, 'So?'

Jeffrey had given her the highlights, the rundown of Ethan's crimes: grand theft auto, felony assault, forcible sodomy, rape. None of his words had penetrated – Lena was still in that phase where she thought of Ethan as two different people: the one who loved her and the one who would eventually kill her. The duality was not much of a stretch; at the time, Lena thought of herself in much the same terms.

Sibyl had been dead almost a year when Lena first met Ethan. She was living at the college dorms, working campus security, struggling to get through each day without putting a gun to her head. Ethan was working on his master's degree. He had pursued Lena relentlessly, almost wearing her down.

A few months later, Lena got her job back with the police force and moved in with Nan Thomas. Ethan was still in her life; Ethan was still her life. His arrest file had stayed in her Celica the whole time, well concealed behind the CD changer in her trunk. Lena hadn't wanted Nan to accidentally come across it. Truth be told, she hadn't wanted to take it into the house where Sibyl had once lived. It was bad enough when Ethan slept over.

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