Harlan Coben - Just One Look

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From Publishers Weekly
Just one look at Coben's latest stand-alone thriller (after No Second Chance) highlights the author's customary strengths (swift pacing, strong lead characters) but also his weaknesses, including limited originality and, in this case, a plot so complicated that many final pages are devoted to sorting it out. The premise is simple enough: suburban housewife Grace Lawson collects some pictures at the local Photomat; inexplicably, one is an old print depicting her husband, Jack, with other college students; when Grace shows the photo to Jack, he drives away-and disappears. Grace's hunt for her missing husband, whom we learn has been kidnapped (but why? and Coben fans will note that the author's last novel also hinged on a kidnapped family member), sweeps her back into a nightmare she thought she'd escaped: the evening years ago when she survived a rock concert rampage, occasioned by a shooting that left many dead. Meanwhile, Eric Wu, a-dare we say?-inscrutable martial-arts killer who has snatched Jack for reasons unknown, menaces assorted folk. Eventually Grace, aided by a Gotti-like mobster whose child was killed in the rampage, gloms on to Wu, as well as on to Jack's sister, a high-powered attorney who, it turns out, is representing the guy who started the rampage by firing his gun. Only he didn't start the rampage after all, and then there's the rock star who vanished after the shooting and resultant mayhem-what's he now doing on Grace's doorstep? This is all as complicated as a thousand-piece jigsaw puzzle and about as hard to figure out, although in the midst of the murk there are some wonderful character touches. Coben can write thrillers that lift readers off their seats; this one, alas, will have them slumping.
From Booklist
If the trick of suspense writing is to get readers to identify so passionately with the beleaguered principal character that they disappear into the story, feeling the knife points of tension themselves, then Coben is the Houdini of the form. Coben, who has won the Trifecta of mystery writing-the Edgar, the Anthony, and the Shamus Awards-likes to burst the bubble of suburban security by having his characters' well-ordered, happy lives upended in ways that mirror readers' fears. In his four stand-alone thrillers, the past comes back to bite or haunt the protagonist, or the present vanishes in one fatal moment. In this latest excursion into the dark, a suburban mother finds one picture that does not belong in the pack of family outing photos she's just picked up. The picture, showing a group of college students, seems as if it was taken 20 years ago. One of the group looks like her husband. A girl in the group has an X drawn across her face. When Mrs. Happily Married shows the picture to her husband, he seems shaken, then leaves home. Coben ratchets up the suspense of the wife trying to find her husband with another drama, that of a serial killer in the neighborhood. A tragic accident from the woman's past intersects with her husband's secrets and the movements of the killer in ways that are satisfyingly creepy.

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“Two separate cars, crossing the toll at the same time? Not likely.”

“So how do you figure it?”

“I’m not sure,” Perlmutter said. “Let’s say they, I don’t know, ran away together. Or Conwell kidnapped Lawson. Or hell, Lawson kidnapped Conwell. Whatever. They’d be in the same car. There would be only one E-ZPass hit, not two.”

“Right, okay.”

“But they were in two separate cars. That’s what’s throwing me. Both men in separate cars cross the toll at the same time. And now both men are missing.”

“Except Lawson called his wife,” Daley added. “He needed space, remember?”

They both thought about it.

Daley said, “You want me to call Ms. Lawson? See if she knows this Conwell guy?”

Perlmutter plucked on his bottom lip and thought about it. “Not yet. Besides it’s late. She’s got kids.”

“So what should we do?”

“A little more investigating. Let’s talk to Rocky Conwell’s ex-wife first. See if we dig up a connection between Conwell and Lawson. Put his car out there, see if we get a hit.”

The phone rang. Daley was working the switchboard as well. He picked it up, listened, and then turned to Perlmutter.

“Who was that?”

“Phil over at the Ho-Ho-Kus station.”

“Something wrong?”

“They think an officer might be down. They want our help.”

chapter 20

Beatrice Smith was a fifty-three-year-old widow.

Eric Wu was back in the Ford Windstar. He took Ridgewood Avenue to the Garden State Parkway north. He headed east on Interstate 287 toward the Tappan Zee Bridge. He exited at Armonk in New York. He was on side roads now. He knew exactly where he was going. He had made mistakes, yes, but the basics were still with him.

One of those basics: Have a backup residence lined up.

Beatrice Smith’s husband had been a popular cardiologist, even serving a term as town mayor. They’d had lots of friends, but they were all “couple” friends. When Maury-that was her husband’s name-died of a sudden heart attack, the friends stayed around for a month or two and then faded away. Her only child, a son, and a doctor like his father, lived in San Diego with his wife and three children. She kept the house, the same house she had shared with Maury, but it was big and lonely. She was thinking about selling it and moving into Manhattan, but the prices were just too steep right now. And she was afraid. Armonk was all she knew. Would it be jumping from the frying pan into the fire?

