Harlan Coben - Just One Look

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From Publishers Weekly
Just one look at Coben's latest stand-alone thriller (after No Second Chance) highlights the author's customary strengths (swift pacing, strong lead characters) but also his weaknesses, including limited originality and, in this case, a plot so complicated that many final pages are devoted to sorting it out. The premise is simple enough: suburban housewife Grace Lawson collects some pictures at the local Photomat; inexplicably, one is an old print depicting her husband, Jack, with other college students; when Grace shows the photo to Jack, he drives away-and disappears. Grace's hunt for her missing husband, whom we learn has been kidnapped (but why? and Coben fans will note that the author's last novel also hinged on a kidnapped family member), sweeps her back into a nightmare she thought she'd escaped: the evening years ago when she survived a rock concert rampage, occasioned by a shooting that left many dead. Meanwhile, Eric Wu, a-dare we say?-inscrutable martial-arts killer who has snatched Jack for reasons unknown, menaces assorted folk. Eventually Grace, aided by a Gotti-like mobster whose child was killed in the rampage, gloms on to Wu, as well as on to Jack's sister, a high-powered attorney who, it turns out, is representing the guy who started the rampage by firing his gun. Only he didn't start the rampage after all, and then there's the rock star who vanished after the shooting and resultant mayhem-what's he now doing on Grace's doorstep? This is all as complicated as a thousand-piece jigsaw puzzle and about as hard to figure out, although in the midst of the murk there are some wonderful character touches. Coben can write thrillers that lift readers off their seats; this one, alas, will have them slumping.
From Booklist
If the trick of suspense writing is to get readers to identify so passionately with the beleaguered principal character that they disappear into the story, feeling the knife points of tension themselves, then Coben is the Houdini of the form. Coben, who has won the Trifecta of mystery writing-the Edgar, the Anthony, and the Shamus Awards-likes to burst the bubble of suburban security by having his characters' well-ordered, happy lives upended in ways that mirror readers' fears. In his four stand-alone thrillers, the past comes back to bite or haunt the protagonist, or the present vanishes in one fatal moment. In this latest excursion into the dark, a suburban mother finds one picture that does not belong in the pack of family outing photos she's just picked up. The picture, showing a group of college students, seems as if it was taken 20 years ago. One of the group looks like her husband. A girl in the group has an X drawn across her face. When Mrs. Happily Married shows the picture to her husband, he seems shaken, then leaves home. Coben ratchets up the suspense of the wife trying to find her husband with another drama, that of a serial killer in the neighborhood. A tragic accident from the woman's past intersects with her husband's secrets and the movements of the killer in ways that are satisfyingly creepy.

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And then their windshield exploded.

The noise was sudden and deafening. Charlaine screamed. Something splashed on her face, something wet and syrupy. There was a coppery smell in the air now. Instinctively Charlaine ducked. The glass from the windshield rained down on her head. Something slumped against her, pushing her down.

It was Mike.

She screamed again. The scream mixed with the sound of another bullet being fired. She had to move, had to get out, had to get them out of here. Mike was not moving. She shoved him off her and risked raising her head.

Another shot whistled past her.

She had no idea where it landed. Her head was back down. There was a screaming in her ears. A few seconds passed. Charlaine finally risked a glance.

The man was walking toward her.

What now?

Escape. Flee. That was the only thought that came through.

How?

She shifted the car into reverse. Mike’s foot was still on the brake. She dropped low. Her hand stretched out and took hold of his slack ankle. She slid his foot off the brake. Still wedged into the foot area Charlaine managed to jam her palm on the accelerator. She pushed down with everything she had. The car jerked back. She could not move. She had no idea where she was going.

But they were moving.

She kept her palm pressed down to the floor. The car jolted over something, a curb maybe. The bounce banged her head against the steering column. Using her shoulder blades, she tried to keep the wheel steady. Her left hand still pressed down on the accelerator. They hit another bump. She held on. The road was smoother now. But just for a moment. Charlaine heard the honking of horns, the screech of tires and brakes, and the awful whir of cars spinning out of control.

There was an impact, a terrible jarring, and then, a few seconds later, darkness.

chapter 19

The color in Officer Daley’s face had ebbed away. Perlmutter sat up. “What is it?”

Daley stared at the sheet of paper in his hand as if he feared it might flee. “Something doesn’t make sense here, Cap.”

When Captain Perlmutter had started working as a cop, he hated the night shift. The quiet and solitude got to him. He had grown up in a big family, one of seven kids, and he liked that life. He and his wife Marion planned on having a big family. He had the whole thing figured out-the barbecues, the weekends coaching one kid or the other, the school conferences, the family movies on Friday night, the summer nights on the front porch-the life he’d experienced growing up in Brooklyn, but with a suburban, bigger-house twist.

