Jeffery Deaver - The Empty Chair

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The Barnes Noble Review
May 2000
The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year.
Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise.
According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work.
This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook.
After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable.
It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed.
If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment.
– Bill Sheehan

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Knees creaking, Ed rose to his feet and, as quietly as a big man could, followed the boy's footsteps back in the direction they'd come – farther into the woods, away from the river.

He followed the boy's trail about a hundred feet and saw it led to an old hunting blind – a gray shack big enough for three or four hunters. The gun slots were dark and the place seemed to be deserted. Okay , he thought. Okay… He's probably not in there. But still…

Breathing hard, Ed Schaeffer did something he hadn't done in nearly a year and a half: unholstered his weapon. He gripped the revolver in a sweaty hand and started forward, eyes flipping back and forth dizzily between the blind and the ground, deciding where best to step to keep his approach silent.

Did the boy have a gun? he wondered, realizing that he was as exposed as a soldier landing on a bald beachhead. He imagined a rifle barrel appearing fast in one of the slots, aiming down on him. Ed felt an ill flush of panic and he sprinted, in a crouch, the last ten feet to the side of the shack. He pressed against the weathered wood as he caught his breath and listened carefully. He heard nothing inside but the faint buzzing of insects.

Okay , he told himself. Take a look. Fast.

Before his courage broke, Ed rose and looked through a gun slot.

No one.

Then he squinted at the floor. His face broke into a smile at what he saw. "Jesse," he called into his radio excitedly.

"Go ahead."

"I'm at a blind maybe a quarter mile north of the river. I think the kid spent the night here. There's some empty food wrappers and water bottles. A roll of duct tape too. And guess what? I see a map."

"A map?"

"Yeah. Looks to be of the area. Might show us where he's got Mary Beth. What do you think about that?"

But Ed Schaeffer never found out his fellow deputy's reaction to this good piece of police work; the woman's screaming filled the woods and Jesse Corn's radio went silent.

• • •

Lydia Johansson stumbled backward and screamed again as the boy leapt from the tall sedge and grabbed her arms with his pinching fingers.

"Oh, Jesus Lord, please don't hurt me!" she begged.

"Shut up," he raged in a whisper, looking around, jerking movements, malice in his eyes. He was tall and skinny, like most sixteen-year-olds in small Carolina towns, and very strong. His skin was red and welty – from a run-in with poison oak, it looked like – and he had a sloppy crew cut that looked like he'd done it himself.

"I just brought flowers… that's all! I didn't -"

"Shhhh," he muttered.

But his long, dirty nails dug into her skin painfully and Lydia gave another scream. Angrily he clamped a hand over her mouth. She felt him press against her body, smelled his sour, unwashed odor.

She twisted her head away. "You're hurting me!" she said in a wail.

"Just shut up!" His voice snapped like ice-coated branches tapping and flecks of spit dotted her face. He shook her furiously as if she were a disobedient dog. One of his sneakers slipped off in the struggle but he paid no attention to the loss and pressed his hand over her mouth again until she stopped fighting.

From the top of the hill Jesse Corn called, " Lydia? Where are you?"

"Shhhhh," the boy warned again, eyes wide and crazy. "You scream and you'll get hurt bad. You understand? Do you understand? " He reached into his pocket and showed her a knife.

She nodded.

He pulled her toward the river.

Oh, not there. Please, no , she thought to her guardian angel. Don't let him take me there.

North of the Paquo…

Lydia glanced back and saw Jesse Corn standing by the roadside 100 yards away, hand shading his eyes from the low sun, surveying the landscape. " Lydia?" he called.

The boy pulled her faster. "Jesus Christ, come on!"

"Hey!" Jesse cried, seeing them at last. He started down the hill.

But they were already at the riverbank, where the boy'd hidden a small skiff under some reeds and grass. He shoved Lydia into the boat and pushed off, rowing hard to the far side of the river. He beached the boat and yanked her out. Then dragged her into the woods.

"Where're we going?" she whispered.

"To see Mary Beth. You're going to be with her."

"Why?" Lydia whispered, sobbing now. "Why me? "

But he said nothing more, just clicked his nails together absently and pulled her after him.

• • •

"Ed," came Jesse Corn's urgent transmission. "Oh, it's a mess. He's got Lydia. I lost him."

"He's what? " Gasping from exertion, Ed Schaeffer stopped. He'd started jogging toward the river when he'd heard the scream.

" Lydia Johansson. He's got her too."

"Shit," muttered the heavy deputy, who cursed about as frequently as he drew his sidearm. "Why'd he do that?"

"He's crazy," Jesse said. "That's why. He's over the river and'll be headed your way."

"Okay." Ed thought for a moment. "He'll probably be coming back here to get the stuff in the blind. I'll hide inside, get him when he comes in. He have a gun?"

"I couldn't see."

Ed sighed. "Okay, well… Get over here as soon as you can. Call Jim too."

"Already did."

Ed released the red transmit button and looked through the brush toward the river. There was no sign of the boy and his new victim. Panting, Ed ran back to the blind and found the door. He kicked it open. It swung inward with a crash and Ed stepped inside fast, crouching in front of the gun slot.

He was so high on fear and excitement, concentrating so hard on what he was going to do when the boy got here, that he didn't at first pay any attention to the two or three little black-and-yellow dots that zipped in front of his face. Or to the tickle that began at his neck and worked down his spine.

But then the tickling became detonations of fiery pain on his shoulders then along his arms and under them. "Oh, God," he cried, gasping, leaping up and staring in shock at the dozens of hornets – vicious yellow jackets – clustering on his skin. He brushed at them in a panic and the gesture infuriated the insects even more. They stung his wrist, his palm, his fingertips. He screamed. The pain was worse than any he'd felt – worse than the broken leg, worse than the time he'd picked up the cast-iron skillet not knowing Jean had left the burner on.

Then the inside of the blind grew dim as the cloud of hornets streamed out of the huge gray nest in the corner – which had been crushed by the swinging door when he kicked it in. Easily hundreds of the creatures were attacking him. They zipped into his hair, seated themselves on his arms, in his ears, crawled into his shirt and up his pant legs, as if they knew that stinging on cloth was futile and sought his skin. He raced for the door, ripping his shirt off, and saw with horror masses of the glossy crescents clinging to his huge belly and chest. He gave up trying to brush them off and simply ran mindlessly into the woods.

"Jesse, Jesse, Jesse!" he cried but realized his voice was a whisper; the stinging on his neck had closed up his throat.

Run! he told himself. Run for the river.

And he did. Speeding faster than he'd ever run in his life, crashing through the forest. His legs pumping furiously. Go… Keep going , he ordered himself. Don't stop. Outrun the little bastards. Think about your wife, think about the twins. Go, go, go… There were fewer wasps now though he could still see thirty or forty of the black dots clinging to his skin, the obscene hindquarters bending forward to sting him again.

I'll be at the river in three minutes. I'll leap into the water. They'll drown. I'll be all right… Run! Escape from the pain… the pain… How can something so small cause so much pain? Oh, it hurts…

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