Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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Dracula turned, holding his candle aloft, and the light picked out the glow of jewels on his cap-topaz, emerald, pearl. His eyes were very bright. “What do you think of my library?”

“It looks like a-a remarkable collection. A treasure-house,” I said.

A kind of pleasure went over his terrible face. “You are correct,” he said softly. “This library is the finest of its kind in the world. It is the result of centuries of careful selection. But you will have plenty of time to explore the wonders I have assembled here. Now let me show you something else.”

He led the way towards a wall we had not yet approached, and there I saw a very old printing press, such as one comes across in late-mediaeval illustrations-a heavy contraption of black metal and dark wood with a great screw on top. The round plate was obsidian with the polish of ink; it picked up our light like a demonic mirror. There was a sheet of thick paper lying on the shelf of the press. Leaning closer I saw that it was partly printed, a discarded attempt, and that it was in English. “The Ghost in the Amphora,” ran the title. “Vampires from Greek Tragedy to Modern Tragedy.” And the byline: “Bartholomew Rossi.”

Dracula must have been waiting for my gasp of astonishment, and I did not disappoint him. “You see, I keep up with the finest modern research-up to the minute, as they say. When I cannot get a published work, or I want it at once, I sometimes print it myself. But here is something that will interest you easily as much.” He pointed at a table behind the press. It held a row of woodcuts. The largest of them, propped up to view, was the dragon of our books-mine and Paul’s-in reverse, of course. With difficulty, I kept myself from exclaiming aloud. “You are surprised,” Dracula said, holding his light near the dragon. Its lines were so familiar to me that I could have cut them with my own hand. “You know this image very well, I think.”

“Yes.” I held my candle tightly. “Did you print the books yourself? And how many of them are there?”

“My monks printed some of them, and I have continued their work,” he said quietly, looking down at the woodcut. “I have nearly fulfilled my ambition of printing fourteen hundred and fifty three of them, but slowly, so that I have time to distribute them as I work. Does that number mean anything to you?”

“Yes,” I said after a moment. “It is the year of the fall of Constantinople.”

“I thought you would see it,” he said with his bitter smile. “It is the worst date in history.”

“It seems to me there are many contenders for that honor,” I said, but he was shaking his great head above his great shoulders.

“No,” he said. He lifted his candle high and in its light I saw his eyes blaze up, red in their depths like a wolf’s, and full of hatred. It was like seeing a dead gaze suddenly rustle to life; I had thought his eyes bright before, but now they were savage with light. I could not speak; I could not look away. After a second he turned and contemplated the dragon again. “He has been a good messenger,” he said thoughtfully.

“Did you leave mine for me? My book?”

“Let us say that I arranged it.” He reached his battle-scarred fingers out to touch the carved block. “I am very careful about how they are distributed. They go only to the most promising scholars, and to those I think may be persistent enough to follow the dragon to his lair. And you are the first who has actually done it. I congratulate you. My other assistants I leave out in the world, to do my research.”

“I did not follow you,” I ventured to say. “You brought me here.”

“Ah -” Again that curve of the ruby lips, the twitch of the long mustache. “You would not be here if you had not wanted to come. No one else has ever disregarded my warning twice in a lifetime. You have brought yourself.”

I looked at the old, old press and the woodcut of the dragon. “Why do you want me here?” I did not wish to rouse his anger with my questions; tomorrow night he could kill me, if he liked, if I’d found no escape during the daytime hours. But I could not help asking him this.

“I have been waiting a long time for someone to catalogue my library,” he said simply. “Tomorrow you shall look at all of it in freedom. Tonight we shall talk.” He led the way back to our chairs with his powerful, slow step. His words gave me a great deal of hope-apparently he really did not mean to kill me tonight, and besides, my curiosity was rising high in me. I was not dreaming, it seemed; I was speaking with one who had lived through more history than any historian can presume to study in even a rudimentary way in a single career. I followed him, at a careful distance, and we sat down before the fire again. As I settled myself, I noticed that the table with my empty supper dishes was gone, and in its place was a comfortable ottoman, on which I cautiously propped my feet. Dracula sat magnificently upright in his great chair. Although his chair was tall, wooden, and mediaeval, mine was comfortably upholstered, like my ottoman, as if he had thought to provide his guest with something suited to modern weakness.

We sat in silence for long minutes, and I’d just begun to wonder if he meant us to sit this way all night when he began to speak again. “In life, I loved books,” he said. He turned to me a little, so that I could see the glint of his eyes and the lustre of his shaggy hair. “Perhaps you do not know that I was something of a scholar. This seems not widely known.” He spoke dispassionately. “You do know that the books of my day were very limited in scope. In my mortal life, I saw mainly those texts that the church sanctioned-the gospels and the Orthodox commentary on them, for example. These works were of no use to me, in the end. And by the time I first took my rightful throne, the great libraries of Constantinople had been destroyed. What remained of them, in the monasteries, I could never enter to see with my own eyes.” He was looking deeply into the fire. “But I had other resources. Merchants brought me strange and wonderful books from many places-Egypt and the Holy Land, and the great monasteries of the West. From these I learned about the ancient occult. As I knew I could not attain a heavenly paradise”-again that dispassionate tone-“I became an historian in order to preserve my own history forever.”

He fell silent for some time, and I was afraid to ask more. At last, he seemed to rouse himself, tapping his great hand on the arm of his chair. “That was the beginning of my library.”

I was too curious to keep silent, although I found the question bitterly hard to frame. “But after your-death, you continued to collect these books?”

“Oh, yes.” He turned to look at me now, perhaps because I had asked this of my own volition, and smiled grimly. His eyes, hooded in the firelight, were terrible to meet. “I have told you, I am a scholar at heart, as well as a warrior, and these books have kept me company through my long years. There is much of a practical nature to be learned from books, also-statesmanship, for example, and the battle tactics of great generals. But I have many kinds of books. You shall see tomorrow.”

“And what is it you wish me to do for your library?”

“As I said, to catalogue it. I have never made a full record of my holdings, of their origins and condition. This will be your first task, and you will accomplish it more swiftly and brilliantly than anyone else would be able to, with your many languages and the breadth of your knowledge. In the course of this task, you will handle some of the most beautiful books-and the most powerful-ever produced. Many of them do not exist anywhere else anymore. Perhaps you know, Professor, that only about one one-thousandth of the literature ever published is still in existence? I have set myself the task of raising that fraction, over the centuries.” As he spoke, I noticed again the peculiar clarity and coldness of his voice, and that rattling in the depths of it-like the rattle of the snake, or cold water running over stones.

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