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Jeffery Deaver: The Empty Chair

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Jeffery Deaver The Empty Chair

The Empty Chair: краткое содержание, описание и аннотация

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The Barnes Noble Review May 2000 The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year. Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise. According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work. This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook. After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable. It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed. If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment. – Bill Sheehan

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"Yeah, well, what happens when fish're out of water?" the grizzled old cop had snapped at Rhyme. "They don't get confused . They get fucking dead . The greatest single threat to an investigator is unfamiliarity with his environment. Remember that."

Thom parked the van and went through the ritual of lowering the wheelchair. Rhyme blew into the sip-and-puff controller of the Storm Arrow and rolled toward the County Building 's steep ramp, undoubtedly added to the building grudgingly after the Americans with Disabilities Act went into effect.

Three men – in work clothes and with folding knife scabbards on their belts – pushed out of the side door of the sheriff's office beside the ramp. They walked toward a burgundy Chevy Suburban.

The skinniest of the three poked the biggest one, a huge man with a braided ponytail and a beard, and nodded toward Rhyme. Then their eyes – almost in unison – perused Sachs' body. The big one took in Thom's trim hair, slight build, impeccable clothes and golden earring. Expressionless, he whispered something to the third of the trio, a man who looked like a conservative Southern businessman. He shrugged. They lost interest in the visitors and climbed into the Chevy.

Fish out of water…

Bell, walking beside Rhyme's chair, noticed his gaze.

"That's Rich Culbeau, the big one. And his buddies. Sean O'Sarian – the skinny feller – and Harris Tomel. Culbeau's not half as much trouble as he looks. He likes playing redneck but he's usually no bother."

O'Sarian glanced back at them from the passenger seat – though whether he was glancing at Thom or Sachs or himself, Rhyme didn't know.

The sheriff jogged ahead to the building. He had to fiddle with the door at the top of the handicapped ramp; it had been painted shut.

"Not many crips here," Thom observed. Then he asked Rhyme, "How're you feeling?"

"I'm fine."

"You don't look fine. You look pale. I'm taking your blood pressure the minute we get inside."

They entered the building. It was dated circa 1950, Rhyme estimated. Painted institutional green, the halls were decorated with finger paintings from a grade-school class, photographs of Tanner's Corner throughout its history and a half-dozen employment notices for county workers.

"Will this be okay?" Bell asked, swinging open a door. "We use it for evidence storage but we're clearing that stuff out and moving it down to the basement."

A dozen boxes lined the walls. One officer struggled to cart a large Toshiba TV out of the room. Another carried two boxes of juice jars filled with a clear liquid. Rhyme glanced at them. Bell laughed. He said, "That there just about summarizes your typical Tanner's Corner criminal: stealing home electronics and making moonshine."

"That's moonshine?" Sachs asked.

"The real thing. Aged all of thirty days."

"Ocean Spray brand?" Rhyme asked wryly, looking at the jars.

"'Shiners' favorite container – because of the wide neck. You a drinking man?"

"Scotch only."

"Stick to that." Bell nodded at the bottles the officer carried out the door. "The feds and the Carolina tax department worry about their revenue. We worry about losing citizens. That batch there isn't too bad. But a lot of 'shine's laced with formaldehyde or paint thinner or fertilizer. We lose a couple people a year to bad batches."

"Why's it called moonshine?" Thom asked.

Bell answered, "'Cause they used to make it at night in the open under the light of the full moon – so they didn't need lanterns and, you know, wouldn't attract revenuers."

"Ah," said the young man, whose taste, Rhyme knew, ran to St. Emilions, Pomerols and white Burgundies.

Rhyme examined the room. "We'll need more power." Nodding at the single wall outlet.

"We can run some wires," Bell said. "I'll get somebody on it."

He sent a deputy off on this errand then explained that he'd called the state police lab at Elizabeth City and put in an emergency request for the forensic equipment Rhyme wanted. The items would be here within the hour. Rhyme sensed that this was lightning-fast for Paquenoke County and he felt once more the urgency of the case.

In a sexual abduction case you usually have twenty-four hours to find the victim; after that they become dehumanized in the kidnapper's eyes and he doesn't think anything about killing them.

The deputy returned with two thick electrical cables that had multiple grounded outlets on the ends. He taped them to the floor.

"Those'll do fine," Rhyme said. Then he asked, "How many people do we have to work the case?"

"I've got three senior deputies and eight line deputies. We've got a communications staff of two and clerical of five. We usually have to share them with Planning and Zoning and DPW – that's been a sore spot for us – but 'causa the kidnapping and you coming here and all we'll have every one of 'em we need. The county supervisor'll support that. I talked to him already."

Rhyme gazed up at the wall. Frowning.

"What is it?"

"He needs a chalkboard," Thom said.

"I was thinking of a map of the area. But, yes, I want a blackboard too. A big one."

"Done deal," Bell said. Rhyme and Sachs exchanged smiles. This was one of Cousin Roland Bell's favorite expressions.

"Then if I could see your senior people in here? For a briefing."

"And air-conditioning," Thom said. "It needs to be cooler in here."

"We'll see what we can do," Bell said casually, a man who probably didn't understand the North's obsession with moderate temperatures.

The aide said firmly, "It's not good for him to be in heat like this."

"Don't worry about it," Rhyme said.

Thom lifted an eyebrow at Bell and said easily, "We have to cool the room. Or else I'm going to take him back to the hotel."

"Thom," Rhyme warned.

"I'm afraid we don't have any choice," the aide said.

Bell said, "Not a problem. I'll take care of it." He walked to the doorway and called, "Steve, come on in here a minute."

A young crew-cut man in a deputy's uniform walked inside. "This's my brother-in-law, Steve Farr." He was the tallest of the deputies they'd seen so far – easily six-seven – and had round ears that stuck out comically. He seemed only mildly uneasy at the initial sight of Rhyme and his wide lips soon slipped into an easy smile that suggested both confidence and competence. Bell gave him the job of finding an air-conditioner for the lab.

"I'll get right on it, Jim." He tugged at his earlobe, turned on his heel like a soldier and vanished into the hall.

A woman stuck her head in the door. "Jim, it's Sue McConnell on three. She's really beside herself."

"Okay. I'll talk to her. Tell her I'll be right there." Bell explained to Rhyme, "Mary Beth's mother. Poor woman… Lost her husband to cancer just a year ago and now this happens. I tell you," he added, shaking his head, "I've got a couple of kids myself and I can imagine what she's -"

"Jim, I wonder if we could find that map," Rhyme interrupted. "And get the blackboard set up."

Bell blinked uncertainly at this abrupt tone in the criminalist's voice. "Sure thing, Lincoln. And, hey, if we get too Southern down here, move a little slow for you Yankees, you'll speed us up now, won't you?"

"Oh, you bet I will, Jim."

• • •

One out of three.

One of Jim Bell's three senior deputies seemed glad to meet Rhyme and Sachs. Well, to see Sachs, at least. The other two gave formal nods and obviously wished this odd pair had never left the Big Apple.

The agreeable one was a bleary-eyed thirtyish deputy named Jesse Corn. He'd been at the crime scene earlier that morning and, with painful guilt, admitted that Garrett had gotten away with the other victim, Lydia, right in front of him. By the time Jesse had gotten over the river Ed Schaeffer was near death from the wasp attack.

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