Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘Ross,’ I said urgently. ‘Tell us what happened and what we should do.’

“He seemed to struggle with his eyesight for a moment, focusing on me and blinking rapidly. The dried blood on his neck moved with his struggle to breathe. ‘He came for me suddenly, to my office, and took me on a long journey. I was not-conscious for some of it, so I do not know what place this is.’

“‘Bulgaria,’ Helen said, keeping his swollen hand tenderly.

“His eyes flickered again with an old interest, a spark of curiosity. ‘Bulgaria? So that’s why -’ He tried to moisten his lips.

“‘What did he do to you?’

“‘He brought me here to look after his-diabolical library. I have resisted in every way I could think of. It was my fault, Paul. I had started doing some research again, for an article -’ He struggled for breath. ‘I wanted to show him as part of a-greater tradition. Beginning with the Greeks. I-I heard there was a new scholar at the university writing on him, although I couldn’t find out the man’s name.’

“At this, I heard Helen draw her breath in sharply. Rossi’s eyes flickered toward her. ‘It seemed to me that I should finally publish -’ He was wheezing now and he closed his eyes for a moment. Helen, holding his hand, had begun to tremble against me; I kept a tight grip on her waist.

“‘It’s all right,’ I said. ‘Just rest.’ But Rossi seemed determined to finish.

“‘Not all right,’ he choked, his eyes still closed. ‘He gave you the book. I knew then he would come for me, and he did. I fought him, but he has almost made me-like him -’ He seemed unable to raise his other hand and he turned his neck and head, clumsily, so that we could suddenly see a deep puncture wound in the side of his throat. It was still open, and when he moved it gaped and oozed. Our gaze on it seemed to make him wild again, and he looked beseechingly at me. ‘Paul, is it getting dark outside?’

“A wave of horror and despair went through me, shooting through my hands. ‘Can you feel it, Ross?’

“‘Yes, I know when the dark is coming, and I become-hungry. Please. He will hear you soon. Hurry-leave.’

“‘Tell us how to find him,’ I said desperately. ‘We’ll kill him now.’

“‘Yes, kill him, if you can do it without endangering yourself. Kill him for me,’ he whispered, and for the first time I saw that he could still feel anger. ‘Listen, Paul. There is a book in there. A life of Saint George.’ He began to struggle with his breathing again. ‘Very old, with a Byzantine cover-no one has ever seen such a book. He has many great books, but this one is -’ He seemed for a moment to faint, and Helen pressed his hand between hers, beginning to weep in spite of herself. When he came to, he whispered, ‘I hid it behind the first cabinet to the left. Take it with you if you can. I have written something-I have put something inside it. Hurry, Paul. He is waking up. I am waking up with him.’

“‘Oh, Jesus.’ I looked around for some kind of help-what, I didn’t know. ‘Ross, please-I can’t let him have you. We’ll kill him and you’ll get well. Where is he?’ But now Helen was calmer and she picked up the dagger and showed it to him.

“He seemed to let out a long breath, and it was mingled with a smile. I saw then how his teeth had lengthened, like a dog’s, and how the corner of his lip was already chewed raw. Tears ran freely from his eyes and trickled down his bruised cheekbones. ‘Paul, my friend -’

“‘Where is he? Where is the library?’ I made the question even more urgent, but Rossi could not speak again.

“Helen made a quick gesture, and I understood, and dug a rock quickly from the edge of the floor. It took me a long moment to loosen it, and in that moment I feared I could hear some movement in the church above us. Helen unbuttoned his shirt and opened it gently, and she set the tip of Turgut’s dagger over his heart.

“He kept his eyes on us for a moment, trustingly, so that they looked blue as a child’s, and then shut them. As soon as they closed I gathered all my strength and brought down onto the hilt of the dagger that ancient stone, a stone set in place by the hands of an anonymous monk or hired peasant, some vanished denizen of the twelfth or thirteenth century. Probably that stone had lain quiet as centuries of monks trod on it, bringing bones to their ossuary, or wine to their cellar. That stone had not moved when the corpse of a foreign Turk-killer was carried secretly over it and hidden in a fresh grave in the floor nearby, or when Wallachian monks celebrated a heretical new mass above it, or when the Ottoman police came searching in vain for the corpse, or when Ottoman horsemen rode into the church with their torches, or when a new church rose overhead, or when the bones of Sveti Petko were brought in their reliquary to sit close to it, or when pilgrims knelt on it to receive the neomartyr’s blessing. It had rested there those many centuries, until I dug it roughly from its place and gave it a new use, and that is all I can write about it.”

Chapter 73

May 1954

I have no one to whom to write this, and no hope that it will ever be found, but it seems to me a crime not to attempt to record my knowledge while I am still able to, and God only knows how long that will be.

I was taken from my university office some days ago-I am not sure how many, but I surmise that this is still the month of May. On that night I said good-bye to my beloved student and friend, who had shown me his copy of the demonic book I had tried for years to forget. I saw him walk away with all the help I could possibly give him. Then I shut my office door and sat for a few moments in great regret and fear. I knew that I was culpable. I had renewed in secret my research into the history of vampires and I fully intended to come around by degrees to an expansion of my knowledge of the legend of Dracula, and perhaps even to solve at last the mystery of the whereabouts of his tomb. I had let time, rationality, and pride lull me into believing there would be no consequences to renewing my research. I admitted my guilt to myself even in that first moment of solitude.

It had cost me a terrible pang to give Paul my research notes and the letters I’d written about my experiences, not because I wanted them for myself any longer-all desire to continue my research had vanished in me the second he had shown me his book. I simply, deeply regretted having to put this gruesome knowledge into his hand, although I was sure that the more he understood the better he would be able to protect himself. I could only hope that if any punishment followed, I would be the sufferer and not Paul, with his youthful optimism, his light step, his untried brilliance. Paul cannot be more than twenty-seven; I have had decades of life and much undeserved happiness. This was my first thought. My next thoughts were practical. Even if I wished to protect myself, I had no way to do so immediately, except my own faith in the rational. I had kept my notes but not any traditional means of warding off evil-no crucifixes or silver bullets, no braids of garlic. I had never resorted to those, even at the height of my research, but now I began to regret that I had advised Paul to use only the resources of his own mind.

These thoughts required the space of a minute or two, and as it turned out, I had only a minute or two at my disposal. Then, with a sudden rush of foul, cold air, an immense presence was upon me, so that I could hardly see, and my entire body seemed to rise out of its chair with fear. I was enveloped, blinded in an instant, and I felt I must be dying, though from what I couldn’t tell. In the midst of it I had the strangest vision of youth and loveliness, a feeling more than a vision, a sense of myself much younger and full of love for something or someone. Perhaps that is the way one dies. If so, when my time comes-and it will come soon, whatever terrible form it takes-I hope this vision will be with me again in the last moment.

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