Harlan Coben - Just One Look

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From Publishers Weekly
Just one look at Coben's latest stand-alone thriller (after No Second Chance) highlights the author's customary strengths (swift pacing, strong lead characters) but also his weaknesses, including limited originality and, in this case, a plot so complicated that many final pages are devoted to sorting it out. The premise is simple enough: suburban housewife Grace Lawson collects some pictures at the local Photomat; inexplicably, one is an old print depicting her husband, Jack, with other college students; when Grace shows the photo to Jack, he drives away-and disappears. Grace's hunt for her missing husband, whom we learn has been kidnapped (but why? and Coben fans will note that the author's last novel also hinged on a kidnapped family member), sweeps her back into a nightmare she thought she'd escaped: the evening years ago when she survived a rock concert rampage, occasioned by a shooting that left many dead. Meanwhile, Eric Wu, a-dare we say?-inscrutable martial-arts killer who has snatched Jack for reasons unknown, menaces assorted folk. Eventually Grace, aided by a Gotti-like mobster whose child was killed in the rampage, gloms on to Wu, as well as on to Jack's sister, a high-powered attorney who, it turns out, is representing the guy who started the rampage by firing his gun. Only he didn't start the rampage after all, and then there's the rock star who vanished after the shooting and resultant mayhem-what's he now doing on Grace's doorstep? This is all as complicated as a thousand-piece jigsaw puzzle and about as hard to figure out, although in the midst of the murk there are some wonderful character touches. Coben can write thrillers that lift readers off their seats; this one, alas, will have them slumping.
From Booklist
If the trick of suspense writing is to get readers to identify so passionately with the beleaguered principal character that they disappear into the story, feeling the knife points of tension themselves, then Coben is the Houdini of the form. Coben, who has won the Trifecta of mystery writing-the Edgar, the Anthony, and the Shamus Awards-likes to burst the bubble of suburban security by having his characters' well-ordered, happy lives upended in ways that mirror readers' fears. In his four stand-alone thrillers, the past comes back to bite or haunt the protagonist, or the present vanishes in one fatal moment. In this latest excursion into the dark, a suburban mother finds one picture that does not belong in the pack of family outing photos she's just picked up. The picture, showing a group of college students, seems as if it was taken 20 years ago. One of the group looks like her husband. A girl in the group has an X drawn across her face. When Mrs. Happily Married shows the picture to her husband, he seems shaken, then leaves home. Coben ratchets up the suspense of the wife trying to find her husband with another drama, that of a serial killer in the neighborhood. A tragic accident from the woman's past intersects with her husband's secrets and the movements of the killer in ways that are satisfyingly creepy.

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They were silent for a moment.

“I still don’t understand,” Grace said.

He looked at her.

“I said before I’m not the one to give you absolution. I meant that. But the truth is, you didn’t fire a gun that night.”

Jimmy stayed still.

“The Who. When they had that stampede in Cincinnati, they got over it. And the Stones, when that Hell’s Angel killed a guy at their concert. They’re still playing. I can see wanting out for a little while, a year or two…”

Jimmy looked to the right. “I should leave.”

He stood.

“Going to disappear again?” she asked.

He hesitated and then reached into his pocket. He pulled out a card and handed it to her. There were ten digits on it and nothing more. “I don’t have a home address or anything, just this mobile phone.”

He turned and started for the door. Grace did not follow. Under normal circumstances, she might have pushed him, but in the end, his visit was an aside, a not very important one in the scheme of things. Her past had a curious pull, that was all. Especially now.

“Take care of yourself, Grace.”

“You too, Jimmy.”

She sat in the den, feeling the exhaustion begin to weigh on her shoulders, and wondered where Jack was right now.

***

Mike did indeed drive. The Asian man had nearly a minute head start, but what was good about their twisty development of cul-de-sacs, tract houses, nicely wooded lots-this wondrous serpentine sprawl of suburbia-was that there was only one true entrance and exit road.

In this stretch of Ho-Ho-Kus, all roads led to Hollywood Avenue.

Charlaine filled Mike in as quickly as possible. She told him most of it, about how she’d looked out the window and spotted the man and grown suspicious. Mike listened without interrupting. There were holes the size of a heartache in her story. She left out why she had been looking out the window in the first place, for example. Mike must have seen the holes, but right now he was letting it go.

Charlaine studied his profile and traveled back to the first time they met. She had been a freshman at Vanderbilt University. There was a park in Nashville, not far from campus, with a replica of the Parthenon, the one in Athens. Originally built in 1897 for the Centennial Expo, the structure was thought to be the most realistic replica of the famed site atop the Acropolis anywhere in the world. If you wanted to know what the actual Parthenon looked like in its heyday, well, people would travel to Nashville, Tennessee.