She had confided all of this online to the fictional Kurt McFaddon, a widower from Philadelphia who was considering relocating to New York City. Wu pulled onto her street and slowed. The surroundings were quiet and woodsy and very private. It was late. A fake delivery would not work at this hour. There would be no time or even need for subtlety. Wu would not be able to keep this host alive.

There could be nothing to connect Beatrice Smith to Freddy Sykes.

In short, Beatrice Smith could not be found. Not ever.

Wu parked the car, put on his gloves-no fingerprints this time-and approached the house.

chapter 21

At 5 A.M., Grace threw on a bathrobe-Jack’s robe-and headed downstairs. She always wore Jack’s clothes. He’d kindly request lingerie, but she preferred his pajama tops. “Well?” she’d ask, modeling the top. “Not bad,” he’d reply, “but why not try wearing just the bottoms instead. Now that would be a look.” She shook her head at the memory and reached the computer room.

The first thing Grace did was check the e-mail address they were using to receive replies from their spam of the photograph. What she saw surprised her.

They were no replies.

Not one.

How could that be? It was conceivable, she guessed, that nobody recognized the women in the photograph. She’d been prepared for that possibility. But by now they had sent out hundreds of thousands of e-mails to people. Even with spam blocks and all that, someone should have responded with at the very least an expletive, some crackpot with time on his hands, someone fed up with the overflow of spam who’d need to vent.

Someone.

But she had not received even one reply.

What should she make of that?

The house was quiet. Emma and Max were still asleep. So too was Cora. Cora was snoring, stretched out on her back, her mouth open.

Switch gears, Grace thought.

She knew that Bob Dodd, the murdered reporter, was now her best, perhaps only, lead, and let’s face it, it was a pretty flimsy one. She had no phone contact for him, no next of kin, not even a street address. Still, Dodd had been a reporter for a fairly major newspaper, the New Hampshire Post . She decided that was the best place to start.

Newspapers don’t really close-at least, that was what Grace figured. Someone has to be manning the Post desk in case a big story broke. It also figured that the reporter stuck working at 5 A.M. might be bored and more apt to talk to her. So she picked up the phone.

Grace was not sure how to approach this. She considered various angles, pretending, for example, to be a reporter doing a story, asking for collegial assistance, but she wasn’t sure she’d be able to talk the talk.

In the end she decided to try to keep as close to the truth as possible.

She pressed *67 to block the Caller ID. The newspaper had a toll-free line. Grace didn’t use it. You can’t block Caller ID from toll-free numbers. She had learned that somewhere and stockpiled it in the back brain closet, the same closet where she stored information about Daryl Hannah being in Splash and Esperanza Diaz being the wrestler dubbed Little Pocahontas, the same closet that helped make Grace, in Jack’s words, “Mistress of the Useless Factoid.”

The first two calls to the New Hampshire Post went nowhere. The guy at the news desk simply could not be bothered. He hadn’t really known Bob Dodd and barely listened to her pitch. Grace waited twenty minutes and tried again. This time she got routed to Metro, where a woman who sounded very young informed Grace that she had just started at the paper, that this was her first job ever, that she didn’t know Bob Dodd, but gee, wasn’t it awful what happened to him?

Grace checked the e-mails again. Still nothing.

“Mommy!”

It was Max.

“Mommy, come quick!”

Grace hurried up the stairs.

“What is it, honey?”

Max sat in his bed and pointed to his foot. “My toe is growing too fast.”

“Your toe?”

“Look.”

She moved next to him and sat down.

“See?”

“See what, honey?”

“My second toe,” he began. “It’s bigger than my big toe. It’s growing too fast.”

Grace smiled. “That’s normal, honey.”

“Huh?”

“Lots of people have a second toe that’s longer than their big one. Your daddy has that.”

“No way.”

“Yup, way. His second toe is longer than the big one on the end.”

That seemed to appease him. Grace felt another pang. “You want to watch The Wiggles ?” she asked him.

“That’s a baby show.”

“Let’s see what’s on Playhouse Disney , okay?”

Rolie Polie Olie was on, and Max settled into the couch to watch. He liked to use the cushions as blankets, making a total mess of the place. Grace was beyond caring. She tried the New Hampshire Post again. This time she asked for features.

The man who answered had a voice like old tires on a gravel road. “What’s up?”

“Good morning,” Grace said, too cheerfully, smiling into the phone like a dimwit.

The man made a noise which, loosely translated, said: Get on with it.

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