Harlan Coben - Just One Look

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From Publishers Weekly
Just one look at Coben's latest stand-alone thriller (after No Second Chance) highlights the author's customary strengths (swift pacing, strong lead characters) but also his weaknesses, including limited originality and, in this case, a plot so complicated that many final pages are devoted to sorting it out. The premise is simple enough: suburban housewife Grace Lawson collects some pictures at the local Photomat; inexplicably, one is an old print depicting her husband, Jack, with other college students; when Grace shows the photo to Jack, he drives away-and disappears. Grace's hunt for her missing husband, whom we learn has been kidnapped (but why? and Coben fans will note that the author's last novel also hinged on a kidnapped family member), sweeps her back into a nightmare she thought she'd escaped: the evening years ago when she survived a rock concert rampage, occasioned by a shooting that left many dead. Meanwhile, Eric Wu, a-dare we say?-inscrutable martial-arts killer who has snatched Jack for reasons unknown, menaces assorted folk. Eventually Grace, aided by a Gotti-like mobster whose child was killed in the rampage, gloms on to Wu, as well as on to Jack's sister, a high-powered attorney who, it turns out, is representing the guy who started the rampage by firing his gun. Only he didn't start the rampage after all, and then there's the rock star who vanished after the shooting and resultant mayhem-what's he now doing on Grace's doorstep? This is all as complicated as a thousand-piece jigsaw puzzle and about as hard to figure out, although in the midst of the murk there are some wonderful character touches. Coben can write thrillers that lift readers off their seats; this one, alas, will have them slumping.
From Booklist
If the trick of suspense writing is to get readers to identify so passionately with the beleaguered principal character that they disappear into the story, feeling the knife points of tension themselves, then Coben is the Houdini of the form. Coben, who has won the Trifecta of mystery writing-the Edgar, the Anthony, and the Shamus Awards-likes to burst the bubble of suburban security by having his characters' well-ordered, happy lives upended in ways that mirror readers' fears. In his four stand-alone thrillers, the past comes back to bite or haunt the protagonist, or the present vanishes in one fatal moment. In this latest excursion into the dark, a suburban mother finds one picture that does not belong in the pack of family outing photos she's just picked up. The picture, showing a group of college students, seems as if it was taken 20 years ago. One of the group looks like her husband. A girl in the group has an X drawn across her face. When Mrs. Happily Married shows the picture to her husband, he seems shaken, then leaves home. Coben ratchets up the suspense of the wife trying to find her husband with another drama, that of a serial killer in the neighborhood. A tragic accident from the woman's past intersects with her husband's secrets and the movements of the killer in ways that are satisfyingly creepy.

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Wu did not have to turn around. He knew the tall black man was moving up behind him. He was only five yards away now. Wu stepped back into the house. He held the door open and gave the officer what he thought was an effeminate smile. The officer-his name tag read Richardson -moved toward the door.

When he was only a yard away, Wu uncoiled.

Office Richardson had hesitated, perhaps sensing something, but it was too late. The blow, aimed for the center of his gut, was a palm strike. Richardson folded in half like a deck chair. Wu moved closer. He wanted to disable. He did not want to kill.

An injured policeman produces heat. A dead policeman raises the temperature tenfold.

The cop was doubled over. Wu hit him behind the legs. Richardson dropped to his knees. Wu used a pressure point technique. He dug the knuckles of his index fingers into both sides of Richardson ’s head, up and into the ear cavity under the cartilage, an area known as Triple Warmer 17. You need to get the right angle. Go full strength and you could kill someone. You needed precision here.

Richardson ’s eyes went white. Wu released the hold. Richardson dropped like a marionette with its strings cut.

The knockout would not last long. Wu took the handcuffs from the man’s belt and cuffed his wrist to the stairwell. He ripped the radio from his shoulder.

Wu considered the woman next door. She’d be watching.

She would surely call the police again. He wondered about that, but there was no time. If he tried to attack, she would see him and lock the door. It would take too long. His best bet was to use time and surprise here. He hurried to the garage and got into Jack Lawson’s minivan. He checked the cargo area in the back.

Jack Lawson was there.

Wu moved to the driver’s seat now. He had a plan.

***

Charlaine had a bad feeling the moment she saw the policeman step out of the car.

For one thing, he was alone. She had assumed that there would be two of them, partners, again from TV- Starsky and Hutch , Adam-12 , Briscoe and Green. She realized now that she had made a mistake. Her call had been too casual. She should have claimed to see something menacing, something frightening, so that they would have arrived more wary and prepared. Instead she had simply come across as a nosey neighbor, a dotty woman who had nothing better to do but call the cops for any little thing.

