Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“No, I’m not. But I would like to know who you think might not want you checking out this book.” I set down my cup and looked across at her.

She moved her shoulders restlessly under the lightweight wool of her jacket. I could see one longish hair clinging to the lapel, her own dark hair, but glinting with copper lights against the black fabric. She appeared to be making up her mind to say something. “Who are you?” she asked suddenly.

I took the question at academic face value. “I’m a graduate student here, in history.”

“History?” It was a quick, almost angry interjection.

“I’m writing my dissertation on Dutch trade in the seventeenth century.”

“Oh.” She was silent for a moment. “I am an anthropologist,” she said finally. “But I am also very much interested in history. I study the customs and traditions of the Balkans and Central Europe, especially of my native”-her voice dropped a little, but sadly, not secretively-“my native Romania.”

It was my turn to flinch. Really, this was all more and more peculiar. “Is that why you wanted to readDracula? ” I asked.

Her smile surprised me-white, even, her teeth a little small for such a strong face, the eyes shining. Then she tightened her lips again. “I suppose you could say that.”

“You’re not answering my questions,” I pointed out.

“Why should I?” She shrugged. “You are a total stranger and you want to take my library book.”

“You may be in danger, Miss Rossi. I’m not trying to threaten you, but I’m perfectly serious.”

Her eyes narrowed on mine. “You are hiding something, too,” she said. “I will tell you if you tell me.”

I had never seen, met, or spoken with a woman like this. She was combative without being in the least flirtatious. I had the sensation that her words were a pool of cold water, into which I now plunged without stopping to count the consequences.

“All right. You answer my question first,” I said, borrowing her tone. “Who do you think might not want you to have that book in your possession?”

“Professor Bartholomew Rossi,” she said, her voice sarcastic, grating. “You’re in history. Maybe you’ve heard of him?”

I sat there dumbfounded. “Professor Rossi? What-what do you mean?”

“I have answered your question,” she said, straightening up and adjusting her jacket and piling her gloves one on the other again, as if finished with a task. I wondered fleetingly if she were enjoying the effect her words had on me, seeing me stammer over them. “Now tell me what you mean by all this drama about danger from a book.”

“Miss Rossi,” I said. “Please. I will tell you. Whatever I can. But please explain to me your relation to Professor Bartholomew Rossi.”

She bent down, opened her book bag, and took out a leather case. “Do you mind if I smoke?” For the second time, I saw in her that masculine ease, which seemed to come over her when she put aside her defensively ladylike gestures. “Would you like one?”

I shook my head; I hated cigarettes, although I would almost have accepted one from that spare, smooth hand. She inhaled without any flourish, smoking dexterously. “I do not know why I am telling a stranger this,” she said reflectively. “I guess the loneliness of this place is affecting me. I have hardly spoken with anyone in two months, except about work. And you do not strike me as a gossiping type, although God knows my department is full of them.” I could hear her accent welling up fully under the words, which she spoke with a soft rancor. “But if you’ll keep your promise…” The hard look came over her again; she straightened, cigarette jutting defiantly from one hand. “My relationship to the famous Professor Rossi is very simple. Or it should be. He is my father. He met my mother while he was in Romania looking for Dracula.”

My coffee splashed across the table, over my lap, down the front of my shirt-which hadn’t been perfectly clean, anyway-and spattered her cheek. She wiped it off with one hand, staring at me.

“Good God, I’m sorry. I’m sorry.” I tried to clean up, using both our napkins.

“So this really shocks you,” she said, without moving. “You must know him, then.”

“I do,” I said. “He’s my adviser. But he never told me about Romania, and he-he never told me he had a family.”

“He doesn’t.” The coldness in her voice cut through me. “I have never met him, you see, although I guess it is only a matter of time now.” She leaned back in the little chair and hunched her shoulders, crudely, as if defying me to come closer. “I have seen him once, from a distance, at a lecture-imagine, seeing your father for the first time at a distance like that.”

I had made a soggy heap of napkins and now I pushed everything aside, heap, coffee cup, spoon. “Why?”

“It’s a very odd story,” she said. She looked at me, but not as if she were lost in thought. She seemed instead to be gauging my reactions. “All right. It’s a love ‘em and leave ’em story.” This sounded strange in her accent, although I wasn’t moved to smile. “Maybe that’s not so odd. He met my mother in her village, enjoyed her company for a while, and left her after a few weeks with an address in England. After he had gone, my mother discovered she was pregnant, and then her sister, who lived in Hungary, helped her flee to Budapest before I was born.”

“He never told me he’d been to Romania.” I was croaking, not speaking.

“Not surprising.” She smoked bitterly. “My mother wrote him from Hungary, to the address he’d left her, and told him about their baby. He wrote her back saying he had no idea who she was or how she’d found his name, and that he’d never been to Romania. Can you imagine anything so cruel?” Her eyes bored into me, huge and starkly black now.

“What year were you born?” It didn’t occur to me to apologize before asking the lady this question; she was so unlike anyone I’d ever encountered that the usual rules didn’t seem to apply.

“In 1931,” she said flatly. “My mother took me to Romania for a few days once, before I even knew about Dracula, but even then she would not go back to Transylvania.”

“My God.” I whispered it to the Formica tabletop. “My God. I thought he’d told me everything, but he didn’t tell me that.”

“He told you-what?” she asked sharply.

“Why haven’t you met him? Doesn’t he know you’re here?”

She looked at me strangely but answered without demurring. “It’s a game, I guess you could say. Just a fancy of mine.” She paused. “I was not doing so badly in the university in Budapest. In fact, they considered me a genius.” She announced this almost modestly. Her English was phenomenally good, I realized for the first time-supernaturally good. Maybe shewas a genius.

“My mother did not finish grade school, if you can believe it, although she got some more education later in life, but I was attending the university by the time I was sixteen. Of course, my mother told me my paternal heritage, and we do know Professor Rossi’s outstanding books even in the murky depths of the East Bloc-Minoan civilization, Mediterranean religious cults, the age of Rembrandt. Because he wrote sympathetically on British socialism, our government allows the distribution of his works. I studied English throughout high school-would you like to know why? So I could read the amazing Dr. Rossi’s work in the original. It wasn’t exactly hard to find out where he was, either, you know; I used to stare at the university name on the jackets of his books and vow to go there one day. I thought things through. I made all the right connections, politically-I started by pretending I wanted to study the glorious labor revolution in England. And when the time came, I had my pick of scholarships. We have been enjoying some freedom in Hungary these days, although everyone wonders how long the Soviets will tolerate that. Speaking of impalers. In any case, I went to London first, for six months, and then got my fellowship to come here, four months ago.”

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