His grandmother used to spew Yiddish quotes all the time. Stu Perlmutter’s personal favorite had been this: “Man plans and God laughs.” Marion, the only woman he had ever loved, died of a sudden embolism when she was thirty-one. She’d been in the kitchen, making Sammy-that was their son, their only child-a sandwich when the embolism hit. She was dead before she landed on the linoleum.

Perlmutter’s life pretty much ended that day. He did what he could to raise Sammy, but the truth was, his heart was never really in it. He loved the boy and enjoyed his job, but he had lived for Marion. This precinct, his work, had become his solace. Home, being with Sammy, reminded him of Marion and all they’d never have. Here, alone, he could almost forget.

All of that was a long time ago. Sammy was in college now. He had turned into a good man, despite his father’s inattentiveness. There was something to be said for that, but Perlmutter did not know what.

Perlmutter signaled for Daley to sit down. “So what’s up?”

“That woman. Grace Lawson.”

“Ah,” Perlmutter said.

“Ah?”

“I was just thinking about her too.”

“Something about her case bothering you, Captain?”

“Yep.”

“I thought it was just me.”

Perlmutter tipped his chair back. “Do you know who she is?”

“Ms. Lawson?”

“Yup.”

“She’s an artist.”

“More than that. You notice the limp?”

“Yes.”

“Her married name is Grace Lawson. But once upon a time, her name-her maiden name, I guess-was Grace Sharpe.”

Daley looked at him blankly.

“You ever hear of the Boston Massacre?”

“Wait, you mean that rock concert riot?”

“More a stampede, but yeah. Lot of people died.”

“She was there?”

Perlmutter nodded. “Badly injured too. In a coma for a while. Press gave her the full fifteen minutes and then some.”

“How long ago was that?”

“What, fifteen, sixteen years ago maybe.”

“But you remember?”

“It was big news. And I was a big fan of the Jimmy X Band.”

Daley looked surprised. “You?”

“Hey, I wasn’t always an old fart.”

“Heard their CD. It was pretty damn good. Radio still plays ‘Pale Ink’ all the time.”

“One of the best songs ever.”

Marion had liked the Jimmy X Band. Perlmutter remembered her constantly blasting “Pale Ink” on an old Walkman, her eyes closed, her lips moving as she silently sang along. He blinked the image away.

“So what happened to them?”

“The massacre destroyed the band. They broke up. Jimmy X-I don’t remember his real name anymore-was the front man and wrote all the songs. He just up and quit.” Perlmutter pointed to the piece of paper in Daley’s hand. “So what’s that?”

“That’s what I wanted to talk to you about.”

“Something to do with the Lawson case?”

“I don’t know.” Then: “Yeah, maybe.”

Perlmutter put his hands behind his head. “Start talking.”

“DiBartola got a call early tonight,” Daley said. “Another missing husband case.”

“Similarities to Lawson?”

“No. I mean, not at first. This guy wasn’t even her husband anymore. An ex. And he isn’t exactly squeaky clean.”

“He’s got a record?”

“Did time for assault.”

“Name?’

“Rocky Conwell.”

“Rocky? For real?”

“Yep, that’s what it says on his birth certificate.”

“Parents.” Perlmutter made a face. “Wait, why does that name ring a bell?”

“He played a little pro ball.”

Perlmutter searched the memory banks, shrugged. “So what’s the deal?”

“Okay, like I said, this case looks even more cut-and-dry than Lawson. Ex-husband who was supposed to take his wife out shopping this morning. I mean, it’s nothing. It’s less than nothing. But DiBartola sees the wife-her name is Lorraine-well, she’s a royal babe. So you know DiBartola.”

“A pig,” Permutter said with a nod. “Ranked in the top ten by both the AP and UPI.”

“Right, so he figures, what the hell, humor her, right? She’s separated, so you never know. Maybe something would swing his way.”

“Very professional.” Perlmutter frowned. “Go on.”

“This is where it gets weird.” Daley licked his lips. “DiBartola, he does the simple thing. He runs the E-ZPass.”

“Like you.”

Exactly like me.”

“What do you mean?”

“He gets a hit.” Daley took another step into the room. “Rocky Conwell crossed the tollbooth off Exit 16 on the New York Thruway. At exactly ten-twenty-six last night.”

Perlmutter looked at him.

“Yeah, I know. Exact same time and place as Jack Lawson.”

Perlmutter scanned the report. “You’re sure about this? DiBartola didn’t accidentally run the same number we did or something?”

“Checked it twice. There’s no mistake. Conwell and Lawson crossed the toll at the exact same time. They had to be together.”

Perlmutter mulled it over and shook his head. “No.”

Daley looked confused. “You think it’s a coincidence?”

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