The policeman’s body language too was all wrong. He sauntered toward the door, slack and casual, not a care in the world. Charlaine couldn’t see the front door from where she was, only the driveway. When the officer disappeared from view, Charlaine felt her stomach drop.

She considered shouting out a warning. The problem was-and this might sound strange-the new Pella windows they had installed last year. They opened vertically, with a hand crank. By the time she slid open both locks and cranked the handle, well, the officer would already be out of sight. And really, what could she yell? What kind of warning? What in the end did she really know?

So she waited.

Mike was in the house. He was downstairs in the den, watching the Yankees on the YES Network. The divided night. They never watched TV together anymore. The way he flipped the remote was maddening. They liked different shows. But really, she didn’t think that was it. She could watch anything. Still Mike took the den; she had the bedroom. They both watched alone, in the dark. Again she didn’t know when that had started. The children weren’t home tonight-Mike’s brother had taken them to the movies-but when they were, they stayed in their own rooms. Charlaine tried to limit the Web surf time, but it was impossible. In her youth, friends talked on the phone for hours. Now they instant-messaged and lord-knew-what over the Internet.

This was what her family became-four separate entities in the dark, interacting with one another only when necessary.

She saw the light go on in the Sykes garage. Through the window, the one covered with flimsy lace, Charlaine could see a shadow. Movement. In the garage. Why? There would be no need for the police officer to be in there. She reached for the phone and dialed 911, even as she began to head for the stairs.

“I called you a little while ago,” she told the 911 operator.

“Yes?”

“About a break-in at my neighbor’s house.”

“An officer is responding.”

“Yeah, I know that. I saw him pull up.”

Silence. She felt like a dope.

“I think something might have happened.”

“What did you see?”

“I think he may have been attacked. Your officer. Please send someone quickly.”

She hung up. The more she’d explain, the stupider it would sound.

The familiar churning noise started up. Charlaine knew what it was. Freddy’s electric garage door. The man had done something to the cop. He was going to escape.

And that was when Charlaine decided to do something truly stupid.

She thought back to those wicked-witch-thin heroines, the ones with the mind-scooped stupidity, and wondered if any of them, even the most brain dead, had ever done something so colossally stupid. She doubted it. She knew that when she looked back on the choice she was about to make-assuming she survived it-she would laugh and maybe, just maybe, have a little more respect for the protagonists who enter dark homes in just their bra and panties.

Here was the thing: The Asian guy was about to escape. He had hurt Freddy. He had hurt a cop; she was sure of it. By the time the cops responded, he would be gone. They wouldn’t find him. It would be too late.

And if he got away, then what?

He had seen her. She knew that. At the window. He had probably already figured out that she was the one who called the police. Freddy could be dead. So too the cop. Who was the only witness left?

Charlaine.

He would come back for her, wouldn’t he? And even if he didn’t, even he decided to let her be, well, at best, she would live in fear. She’d be jumpy in the night. She’d look for him in crowds during the days. Maybe he would simply want revenge. Maybe he would go after Mike or the kids…

She could not let that happen. She had to stop him now.

How?

Wanting to prevent his escape was all fine and good, but let’s stay real here. What could she do? They didn’t own a gun. She couldn’t just run outside and jump on his back and try to claw his eyes. No, she had to be cleverer than that.

She had to follow him.

On the surface it sounded ridiculous, but add it up. If he got away, the result would be fear. Pure, unadulterated, probably unending terror until he was captured, which might be never. Charlaine had seen the man’s face. She had seen his eyes. She couldn’t live with that.

Following him-running a tail, as they say on TV-made sense, when you considered the alternatives. She would follow him in her car. She would keep her distance. She would have the cell phone. She would be able to tell the police where he was. The plan did not involve following him long, just until the police could take over. Right now, if she didn’t act, she knew what would happen: The police would arrive; the Asian man would be gone.

There was no alternative.

The more she thought about it, the less nutsy it sounded. She’d be in a moving car. She’d stay comfortably behind him. She’d be on her cell phone with a 911 operator.

Wasn’t that safer than letting him go?

She ran downstairs.

“Charlaine?”

It was Mike. He stood there, in the kitchen, standing over the sink eating peanut-butter crackers. She stopped for a second. His eyes probed her face in a way only he could, in a way only he ever had. She fell back to her days at Vanderbilt, when they first fell in love. The way he looked at her then, the way he looked at her now. He was skinnier back then and so handsome. But the look, the eyes, they were the same.

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