Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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Just under the roof of the tower, we stood catching our breath. Only an iron platform suspended us above the drop to earth; from there we could see all the way to the ground through a spiderweb of plaited iron steps, which we’d just climbed. The world around us stretched out beyond stone-framed openings, each possibly low enough to let an unwary tourist topple nine stories to the paved courtyard below. We chose a bench in the center instead, looking out toward the water, and sat so quietly that a swift came in, its wings arched against the blustering sea wind, and disappeared under the eaves. It had something bright in its beak, something that caught the glint of the sun as it flew in off the water.

Iwoke early, my father said, the morning after I’d finished reading through Rossi’s papers. I’ve never been so glad to see sunshine as I was that morning. My first and very sad business was to bury Rembrandt. After that, I had no trouble arriving at the library just when the doors were opening. I wanted this whole day to ready myself for the next night, the next onslaught of darkness. For many years, night had been friendly to me, the cocoon of quiet in which I read and wrote. Now it was a threat, an inevitable danger just hours away. I might also be setting out on a journey soon, with all the preparations that would entail. It would be a little easier, I thought ruefully, if I just knew where I’d be going.

The main hall of the library was very still except for the echoing steps of librarians going about their business; few students got here this early, and I would have peace and quiet for at least half an hour. I went into the maze of the card catalog, opened my notebook, and began pulling out the drawers I needed. There were several listings for the Carpathians, one on Transylvanian folklore. One book on vampires-legends from the Egyptian tradition. I wondered how much vampires had in common around the world. Were Egyptian vampires anything like East European vampires? It was a study for an archaeologist, not for me, but I copied down the call number of the book on Egyptian tradition anyway.

Then I looked up Dracula. Subjects and titles were mixed together in the catalog; between “Drab-Ali the Great” and “Dragons, Asia,” there would be at least one entry: the title card for Bram Stoker’sDracula, which I had seen the dark-haired young woman reading here the day before. Perhaps the library even had two copies of such a classic. I needed it right away; Rossi had said it was the distillation of Stoker’s research on vampire lore, and it might contain suggestions for protection I could use myself. I hunted backward and forward. There was not a single entry under “Dracula”-nothing, nothing whatsoever. I hadn’t expected the legend to be a major topic of scholarship, but surely that one book would be listed somewhere.

Then I caught sight of what actually lay between “Drab-Ali” and “Dragons.” A little shard of twisted paper at the bottom of the drawer showed clearly that at least one card had been wrenched out. I hurried to the “St” drawer. No entries for “Stoker” appeared there-only further signs of a hasty theft. I sat down hard on the nearest wooden stool. This was too strange. Why would anyone have ripped out these particular cards?

The dark-haired girl had checked out the book last, I knew that. Had she wanted to remove the evidence of what she had checked out? But if she’d wanted to steal or hide the copy, why had she been reading it publicly, in the middle of the library? Someone else must have pulled the cards out, perhaps somebody-but why?-who didn’t want anyone looking up the book here. Whoever it was had done it hurriedly, neglecting to remove traces of the job. I thought it through again. The card catalog was sacrosanct here; any student who even left a drawer out on the tables and was caught in this error got a sharp lecture from the clerks or librarians. Any violation of the catalog would have to be accomplished quickly, that was certain, at some odd moment when no one was around or looking in that direction. If the young woman hadn’t committed this crime herself, then maybe she didn’t know that someone else didn’t want that book checked out. And she probably still had it in her possession. I almost ran to the main desk.

This library, built in the highest of high Gothic-revival styles about the time Rossi was finishing his studies at Oxford (where he was surrounded by the real thing, of course), had always appealed to me as both beautiful and comical. To reach the main desk, I had to hurry up a long cathedral nave. The circulation desk stood where the altar would have in a real cathedral, under a mural of Our Lady-of Knowledge, presumably-in sky blue robes, her arms full of heavenly tomes. Checking out a book there had all the sanctity of taking communion. Today this seemed to me the most cynical of jokes, and I ignored Our Lady’s bland, unhelpful face as I addressed the librarian, trying not to seem ruffled myself.

“I’m looking for a book that’s not on the shelves at the moment,” I began, “and I wonder if it’s actually checked out right now, or on its way back.”

The librarian, a short, unsmiling woman of sixty, glanced up from her work. “The title, please,” she said.

“Dracula,by Bram Stoker.”

“Just a minute, please; I’ll see if it’s in.” She thumbed through a little box, her face expressionless. “I’m sorry. It’s currently checked out.”

“Oh, what a shame,” I said heartily. “When will it be coming back?”

“In three weeks. It was checked out yesterday.”

“I’m afraid I simply can’t wait that long. You see I’mteaching a course…” These were usually the magic words.

“You are welcome to put it on reserve, if you like,” the librarian said coldly. She turned her coiffed gray head away from me, as if she wanted to get back to her work.

“Maybe one of my students has checked it out, to read ahead for the course. If you’d just let me have his name, I’ll get in touch with him myself.”

She looked narrowly at me. “We don’t usually do that,” she said.

“This is an unusual situation,” I confided. “I’ll be frank with you. I really must use one section of that book to prepare my exam for them, and-well, I loaned my own copy to a student and he’s unable to find it now. It was my mistake, but you know how these things go, with students. I should have known better.”

Her face softened and she looked almost sympathetic. “It’s terrible, isn’t it?” she said, nodding. “We lose a stack of books every term, I’m sure. Well, let me see if I can get the name for you, but don’t spread around that I did this, all right?”

She turned away to root in a cabinet behind her, and I stood reflecting on the duplicity I had suddenly discovered in my own nature. When had I learned to lie so fluently? It gave me a feeling of uneasy pleasure. While I was standing there, I realized that another librarian behind the big altar had moved closer and was watching me. He was a thin middle-aged man I’d often seen there, only slightly taller than his colleague and shabbily dressed in a tweed jacket and stained tie. Perhaps because I’d noticed him before, I was unexpectedly struck by a change in his appearance. His face looked sallow and wasted, perhaps even seriously ill. “Can I help you?” he said suddenly, as if he suspected I might steal something from the desk if I weren’t attended to at once.

“Oh, no, thank you.” I waved at the lady librarian’s back. “I’m being helped already.”

“I see.” He stepped aside as she returned with a slip of paper and put it in front of me. At that moment I didn’t know where to look-the paper swam under my eyes. For as the second librarian turned aside, he leaned over to examine some books that had obviously been returned to the desk and were waiting to be dealt with. And as he bent myopically toward them, his neck was exposed for a moment above the threadbare shirt collar, and I saw on it two scabbed, grimy-looking wounds, with a little dried blood making an ugly lacework on the skin just below them. Then he straightened and turned away again, holding his books.

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