Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“Is this what you wanted?” the lady librarian was asking me. I looked down at the paper she pushed toward me. “You see, it’s the slip for Bram Stoker,Dracula. We have just one copy.”

The grubby male librarian suddenly dropped a book on the floor, and the sound of it reverberated with a bang through the high nave. He straightened and looked directly at me, and I have never seen-or until that moment had never seen-a human gaze so full of hatred and wariness. “That’s what you wanted, right?” the lady was insisting.

“Oh, no,” I said, thinking fast, catching hold of myself. “You must have misunderstood me. I’m looking for Gibbon’sDecline and Fall of the Roman Empire. I told you, I’m teaching a course on it and we’ve got to have extra copies.”

She frowned heavily. “But I thought -”

I hated to sacrifice her feelings, even in that unpleasant moment, when she’d unbent so far toward me. “That’s all right,” I said. “Maybe I didn’t look carefully enough. I’ll go back and check the catalog again.”

As soon as I said the wordcatalog, however, I knew I’d overused my new fluency. The tall librarian’s eyes narrowed further and he moved his head slightly, like an animal following the motions of its prey. “Thanks very much,” I murmured politely and walked off, feeling those sharp eyes boring into my back all the way down the great aisle. I made a show of going back to the catalog for a minute, then closed my briefcase and went purposefully out the front door, through which the faithful were already flocking for their morning study. Outside, I found a bench in the brightest possible sunlight, my back against one of those neo-Gothic walls, where I could safely see everyone around me coming and going. I needed five minutes to sit and think-reflection, Rossi always taught, should be well-timed rather than time-consuming.

It was all too much to digest quickly, however. In that dazed moment I had taken in not only my glimpse of the librarian’s wounded neck but also the name of the library patron who had beaten me toDracula. Her name was Helen Rossi.

The wind was cold and increasingly strong. My father paused here and drew from his camera bag two waterproof jackets, one for each of us. He kept them rolled up tightly to fit with his photographic equipment, canvas hat, and a little first-aid kit. Without speaking, we put them over our blazers, and he continued.

Sitting there in the late-spring sunshine, watching the university stir and wake to its usual activities, I felt a sudden envy of all those ordinary-looking students and faculty striding here and there. They thought that tomorrow’s exam was a serious challenge, or that department politics constituted high drama, I reflected bitterly. Not one of them could have understood my predicament, or helped me out of it. I felt the loneliness, suddenly, of standing outside my institution, my universe, a worker bee expelled from the hive. And this state of things, I realized with surprise, had come about in forty-eight hours.

I had to think clearly now, and fast. First, I had observed what Rossi himself had reported: someone outside the immediate threat to Rossi-in this case the someone was a half-washed, eccentric-looking librarian-had been bitten in the neck. Let us presume, I told myself, almost laughing at the preposterousness of the things I was starting to believe, let us presume that our librarian was bitten by a vampire, and quite recently. Rossi had been swept out of his office-with bloodshed, I reminded myself-only two nights earlier. Dracula, if he were at large, seemed to have a predilection not only for the best of the academic world (here I remembered poor Hedges) but also for librarians, archivists. No-I sat up straight, suddenly seeing the pattern-he had a predilection for those who handled archives that had something to do with his legend. First there had been the bureaucrat who had snatched the map from Rossi in Istanbul. The Smithsonian researcher, too, I thought, recalling Rossi’s last letter. And, of course, threatened all along, there was Rossi himself, who had a copy of “one of these nice books” and had examined other possibly relevant documents. And then this librarian, although I had no proof yet that the fellow had handled any Dracula documents. And finally-me?

I picked up my briefcase and hurried to a public phone booth near the student commons. “University information, please.” No one had followed me here, as far as I could see, but I closed the door and through it kept a sharp eye on the passersby. “Do you have a listing for a Miss Helen Rossi? Yes, graduate student,” I hazarded.

The university operator was laconic; I could hear her shuffling slowly through papers. “We have an H. Rossi listed in the women’s graduate dormitory,” she said.

“That’s it. Thank you so much.” I scribbled the number down and dialed again. A matron answered, her voice sharp and protective. “Miss Rossi? Yes? Who’s calling, please?”

Oh, God. I hadn’t thought ahead to this. “Her brother,” I said quickly. “She told me she’d be at this number.”

I could hear footsteps leaving the phone, a sharper stride returning, the rustle of a hand taking the receiver. “Thank you, Miss Lewis,” said a distant voice, as if in dismissal. Then she spoke into my ear and I heard the low, strong tone I remembered from the library. “I do not have a brother,” she said. It sounded like a warning, not a mere statement of fact. “Who is this?”

My father rubbed his hands together in the chill wind, making the sleeves of his jacket crinkle like tissue paper. Helen, I thought, although I did not dare repeat the name aloud. It was a name I had always liked; it evoked for me something valiant and beautiful, like the Pre-Raphaelite frontispiece showing Helen of Troy in myChildren’s Book of the Iliad, which I had owned at home in the United States. Above all, it had been my mother’s name, and she was a topic my father never discussed.

I looked hard at him, but he was already speaking again. “Hot tea in one of those cafés down there,” he said. “That’s what I need. How about you?” I noticed for the first time that his face-the handsome, tactful face of a diplomat-was marred by heavy shadows, which ringed his eyes and gave his nose a pinched look at the base, as if he never slept enough. He rose and stretched, and then we looked out at each of the giddily framed views a last time. My father held me back a little as if he feared I would fall.

Chapter 17

Athens made my father nervous and tired; I could see that plainly after only a day there. For my part, I found it exhilarating: I liked the combined senses of decay and vitality, the suffocating, exhaust-spewing traffic that whirled around its squares and parks and outcroppings of ancient monuments, the Botanic Gardens with a lion caged in the middle, the soaring Acropolis with frivolous-looking restaurant awnings fluttering around its base. My father promised we would climb up for a view as soon as he had time. It was February of 1974, the first time in nearly three months he’d traveled anywhere, and he’d brought me reluctantly, because he disliked the Greek military presence on the streets. I intended to make the most of every moment.

Meanwhile, I worked diligently in my hotel room, keeping an eye on the temple-crowned heights out my one window as if they might take wing after twenty-five hundred years and fly off without my ever having explored them. I could see the roads, paths, alleys that wound upward toward the base of the Parthenon. It would be a long, slow walk-we were in hot country again, and summer began early here-among whitewashed houses and stuccoed lemonade shops, a path that broke out into ancient marketplaces and temple grounds from time to time, then cut back through the tile-roofed neighborhoods. I could see some of this labyrinth from the dingy window. We would rise from one view to another, looking out on what the residents of the Acropolis neighborhood saw from their front doors every day. I could imagine from here the vistas of ruins, looming municipal buildings, semitropical parks, winding streets, gold-tipped or red-tiled churches that stood out in the evening light like colored rocks scattered on a gray beach.

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