Jeffery Deaver - The Empty Chair

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The Barnes Noble Review
May 2000
The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year.
Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise.
According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work.
This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook.
After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable.
It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed.
If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment.
– Bill Sheehan

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"Meaning he could get worse," Sachs said.

Dr. Weaver nodded and looked down at the file, apparently to refresh her memory, though she didn't open the folder. She looked up. "You have movement of one lumbrical – the ring finger of your left hand – and good shoulder and neck muscle control. You could lose some or all of that. And lose your ability to breathe spontaneously."

Sachs remained perfectly still. "I see," she said finally, the words coming out as a taut sigh.

The doctor's eyes were locked on Rhyme's. "And you have to weigh these risks in light of what you hope to gain – you aren't going to be able to walk again, if that's what you were hoping for. Procedures of this sort have had some limited success with spinal cord injuries at the lumbar and thoracic level – much lower and much less severe than your injury. It's had only marginal success with cervical injuries and none at all with a C4-level trauma."

"I'm a gambling man," he said quickly. Sachs gave him a troubled glance. Because she'd know that Lincoln Rhyme wasn't a gambling man at all. He was a scientist who lived his life according to quantifiable, documented principles. He added simply, "I want the surgery."

Dr. Weaver nodded and seemed neither pleased nor displeased about his decision. "You'll need to have several tests that should take several hours. The procedure's scheduled for the day after tomorrow. I have about a thousand forms and questionnaires for you. I'll be right back with the paperwork."

Sachs rose and followed the doctor out of the room. Rhyme heard her asking, "Doctor, I have a…" The door clicked shut.

"Conspiracy," Rhyme muttered to Thom. "Mutiny in the ranks."

"She's worried about you."

"Worried? That woman drives a hundred fifty miles an hour and plays gunslinger in the South Bronx. I'm getting baby-fish cells injected into me."

"You know what I'm saying."

Rhyme tossed his head impatiently. His eyes strayed to a corner of Dr. Weaver's office, where a spinal cord – presumably real – rested on a metal stand. It seemed far too fragile to support the complicated human life that had once hung upon it.

The door opened. Sachs stepped into the office. Someone entered behind her but it wasn't Dr. Weaver. The man was tall, trim except for a slight paunch, and wearing a county sheriff's tan uniform. Unsmiling, Sachs said, "You've got a visitor."

Seeing Rhyme, the man took off his Smokey the Bear hat and nodded. His eyes darted not to Rhyme's body, as did most people's upon meeting him, but went immediately to the spine on the stand behind the doctor's desk. Back to the criminalist. "Mr. Rhyme. I'm Jim Bell. Roland Bell's cousin? He told me you were going to be in town and I drove over from Tanner's Corner."

Roland was on the NYPD and had worked with Rhyme on several cases. He was currently a partner of Lon Sellitto, a detective Rhyme had known for years. Roland had given Rhyme the names of some of his relatives to call when he was down in North Carolina for the operation in case he wanted some visitors. Jim Bell was one of them, Rhyme recalled. Looking past the sheriff toward the doorway through which his angel of mercy, Dr. Weaver, had yet to return, the criminalist said absently, "Nice to meet you."

Bell gave a grim smile. He said, "Matter of fact, sir, I don't know you're going to be feeling that way for too long."

3

There was a resemblance, Rhyme could see, as he concentrated more acutely on the visitor.

The same lean physique, long hands and thinning hair, the same easygoing nature as his cousin Roland in New York. This Bell looked tanner and more rugged. Probably fished and hunted a lot. A Stetson would have suited him better than the trooper hat. Bell took a seat in a chair next to Thom.

"We have ourselves a problem, Mr. Rhyme."

"Call me Lincoln. Please."

"Go on," Sachs said to Bell. "Tell him what you told me."

Rhyme glanced coolly at Sachs. She'd met this man three minutes ago and already they were in cahoots together.

"I'm sheriff of Paquenoke County. That's about twenty miles east of here. We have this situation and I was thinking 'bout what my cousin told me – he can't speak highly enough of you, sir…"

Rhyme nodded impatiently for him to continue. Thinking: Where the hell's my doctor? How many forms does she have to dig up? Is she in on the conspiracy too?

"Anyway, this situation… I thought I'd come over and ask if you could spare us a little time."

Rhyme laughed, a sound without a stitch of humor in it. "I'm about to have surgery."

"Oh, I understand that. I wouldn't interfere with it for the world. I'm just thinking of a few hours… We don't need much help, I'm hoping. See, Cousin Rol told me about some of the things you've done in investigations up north. We have basic crime lab stuff but most of the forensics work 'round here goes through Elizabeth City – the nearest state police HQ – or Raleigh. Takes weeks to get answers. And we don't have weeks. We got hours. At best."

"For what?"

"To find a couple girls got kidnapped."

"Kidnapping's federal," Rhyme pointed out. "Call the FBI."

"I can't recall the last time we even had a federal agent in the county, other than ATF on moonshine warrants. By the time the FBI gets down here and sets up, those girls'll be goners."

"Tell us about what happened," Sachs said. She was wearing her interested face, Rhyme noted cynically – and with displeasure.

Bell said, "Yesterday one of our local high school boys was murdered and a college girl was kidnapped. Then this morning the perp came back and kidnapped another girl." Rhyme noticed the man's face darken. "He set a trap and one of my deputies got hurt bad. He's here at the medical center now, in a coma."

Rhyme saw that Sachs had stopped digging a fingernail into her hair, scratching her scalp, and was paying rapt attention to Bell. Well, perhaps they weren't co-conspirators but Rhyme knew why she was so interested in a case they didn't have the time to participate in. And he didn't like the reason one bit. "Amelia," he began, casting a cool glance at the clock on Dr. Weaver's wall.

"Why not, Rhyme? What can it hurt?" She pulled her long red hair off her shoulders, where it rested like a still waterfall.

Bell glanced at the spinal cord in the corner once more. "We're a small office, sir. We did what we could – all of my deputies and some other folk too were out all night but, fact is, we just couldn't find him or Mary Beth. Ed – the deputy that's in the coma – we think he got a look at a map that shows where the boy might've gone. But the doctors don't know when, or if, he's going to wake up." He looked back into Rhyme's eyes imploringly. "We'd sure be appreciative if you could take a look at the evidence we found and give us any thoughts on where the boy might be headed. We're outa our depth here. I'm standing in need of some serious help."

But Rhyme didn't understand. A criminalist's job is to analyze evidence to help investigators identify a suspect and then to testify at his trial. "You know who the perp is, you know where he lives. Your D.A.'ll have an airtight case." Even if they'd screwed up the crime-scene search – the way small-town law enforcers have vast potential to do – there'd be plenty of evidence left for a felony conviction.

"No, no – it's not the trial we're worried about, Mr. Rhyme. It's finding them 'fore he kills those girls. Or at least Lydia. We think Mary Beth may already be dead. See, when this happened I thumbed through a state police manual on felony investigations. It was saying that in a sexual abduction case you usually have twenty-four hours to find the victim; after that they become dehumanized in the kidnapper's eyes and he doesn't think anything about killing them."

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