Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“Then Turgut and I lifted the pale, weak man from the floor, propped him between us, and carried him carefully through the back door. Helen followed with Turgut’s jacket, we passed through the alley, and a moment later we were out in the morning sunlight. When it struck Mr. Erozan’s face, he cringed, shrank against my shoulder, and held one hand up to his eyes as if warding off a blow.”

Chapter 36

The night I spent in that farmhouse in Boulois, with Barley on the other side of the room, was one of the most wakeful I had ever known. We settled down at nine or so, since there wasn’t much to do there except listen to the chickens and watch the light fade over the sagging barns. To my amazement, there was no electricity on the farm-“Didn’t you notice the lack of wires?” asked Barley-and the farmwife left us a lantern and two candles before wishing us a good night. By their light the shadows of the polished old furniture grew tall and loomed over us, and the needlework on the wall fluttered softly.

After a few yawns, Barley lay down in his clothes on one bed and promptly went to sleep. I didn’t dare follow suit, but I was also afraid to leave the candles burning all night. Finally I blew them out, leaving only the lantern lit, which deepened the shadows all around me terribly and made the dark outside our one window press in from the farmyard. Vines rustled against the pane, trees seemed to lean closer, and a soft noise that could have been owls or doves came eerily to me as I lay curled in my bed. Barley seemed very far away; earlier, I had been glad for those thoroughly separate beds, so that there could be no awkwardness about sleeping arrangements, but now I wished we’d been forced to sleep back-to-back.

After I’d lain there long enough to feel frozen in one position, I saw a mellow light gradually creep onto the floorboards from the window. The moon was rising, and with it I felt a certain lightening of my terror, as if an old friend had come to keep me company. I tried not to think of my father; on any other trip it might have been him lying in that other bed in his dignified pajamas, his book abandoned beside him. He would have been the first to notice this old farmhouse, would have known that the central part of it reached back to the days of Aquitaine, would have bought three bottles of wine from the pleasant hostess and discussed her vineyard with her.

Lying there, I wondered in spite of myself what I would do if my father did not survive his trip to Saint-Matthieu. I couldn’t possibly return to Amsterdam, I thought, to rattle around in our house alone with Mrs. Clay; that would only make my heartbreak worse. In the European system, I had two years still until I would go to university somewhere. But who would take me in before that? Barley would return to his old life; I couldn’t expect him to worry further about me. Master James crossed my mind, with his deep, sad smile and the kind lines around his eyes. Then I thought of Giulia and Massimo, in their Umbrian villa. I saw Massimo pouring wine for me-“And what are you studying, lovely daughter?”-and Giulia saying I must have the best room. They had no children; they loved my father. If my world came undone, I would go to them.

I blew out the lantern, braver now, and tiptoed over to peer outside. I could just see the moon, halved in a sky full of torn clouds. Across it sailed a shape I knew too well-no, it was just for a moment, and it was only a cloud, wasn’t it? The spread wings, the curling tail? It dissolved at once, but I went to Barley’s bed instead, and lay shivering for hours against his oblivious back.

“The business of transporting Mr. Erozan and settling him in Turgut’s Oriental parlor-where he lay pale but composed on one of the long divans-took much of the morning. We were still there when Mrs. Bora returned at noon from her school. She came in briskly, carrying a bag of produce in each little gloved hand. She was wearing a yellow dress and flowered hat today, so that she looked like a miniature daffodil. Her smile was fresh and sweet, too, even when she saw us all in her living room standing around a prostrate man. Nothing her husband did seemed to surprise her, I thought; perhaps that was one of the keys to a successful union.

“Turgut explained the situation to her in Turkish, and her cheerful expression was replaced first by obvious skepticism and then by a blossoming horror when he gently showed her the wound in her newest guest’s throat. She gave Helen and me a look of mute dismay, as if this was for her the initial wave of an evil knowledge. Then she took the librarian’s hand, which I knew from a moment before was not only white but cold. She held it briefly, wiped her eyes, and went quickly across to the kitchen, where we heard the distant rattle of her pots and pans. Whatever else happened, the afflicted man would have a good meal. Turgut prevailed upon us to stay for it, and Helen, to my surprise, followed Mrs. Bora to help.

“When we had made sure Mr. Erozan was resting comfortably, Turgut took me into his eerie study for a few minutes. To my relief, the curtains over the portrait were firmly closed. We sat there a while discussing the situation. ‘Do you think it’s safe for you and your wife to house this man here?’ I couldn’t help asking it.

“‘I will arrange every precaution. If he is better in a day or two, I will find a place for him to stay, with someone to watch him.’ Turgut had drawn up a chair for me and settled himself behind his desk. It was almost, I thought, like being with Rossi again in his university office, except that Rossi’s office was so determinedly cheerful, with its burgeoning plants and simmering coffee, and this one was so eccentrically somber. ‘I do not expect any further attack here, but if there is one, our American friend will face a formidable defense.’ Looking at his solid bulk behind the desk, I could easily believe him.

“‘I’m sorry,’ I said. ‘We seem to have brought you a lot of trouble, Professor, right down to importing this menace to your door.’ I outlined for him briefly our encounters with the corrupted librarian, including my sighting of him in front of the Hagia Sophia the night before.

“‘Extraordinary,’ Turgut said. His eyes were alight with a grim interest, and he drummed his fingertips on the top of his desk.

“‘I have a question for you, too,’ I confessed. ‘You said in the archive this morning that you’d seen a face like his before. What did you mean by that?’

“‘Ah.’ My erudite friend folded his hands on his desk. ‘Yes, I will tell you about this. It has been many years since, but I remember it vividly. In fact, it happened a few days after I received the letter from Professor Rossi explaining to me that he knew nothing about the archive here. I had been at the collection in the late afternoon, after my classes-this was when it was housed in the old library buildings, before it was moved to its present location. I remember I was doing some research for an article on a lost work of Shakespeare,The King of Tashkani, which some believe was set in a fictional version of Istanbul. Perhaps you have heard of it?’

“I shook my head.

“‘It is quoted in the work of several English historians. From them we know that in the original play, an evil ghost called Dracole appears to the monarch of a beautiful old city that he-the monarch-has taken by force. The ghost says he was once the monarch’s enemy but that he now comes to congratulate him on his bloodthirstiness. Then he urges the monarch to drink deeply of the blood of the city’s inhabitants, who are now the monarch’s minions. It is a chilling passage. Some say it is not even Shakespeare, but I’-he slapped a confident hand on the edge of his desk-‘I believe that the diction, if quoted accurately, can only be Shakespeare’s, and that the city is Istanbul, renamed with the pseudo-Turkic title Tashkani.’ He leaned forward. ‘I also believe that the tyrant to whom the spirit appears was none other than Sultan Mehmed II, conqueror of Constantinople.’

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