She was sitting there on a warm fall day, just eighteen years old, staring at the edifice, imagining what it must have been like in Ancient Greece, when a voice said, “It doesn’t work, does it?”

She turned. Mike had his hands in his pocket. He looked so damned handsome. “Excuse me?”

He took a step closer, a half smile on his lips, moving with a confidence that drew her. Mike gestured with his head toward the enormous structure. “It’s an exact replica, right? You look at it, and this is what they saw, great philosophers like Plato and Socrates, and all I can think is”-he stopped, shrugged-“is that all there is?”

She smiled at him. She saw his eyes widen and knew that the smile had landed hard. “It leaves nothing to the imagination,” she said.

Mike tilted his head. “What do you mean?”

“You see the ruins of the real Parthenon and you try to imagine what it would have looked like. But the reality, which this is, can never live up to what your mind conjures up.”

Mike nodded slowly, considering.

“You don’t agree?” she asked.

“I had another theory,” Mike said.

“I’d like to hear it.”

He moved closer and bent down on his haunches. “There are no ghosts.”

Now she did the head tilt.

“You need the history. You need the people in their sandals walking through it. You need the years, the blood, the deaths, the sweat from, what, four hundred years B.C. Socrates never prayed in there. Plato didn’t argue by its door. Replicas never have the ghosts. They’re bodies without souls.”

The young Charlaine smiled again. “You use this line on all the girls?”

“It’s new, actually. I’m trying it out. Any good?”

She lifted her hand, palm down, and turned it back and forth. “Eh.”

Charlaine had been with no other man since that day. For years they returned to the fake Parthenon on their anniversary. This had been the first year they hadn’t gone back.

“There he is,” Mike said.

The Ford Windstar was traveling west on Hollywood Avenue toward Route 17. Charlaine was back on the phone with a 911 operator. The operator was finally taking her seriously.

“We lost radio contact with our officer at the scene,” she said.

“He’s heading onto Route 17 south at the Hollywood Avenue entrance,” Charlaine said. “He’s driving a Ford Windstar.”

“License plate?”

“I can’t see it.”

“We have officers responding to both scenes. You can drop your pursuit now.”

She lowered the phone. “Mike?”

“It’s okay,” he said.

She sat back and thought about her own house, about ghosts, about bodies without souls.

***

Eric Wu was not easily surprised.

Seeing the woman from the house and this man he assumed was her husband following him-that definitely registered as something he would not have predicted. He wondered how to handle it.

The woman.

She had set him up. She was following him. She had called the police. They had sent an officer. He knew then that she would call again.

What Wu had counted on, however, was putting enough distance between himself and the Sykes household before the police responded to her call. When it comes to tracking down vehicles the police are far from omnipotent. Think about the Washington sniper a few years back. They had hundreds of officers. They had roadblocks. For an embarrassingly long time they couldn’t locate two amateurs.

If Wu could get enough miles ahead, he would be safe.

But now there was a problem.

That woman again.

That woman and her husband were following him. They would be able to tell the police where he was going, what road he was on, what direction he was heading. He would not be able to put the distance between him and the authorities.

Conclusion: Wu had to stop them.

He spotted the sign for the Paramus Park Mall and took the jug-handle back over the highway. The woman and her husband followed. It was late at night. The stores were closed. The lot was empty. Wu pulled into it. The woman and her husband kept their distance.

That was okay.

Because it was time to call their bluff.

Wu had a gun, a Walther PPK. He didn’t like using it. Not that he was squeamish. Wu simply preferred his hands. He was decent with a gun; he was expert with his hands. He had perfect control with them. They were a part of him. With a gun you are forced to trust the mechanics, an outside source. Wu did not like that.

But he understood the need.

He stopped the car. He made sure the gun was loaded. His car door was unlocked. He pulled the handle, stepped out of the vehicle, and aimed his weapon.

***

Mike said, “What the hell is he doing?”

Charlaine watched the Ford Windstar enter the mall lot. There were no other cars. The lot was well lit, bathed in a shopping-center fluorescent glow. She could see Sears up ahead, the Office Depot, Sports Authority.

The Ford Windstar drifted to a stop.

“Keep back,” she said.

“We’re in a locked car,” Mike said. “What can he do?”

The Asian man moved with fluidity and grace, and yet there was also deliberation, as if each movement had been carefully planned in advanced. It was a strange combination, the way he moved, almost inhuman. But right now the man stood next to his car, his entire body still. His arm swept forward, only the arm, the rest of him so undisturbed by the motion that you might think it was an optical illusion.

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