Jeffery Deaver - The Empty Chair

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The Barnes Noble Review
May 2000
The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year.
Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise.
According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work.
This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook.
After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable.
It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed.
If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment.
– Bill Sheehan

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Jeffery Deaver The Empty Chair The third book in the Lincoln Rhyme series - фото 1

Jeffery Deaver

The Empty Chair

The third book in the Lincoln Rhyme series, 2000

For Deborah Schneider…

no better agent, no better friend

From the brain and the brain alone, arise our pleasures,

joys, laughter and jests, as well as our sorrow, pain, grief, and tears…

The brain is also the seat of madness and delirium,

of the fears and terrors which assail by night or day…

– Hippocrates

I . NORTH OF THE PAQUO

1

She came here to lay flowers at the place where the boy died and the girl was kidnapped.

She came here because she was a heavy girl and had a pocked face and not many friends.

She came because she was expected to.

She came because she wanted to.

Ungainly and sweating, twenty-six-year-old Lydia Johansson walked along the dirt shoulder of Route 112, where she'd parked her Honda Accord, then stepped carefully down the hill to the muddy bank where Blackwater Canal met the opaque Paquenoke River.

She came here because she thought it was the right thing to do.

She came even though she was afraid.

It wasn't long after dawn but this August had been the hottest in years in North Carolina and Lydia was already sweating through her nurse's whites by the time she started toward the clearing on the riverbank, surrounded by willows and tupelo gum and broad-leafed bay trees. She easily found the place she was looking for; the yellow police tape was very evident through the haze.

Early morning sounds. Loons, an animal foraging in the thick brush nearby, hot wind through sedge and swamp grass.

Lord, I'm scared , she thought. Flashing back vividly on the most gruesome scenes from the Stephen King and Dean Koontz novels she read late at night with her companion, a pint of Ben & Jerry's.

More noises in the brush. She hesitated, looked around. Then continued on.

"Hey," a man's voice said. Very near.

Lydia gasped and spun around. Nearly dropped the flowers. "Jesse, you scared me."

"Sorry." Jesse Corn stood on the other side of a weeping willow, near the clearing that was roped off. Lydia noticed that their eyes were fixed on the same thing: a glistening white outline on the ground where the boy's body'd been found. Surrounding the line indicating Billy's head was a dark stain that, as a nurse, she recognized immediately as old blood.

"So that's where it happened," she whispered.

"It is, yep." Jesse wiped his forehead and rearranged the floppy hook of blond hair. His uniform – the beige outfit of the Paquenoke County Sheriff's Department – was wrinkled and dusty. Dark stains of sweat blossomed under his arms. He was thirty and boyishly cute. "How long you been here?" she asked.

"I don't know. Since five maybe."

"I saw another car," she said. "Up the road. Is that Jim?"

"Nope. Ed Schaeffer. He's on the other side of the river." Jesse nodded at the flowers. "Those're pretty."

After a moment Lydia looked down at the daisies in her hand. "Two forty-nine. At Food Lion. Got 'em last night. I knew nothing'd be open this early. Well, Dell's is but they don't sell flowers." She wondered why she was rambling. She looked around again. "No idea where Mary Beth is?"

Jesse shook his head. "Not hide nor hair."

"Him neither, I guess that means."

"Him neither." Jesse looked at his watch. Then out over the dark water, dense reeds and concealing grass, the rotting pier.

Lydia didn't like it that a county deputy, sporting a large pistol, seemed as nervous as she was. Jesse started up the grassy hill to the highway. He paused, glanced at the flowers. "Only two ninety-nine?"

"Forty-nine. Food Lion."

"That's a bargain," the young cop said, squinting toward a thick sea of grass. He turned back to the hill. "I'll be up by the patrol car."

Lydia Johansson walked closer to the crime scene. She pictured Jesus, she pictured angels and she prayed for a few minutes. She prayed for the soul of Billy Stail, which had been released from his bloody body on this very spot just yesterday morning. She prayed that the sorrow visiting Tanner's Corner would soon be over.

She prayed for herself too.

More noise in the brush. Snapping, rustling.

The day was lighter now but the sun didn't do much to brighten up Blackwater Landing. The river was deep here and fringed with messy black willows and thick trunks of cedar and cypress – some living, some not, and all choked with moss and viny kudzu. To the northeast, not far, was the Great Dismal Swamp, and Lydia Johansson, like every Girl Scout past and present in Paquenoke County, knew all the legends about that place: the Lady of the Lake, the Headless Trainman… But it wasn't those apparitions that bothered her; Blackwater Landing had its own ghost – the boy who'd kidnapped Mary Beth McConnell.

Lydia opened her purse and lit a cigarette with shaking hands. Felt a bit calmer. She strolled along the shore. Stopped beside a stand of tall grass and cattails, which bent in the scorching breeze.

On top of the hill she heard a car engine start. Jesse wasn't leaving, was he? Lydia looked toward it, alarmed. But she saw the car hadn't moved. Just getting the air-conditioning going , she supposed. When she looked back toward the water she noticed the sedge and cattails and wild rice plants were still bending, waving, rustling.

As if someone was there, moving closer to the yellow tape, staying low to the ground.

But no, no, of course that wasn't the case. It's just the wind , she told herself. And she reverently set the flowers in the crook of a gnarly black willow not far from the eerie outline of the sprawled body, spattered with blood dark as the river water. She began praying once more.

• • •

Across the Paquenoke River from the crime scene, Deputy Ed Schaeffer leaned against an oak tree and ignored the early-morning mosquitoes fluttering near his arms in his short-sleeved uniform shirt. He shrank down to a crouch and scanned the floor of the woods again for signs of the boy.

He had to steady himself against a branch; he was dizzy from exhaustion. Like most of the deputies in the county sheriff's department he'd been awake for nearly twenty-four hours, searching for Mary Beth McConnell and the boy who'd kidnapped her. But while, one by one, the others had gone home to shower and eat and get a few hours' sleep Ed had stayed with the search. He was the oldest deputy on the force and the biggest (fifty-one years old and two hundred sixty-four pounds of mostly unuseful weight) but fatigue, hunger and stiff joints weren't going to stop him from continuing to look for the girl.

The deputy examined the ground again.

He pushed the transmit button of his radio. "Jesse, it's me. You there?"

"Go ahead."

He whispered, "I got footprints here. They're fresh. An hour old, tops."

"Him, you think?"

"Who else'd it be? This time of morning, this side of the Paquo?"

"You were right, looks like," Jesse Corn said. "I didn't believe it at first but you hit this one on the head."

It had been Ed's theory that the boy would come back here. Not because of the cliché – about returning to the scene of the crime – but because Blackwater Landing had always been his stalking ground and whatever kind of trouble he'd gotten himself into over the years he always came back here.

Ed looked around, fear now replacing exhaustion and discomfort as he gazed at the infinite tangle of leaves and branches surrounding him. Jesus , the deputy thought, the boy's here someplace. He said into his radio, "The tracks look to be moving toward you but I can't tell for sure. He was walking mostly on leaves. You keep an eye out. I'm going to see where he was coming from."

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