Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“The bell at the pension door rang and a slender man stepped in, pulling the door shut behind him. I think I had expected an august presence, an aging man in a business suit, but Selim Aksoy was young and slight, dressed in loose-fitting and rather shabby dark trousers and a white shirt. He hurried toward us with an eager, intense look on his face that was not quite a smile. It wasn’t until I was shaking his bony hand that I recognized the green eyes and long thin nose. I had seen his face before, and up close. It took me another second to place him, until I had the sudden memory of a slender hand passing me a volume of Shakespeare. He was the bookseller from the little shop in the bazaar.

“‘But we’ve already met!’ I exclaimed, and he was exclaiming something similar at the same moment, in what I took to be an amalgamation of Turkish and English. Turgut looked from one to the other of us, clearly perplexed, and when I explained, he laughed, then shook his head as if in wonder. ‘Coincidences’ was all he said.

“‘Are you ready to go?’ Mr. Aksoy waved aside Turgut’s offer of a seat in the parlor.

“‘Not quite,’ I said. ‘If you don’t mind, I will see where Miss Rossi is and when she can join us.’

“Turgut nodded a little too guilelessly.

“I ran into Helen on the stairs-literally, for I suddenly found myself taking the steps three at a time. She grabbed the railing to keep herself from toppling down the staircase. ‘Ouch!’ she said crossly. ‘What in the name of heaven are you doing?’ She was rubbing her elbow, and I was trying not to keep feeling the brush of her black suit and firm shoulder against my arm.

“‘Looking for you,’ I said. ‘I’m sorry-are you hurt? I just got a little worried because I’d left you alone up there so long.’

“‘I’m fine,’ she told me more mildly. ‘I’ve had some ideas. How long before Professor Bora arrives?’

“‘He’s here already,’ I reported, ‘and he brought a friend.’

“Helen recognized the young bookseller, too, and they talked, haltingly, while Turgut dialed up Mr. Erozan and shouted into the receiver. ‘There has been a rainstorm,’ he explained when he returned to us. ‘The lines get a little furry in this part of town when it rains. My friend can meet us at once at the archive. He sounded sick, actually, maybe with a cold, but he said he’d come right away. Do you want coffee, madam? And I will buy you some sesame rolls on the way.’ He kissed Helen’s hand, to my displeasure, and we all hurried out.

“I was hoping to keep Turgut back as we walked so that I could tell him privately about the appearance of the vicious librarian from home; I didn’t think I could explain this in front of a stranger, particularly one Turgut had described as having little real sympathy for vampire hunts. Turgut was deep in conversation with Helen before we’d walked a block, however, and I had the double misery of watching her bestow her rare smile on him and of knowing I was keeping back information I ought to give him at once. Mr. Aksoy walked next to me, casting a glance at me now and then, but for the most part he seemed so lost in his own thoughts that I didn’t feel I should interrupt him with observations on the beauty of the morning streets.

“We found the outer door to the library unlocked-Turgut said with a smile that he’d known his friend would be prompt-and went quietly in, Turgut ushering Helen gallantly before him. The little entrance hall, with its fine mosaics and the registration book lying open and ready for the day’s visitors, was deserted. Turgut held the inner door for Helen, and she had gone well into the hushed, dim hall of the library before I heard her intake of breath and saw her stop so suddenly that our friend almost tripped behind her. Something made the hair on the back of my neck rise even before I could tell what was happening, and then something quite different made me push rudely past the professor to Helen’s side.

“The librarian waiting for us stood motionless in the middle of the room, his face turned, as if eagerly, toward our arrival. He was not, however, the friendly figure we’d expected, nor was he already bringing out the box we’d hoped to examine again, or some pile of dusty manuscripts on Istanbul ’s history. His face was pale, as if drained of life-exactly as if drained of life. This was not Turgut’s librarian friend but ours, alert and bright-eyed, his lips unnaturally red and his hungry gaze burning in our direction. At the moment his eyes lit on me, my hand gave a throb where he had bent it back so hard in the library stacks. He was famished for something. Even if I’d had the tranquillity of mind in which to conjecture about that hunger-whether it was a thirst for knowledge or for something else-I would not have had time to form the thought. Before I could so much as step between Helen and the ghoulish figure, she pulled a pistol from her jacket pocket and shot him.”

Chapter 35

“Later, I knew Helen in a great range of situations, including those we call ordinary life, and she never stopped surprising me. Often what astonished me in her were the quick associations her mind made between one fact and another, associations that usually resulted in an insight I would have been slow to reach myself. She dazzled me, too, with the wonderful breadth of her learning. Helen was full of these surprises, and I grew to consider them my daily fare, a pleasant addiction I developed to her ability to catch me off guard. But she never startled me more than at that moment in Istanbul, when she suddenly shot the librarian.

“I had no time for astonishment, however, because he stumbled sideways and hurled a book toward us, just missing my head. It hit a table somewhere to my left, and I heard it fall to the floor. Helen fired again, stepping forward and aiming with a steadiness that took my breath away. Then the oddness of the creature’s reaction struck me. I’d never seen anyone shot before except in the movies, but there, alas, I had seen a thousand Indians die at gunpoint by the time I was eleven, and later every sort of crook, bank robber, and villain, including hosts of Nazis created expressly for shooting by an enthusiastic wartime Hollywood. The strange thing about this shooting, this real one, was that although a dark stain appeared on the librarian’s clothes somewhere below his sternum, he did not clutch the spot with an agonized hand. The second shot grazed his shoulder; he was already running, and then he bolted into the stacks at the rear of the hall.

“‘A door!’ Turgut shouted behind me. ‘There is a door there!’ And we all ran after him, tripping on chairs and darting among the tables. Selim Aksoy, slight and fleet as an antelope, reached the shelves first and disappeared among them. We heard a scuffle and a crash, then indeed the slamming of a door, and found Mr. Aksoy stumbling up out of a drift of fragile Ottoman manuscripts with a purple lump on the side of his face. Turgut ran for the door and I ran after, but it was shut tightly. When we got it open, we discovered only an alley, deserted apart from a pile of wooden boxes. We searched the labyrinthine neighborhood at a trot, but there was no sign of the creature or his flight. Turgut collared a few pedestrians, but no one had seen our man.

“Reluctantly, we returned to the archive through the back door and found Helen holding her handkerchief to Mr. Aksoy’s cheekbone. The gun was nowhere in sight, and the manuscripts were neatly stacked on the shelf again. She looked up when we came in. ‘He fainted for a minute,’ she said softly, ‘but he is all right now.’

“Turgut knelt by his friend. ‘My dear Selim, what a bump you have.’

“Selim Aksoy smiled wanly. ‘I am in good care,’ he said.

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