Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“Now,” he said, “let us take a brief tour.” He lit all the candles again, and I followed him from table to table while he lit the lanterns there. “We shall have something to read by.” I did not like the way the light played on his face as he bent over each new flame, and I tried to look instead at more of the book titles. He came to my side as I stood before the rows of scrolls and books in Arabic I’d noticed before. To my relief, he was still five feet away, but an acrid smell rose from his presence and I fought off a little faintness. I must keep my wits about me, I thought; there was no telling what this night would bring. “I see you have found one of my prizes,” he was saying. There was a rumble of satisfaction in his cold voice. “These are my Ottoman holdings. Some of them are very old, from the first days of their diabolical empire, and this shelf here contains volumes from their last decade.” He smiled in the flickering light. “You cannot imagine what a satisfaction it was for me to see their civilization die. Their faith is not dead, of course, but their sultans are gone forever, and I have outlived them.” I thought for a moment that he might laugh, but his next words were grave. “Here are great books made for the sultan about his many lands. Here”-he touched the edge of a scroll-“is the history of Mehmed, may he rot in hell, by a Christian historian turned flatterer. May he rot in hell also. I tried to find him myself, that historian, but he died before I could reach him. Here are the accounts of Mehmed’s campaigns, by his own flatterers, and of the fall of the Great City. You do not read Arabic?”

“Very little,” I confessed.

“Ah.” He seemed amused. “I had the opportunity to learn their language and their writing while I was their prisoner. You know that I was in bondage to them?”

I nodded, trying not to look at him.

“Yes, my own father left me to the father of Mehmed, as a pledge that we would not wage war against the Empire. Imagine, Dracula a pawn in the hands of the infidel. I wasted no time there-I learned everything I could about them, so that I might surpass them all. That was when I vowed to make history, not to be its victim.” His voice was so fierce that I glanced at him in spite of myself and saw the terrible blaze in his face, the hatred, the sharp upwards curl of the mouth under its long mustache. Then he did laugh, and the sound was equally horrifying. “I have triumphed and they are gone.” He put his hand on a finely tooled leather binding. “The sultan was so much afraid of me that he founded an order of their knights to pursue me. There are still a few of them, somewhere inTsarigrad-a nuisance. But they are fewer and fewer, their ranks are dwindling to nothing, while my servants multiply around the globe.” He straightened his powerful body. “Come. I will show you my other treasures, and you must tell me how you propose to catalogue them all.”

He led me from one section to another, pointing out particular rarities, and I saw that my surmise about the patterns of his collecting were correct. Here was a large cabinet full of manuals of torture, some of them dating to the ancient world. They ranged through the prisons of mediaeval England, to the torture chambers of the Inquisition, to the experiments of the Third Reich. Some of the Renaissance volumes contained woodcuts of implements of torture, others diagrams of the human body. Another section of the room chronicled the church heresies for which many of those manuals of torture had been employed. Another corner was dedicated to alchemy, another to witchcraft, another to philosophy of the most disturbing sort.

Dracula paused in front of a great bookshelf and laid his hand on it affectionately. “This is of special interest to me, and will be to you, as well, I think. These works are biographies of me.” Each volume there was connected in some way to his life. There were works by Byzantine and Ottoman historians-some of them very rare originals-and their many reprints through the ages. There were pamphlets from mediaeval Germany, Russia, Hungary, Constantinople, all documenting his crimes. Many of them I’d neither seen nor heard of in my research, and I felt an unreasonable flare of curiosity before I remembered that I had no reason, now, to complete that research. There were also numerous volumes of folklore, from the seventeenth century on, ranging over the legend of the vampire-it struck me as strange and terrible that he included these so frankly among his own biographies. He brought his great hand to rest on an early edition of Bram Stoker’s novel and smiled, but said nothing. Then he moved quietly away into another section.

“This is of special interest to you as well,” he said. “These are works of history about your century, the twentieth. A fine century-I look forward to the rest of it. In my day, a prince was able to eliminate troublesome elements only one person at a time. You do this with an infinitely greater sweep. Think, for example, of the improvement from the accursed cannon that broke the walls of Constantinople to the divine fire your adoptive country dropped onto the Japanese cities some years ago.” He gave me the trace of a bow, courtly, congratulatory. “You will have read many of these works already, Professor, but perhaps you will glance through them with a new perspective.”

At last he bade me settle by the fire again, and I found more of the steaming tea waiting at my elbow. When we were both resting in our chairs, he turned to me. “Soon, I must take my own refreshment,” he said quietly. “But first, I will ask you a question.” My hands began to tremble in spite of myself. I had tried until now to speak to him as little as possible without incurring his rage. “You have enjoyed my hospitality, such as I can offer here, and my boundless faith in your gifts. You shall enjoy the eternal life that only a few beings can claim. You have the free run of what is certainly the finest archive of its kind on the face of the earth. Rare works are open to you that, indeed, cannot now be seen anywhere else. All this is yours.” He stirred in his chair, as if it was difficult for him to keep his great, undead body completely still for long. “Furthermore, you are a man of unparalleled sense and imagination, of keen accuracy and profound judgment. I have much to learn from your methods of research, your synthesis of sources, your imagination. For all these qualities, as well as the great scholarship they feed, I have brought you here, to my treasure-house.”

Again he paused. I watched his face, unable to look away. He gazed at the fire. “With your unflinching honesty, you can see the lesson of history,” he said. “History has taught us that the nature of man is evil, sublimely so. Good is not perfectible, but evil is. Why should you not use your great mind in service of what is perfectible? I ask you, my friend, to join me of your own accord in my research. If you do so, you will save yourself great anguish, and you will save me considerable trouble. Together we will advance the historian’s work beyond anything the world has ever seen. There is no purity like the purity of the sufferings of history. You will have what every historian wants: history will be reality to you. We will wash our minds clean with blood.”

He turned the full flood of his gaze on me then, the eyes with their ancient knowledge blazing up and the red lips parted. It would have been a face of the most exquisite intelligence, I suddenly thought, if it had not been shaped by so much hatred. I struggled not to faint, not to go to him on the instant and throw myself on my knees before him, not to put myself under his hand. He was a leader, a prince. He brooked no trespasses. I summoned my love of all I had had in my life, and I formed the word as firmly as I could. “Never.”

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