Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘I can see that,’ Turgut agreed. ‘Madam, I congratulate you for trying. But it is useless to attempt to kill a dead man.’

“‘How did you know?’ I gasped.

“‘Oh, I know,’ he said grimly. ‘I know the look of that face. It is the expression of the undead. There is no other face like that. I have seen it before.’

“‘It was a silver bullet, of course.’ Helen held the handkerchief more firmly on Mr. Aksoy’s cheek and eased his head back against her shoulder. ‘But, as you saw, he moved, and I missed his heart. I know I took a great risk’-she looked deeply at me for a moment, but I couldn’t read her thoughts-‘but you could see for yourselves that I was right in my calculation. A mortal man would have been seriously wounded by such shots.’ She sighed and adjusted the handkerchief.

“I looked from one to the other in bewilderment. ‘Have you been carrying around that gun all the time?’ I asked Helen.

“‘Oh, yes.’ She pulled Aksoy’s arm over her shoulder. ‘Here, help me get him up.’ Together we lifted him-he was light as a child-and steadied him on his feet. He smiled and nodded, shrugging off our assistance. ‘Yes, I always carry my pistol when I feel any sort of-uneasiness. And it is not so difficult to acquire a silver bullet or two.’

“‘That is true.’ Turgut nodded.

“‘But where did you learn to shoot like that?’ I was still stunned by that moment when Helen had drawn and aimed so quickly.

“Helen laughed. ‘In my country, our education is deep as well as narrow,’ she said. ‘I received an award for my shooting in our youth brigade when I was sixteen. I am glad to find I have not forgotten how.’

“Suddenly Turgut gave a cry and struck his forehead. ‘My friend!’ We all stared. ‘My friend-Erozan! I am forgetting him.’

“It took us only a second to grasp his meaning. Selim Aksoy, who seemed recovered now, was the first to hurry into the stacks where he’d received his injury, and the rest of us scattered quickly around the long room, searching under tables and behind chairs. For a few minutes the hunt was fruitless. Then we heard Selim calling us, and we all rushed to his side. He was kneeling in the stacks, at the foot of a high shelf laden with all kinds of boxes, bags, and rolled-up scrolls. The box that housed the papers of the Order of the Dragon lay on the floor beside him, its ornate lid open and some of its contents scattered nearby.

“Among these relics, Mr. Erozan was stretched out on his back, white and still, his head lolling to one side. Turgut knelt and put his ear to the man’s chest. ‘Thank God,’ he said after a moment. ‘He is breathing.’ Then, examining him more closely, he pointed to his friend’s neck. Deep in the loose, pale flesh just above the shirt collar, there was a ragged wound. Helen knelt beside Turgut. We were all silent for a moment. Even after Rossi’s description of the bureaucrat who had confronted him many years before, even after Helen’s injury in the library at home, I found it hard to believe what I was seeing. The man’s face was terribly pale, almost gray, and his breathing came in shallow, short gasps, barely audible until you listened carefully.

“‘He has been polluted,’ Helen said quietly. ‘And I think he has lost quite a bit of blood.’

“‘A curse on this day!’ Turgut’s face was anguished, and he pressed his friend’s hand in his two big ones.

“Helen was the first to rally. ‘Let us think sensibly. This is perhaps only the first time he has been attacked.’ She turned to Turgut. ‘You didn’t see any sign of this in him when we were here yesterday?’

“He shook his head. ‘He was quite normal.’

“‘Well, then.’ She reached into her jacket pocket, and I recoiled for an instant, thinking she was about to pull out the pistol again. Instead she drew forth a head of garlic and placed it on the librarian’s chest. Turgut smiled in spite of the grimness of the whole scene and drew a head of garlic from his own pocket, placing it with hers. I couldn’t imagine where she’d gotten it-perhaps on our stroll through the souk, when I’d been absorbed in other sights? ‘I see great minds think the same,’ Helen told him. Then she took out a paper packet and unwrapped it, revealing a tiny silver crucifix. I recognized it as the one she’d purchased at the Catholic church near our university, the one she had used to intimidate the evil librarian when he’d attacked her in the history section of the library stacks.

“This time Turgut stopped her with a gentle hand. ‘No, no,’ he said. ‘We have our own superstitions here.’ From somewhere inside his jacket he took a string of wooden beads, such as I’d seen in the hands of men on the streets of Istanbul. This one ended in a carved medallion with Arabic lettering on its face. He touched the medallion gently to Mr. Erozan’s lips, and the librarian’s face gave a grimace, as of involuntary disgust, twitching and curling. It was an awful sight, but a momentary one, and then the man’s eyes opened and he frowned. Turgut bent over him, speaking softly in Turkish and touching his forehead, then giving the wounded man a sip of something from a little flask he conjured out of his jacket.

“After a minute, Mr. Erozan sat up and looked around, groping at his neck as if it hurt. When his fingers found the little wound with its trickle of drying blood, he buried his face in his hands, sobbing, a heartrending sound.

“Turgut put an arm around his shoulders, and Helen placed a hand on the librarian’s arm. I found myself reflecting that this was the second time in an hour that I had seen her tending with gentle touch to an afflicted being. Turgut began to question the man in Turkish, and after a few minutes he sat back on his heels and looked at the rest of us. ‘Mr. Erozan says the stranger came to his apartment very early this morning, while it was still dark, and threatened to kill him unless he opened the library for him. The vampire was with him when I called him this morning, but he dared not tell me about his presence. When the strange man heard who had called, he said they must go at once to the archive. Mr. Erozan was afraid to disobey, and when they arrived here the man made him open the box. As soon as it sprang open, the devil leaped on him, held him on the ground-my friend says he was incredibly strong-and put his teeth in Mr. Erozan’s neck. That is all he remembers.’ Turgut shook his head sadly. Mr. Erozan suddenly grasped Turgut’s arm and seemed to be imploring something of him in a flood of Turkish.

“For a moment Turgut was silent, and then he took his friend’s hands in his, pressed the prayer beads into them, and gave him a quiet answer. ‘He told me that he understands he can be bitten only twice more by this devil before becoming one himself. He asks me if this thing should come to pass to kill him with my own hands.’ Turgut turned away, and I thought I saw a glistening of tears in his eyes.

“‘It will not come to that.’ Helen’s face was hard. ‘We are going to find the source of this plague.’ I didn’t know whether she meant the evil librarian or Dracula himself, but when I saw the set of her jaw I could almost believe in our eventual success in vanquishing both. I had noted that look on her face once before, and the sight of it took me back to the table of the diner at home, where we’d first talked about her parentage. Then she had been vowing to find her disloyal father and unmask him to the academic world. Was I imagining it, I wondered, or had her mission shifted at some moment that she herself hadn’t noticed?

“Selim Aksoy had been hovering behind us, and now he spoke to Turgut again. Turgut nodded. ‘Mr. Aksoy has reminded me of the work we have come here to do, and he is right. Other researchers will begin to arrive soon, and we must either lock the archive or open it to the public. He offers to desert his shop today and serve as librarian here. But first we must clean up these documents and see what damage has been done to them, and above all we must find a safe place for my friend to rest. Also, Mr. Aksoy would like to show us something in the archives before other people are present.’

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