Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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Sitting gingerly on the edge of my hospital bed, my father shook his head. “I want you to study at home from now on,” he said quietly. I wished he hadn’t said it; I would never have entered that library again anyway. “Mrs. Clay can sleep in your room for a while if you feel upset, and we can see the doctor again, whenever you want to. Just let me know.” I nodded, although I thought I would almost rather be alone with the description of the church at Snagov than with Mrs. Clay. I pondered the idea of dropping the volume into our canal-the fate of the bicycles the policeman had mentioned-but I knew that I would want eventually to reopen it, in daylight, to read it again. I might want to do this not only for my own sake but also for that of grandfatherly Mr. Binnerts, who now lay somewhere in a city morgue.

Afew weeks later, my father said he thought it would be good for my nerves to take a trip, and I knew that he meant it would be better for him not to leave me at home. “The French,” he explained, wanted to confer with representatives from his foundation before beginning talks in Eastern Europe that winter, and we were going to meet them one last time. It would be the best possible moment on the Mediterranean coast, too, after the hordes of tourists left but before the landscape began to look barren. We examined the map carefully and were pleased that the French had foregone their usual choice of a meeting in Paris and settled on the privacy of a resort near the Spanish border-close to the little gem of Collioure, my father gloated, and perhaps something like it. Just inland were Les Bains and Saint-Matthieu-des-Pyrénées-Orientales, I pointed out, but when I mentioned them my father’s face clouded and he began to hunt along the coast for other interesting names.

Breakfast on the terrace at Le Corbeau, where we stayed, was so good in the fresh morning air that I lingered there after my father had joined the other dark-suited men in the conference hall, taking out my books reluctantly and looking up often at the aquamarine water a few hundred yards away. I was on my second cup of that bitter Continentalchocolat, made bearable with a cube of sugar and a pile of fresh rolls. The sunlight on the faces of the old houses looked eternal in the dry Mediterranean climate with its preternaturally clear light, as if no storm had ever dared to approach these inlets. From where I sat I could see a couple of early sailboats out on the edge of the marvelously colored sea and a family of small children going with their mother and their pails and their (to me) unusual French bathing suits down to the sand beach below the hotel. The bay curved around us to the right, in the form of jagged hills. One of these was topped by a rotting fortress the same color as the rocks and sere grasses, olive trees climbing ineffectively toward it, the delicately blue morning sky stretched behind it.

I felt a sudden twinge of unbelonging, of envy for those unbearably complacent children with their mother. I had no mother and no normal life. I wasn’t sure what I meant bynormal life, but as I flipped through my biology book looking for the beginning of the third chapter, I thought vaguely it might mean living in one place, with a mother and father who were there every evening at dinnertime, a household in which travel meant the occasional beach vacation, not an endlessly nomadic existence. I felt sure, glaring at the children as they settled onto the sand with their shovels, that these creatures were never threatened by the grimness of history, either.

Then, looking down on their glossy heads, I realized that they were indeed threatened; they were simply unaware of it. We were all vulnerable. I shivered and glanced at my watch. In another four hours, my father and I would have lunch on this terrace. Then I would study again, and after five o’clock we would take a walk toward the eroded fortress that ornamented the near horizon-from which, my father said, you could see the little sea-bathed church on the other side, at Collioure. In the course of this day I would learn more algebra, some German verbs, read a chapter on the War of the Roses, and then-what? Up on the dry cliff, I would listen to my father’s next story. He would tell it unwillingly, looking down at the sandy soil or drumming his fingers on rock quarried centuries ago, lost in his own fear. And it would be up to me to study it again, to piece it all together. A child shrieked below me and I started, spilling my cocoa.

Chapter 15

When I finished reading the last of Rossi’s letters, my father said, I felt a new desolation, as if he had vanished a second time. But by now I was convinced that his disappearance had nothing to do with a bus trip to Hartford or a family illness in Florida (or London), as the police had tried to postulate. I put these thoughts out of my mind and set myself to looking through his other papers. Read first, absorb everything. Then build a chronology and begin-but slowly-to draw conclusions. I wondered if Rossi had had any premonition that in training me he might have been ensuring his own survival. It was like a gruesome final exam-although I devoutly hoped it would not be final for either of us. I wouldn’t make a plan until I had read everything, I told myself, but already I had an inkling of what I would probably have to do. I opened the faded packet again.

The next three items were maps, as Rossi had promised, each drawn by hand and none of them looking older than the letters. Of course: these would be his own versions of the maps he had seen in the archive in Istanbul, copied from memory after his adventures there. On the first that came to hand, I saw a great region of mountains, which were drawn in as little triangular notches. They formed two long east-west crescents across the page and clustered densely on the west side as well. A broad river looped along the northern edge of the map. No cities were visible, although three or four little Xs among the western mountains might have marked towns. No place-names appeared on this map, but Rossi-it was the penmanship of that last letter-had written around the borders: “Those who do not believe and die while they are unbelievers, on them falls the curse of Allah, of angels, and of men (The Qur’an),” and several similar passages. I wondered if the river I saw here could be the one that had seemed to him symbolized by the dragon’s tail in his book. But no; in that case he’d been referring to the largest-scale map, which must be among these. I cursed the circumstances-all of them-that prevented my seeing and holding the originals; in spite of Rossi’s fine memory and neat hand, there must surely be omissions or discrepancies between original and copy.

The next map seemed to focus more closely on the western mountain region shown in the first. Again, I saw here and there Xs, marked in the same relation to one another as on the first map. A smaller river appeared, curling through the mountains. Again, no place-names. Rossi had noted across the top of this map: “(Same Qur’anic mottoes, repeated).” Well, he had been just as careful in those days as the Rossi I knew. But these maps, so far, were too simple, too crude an outline, to suggest any specific region I’d ever seen or studied. Frustration rose in me like a fever, and I swallowed it down with difficulty, forcing myself to concentrate.

The third map was more enlightening, although I wasn’t sure exactly what it could tell me, at this point. Its general outline was indeed the fierce silhouette I knew from my dragon book and Rossi’s, although without Rossi’s discovery of the fact, I might not have noticed that at once. This map showed the same kind of triangular mountains. They were very tall now, forming heavy north-south ridges, a river looping through them and opening out into a reservoir of some sort. Why couldn’t this be Lake Snagov, in Romania, as the legends of Dracula’s burial suggested? But, as Rossi had noted, there was no island in the broadened part of the river, and it didn’t look like a lake, anyway. The Xs appeared again, this time labeled in tiny Cyrillic letters. I assumed these were the villages Rossi had mentioned.

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