Jeffery Deaver - The Empty Chair

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The Barnes Noble Review
May 2000
The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year.
Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise.
According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work.
This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook.
After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable.
It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed.
If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment.
– Bill Sheehan

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"That funeral we saw on the way into town. You killed that boy, didn't you?"

"Todd Wilkes?" Bell said. "No. He did kill himself."

"But because he was sick from the toxaphene, right? What'd he have, cancer? Liver damage? Brain damage?"

"Maybe. I don't know." But the sheriff's face said that he knew only too well.

"But Garrett didn't have anything to do with it, did he?"

"No."

"What about those men at the moonshiners' cabin? The ones who assaulted Mary Beth?"

Bell nodded again, grimly. "Tom Boston and Lott Cooper. They were part of it too – they handled testing a lot of Davett's toxins out in the mountains where it's less populated. They knew we were looking for Mary Beth but when Lott found her I guess he decided they'd hold off letting me know until they'd had some fun with her. And, yeah, we hired Billy Stail to kill her but Garrett got her away 'fore he could."

"And you needed me to help you find her. Not to save her – but so you could kill her and destroy any other evidence she might've found."

"After you found Garrett and we brought him back from the mill, I left the door to the lockup open so Culbeau and his buddies could, let's say, talk Garrett into telling us where Mary Beth was. But your friend went and busted him out before they could snatch him."

Rhyme said, "And when I found the cabin you called Culbeau and the others. Sent them there to kill us all."

"I'm sorry… it's all become a nightmare. Didn't want it to but… there you have it."

"A hornets' nest…"

"Oh, yeah, this town's got itself a few hornets."

Rhyme shook his head. "Tell me, are the fancy cars and the big houses and all the money worth destroying the entire town? Look around you, Bell. It was a child's funeral the other day but there were no children at the cemetery. Amelia said there are hardly any kids in town anymore. You know why? People're sterile."

"It's risky when you bargain with the devil," Bell said shortly. "But, far as I'm concerned, life's just one big trade-off." He looked at Rhyme for a long moment, walked to the table. He pulled on latex gloves, picked up the toxaphene jar. He stepped toward Rhyme and slowly began to unscrew the lid.

• • •

Steve Farr roughly led Amelia Sachs to the back door of the lockup, the pistol firmly in the square of her back.

He was making the classic mistake of holding the muzzle of his weapon against the body of his victim. It gave her leverage – when she stepped outside she'd know exactly where the gun was and could sweep her elbow into it. With some luck Farr would drop the weapon and she'd sprint as fast as she could. If she could make it to Main Street there'd be witnesses and he might hesitate to shoot.

He opened the back door.

A stream of hot sunlight flooded into the dusty lockup. She blinked. A fly buzzed around her head.

As long as Farr stayed right up against her, pressing the gun into her skin, she'd have a chance…

"What now?" she asked.

"Free to go," he said cheerfully, shrugging. She tensed, about to swing into him, planning every move. But then he stepped back fast, shoving her outside into the scruffy lot behind the jail. Farr remained inside, well out of reach.

From nearby, behind a tall bush in the field, she heard another sound. The cocking of a pistol, she thought.

"Go ahead," Farr said. "Git on outa here."

She thought of Romeo and Juliet again.

And of the beautiful cemetery on the hill overlooking Tanner's Corner they'd driven past what now seemed like a lifetime ago.

Oh, Rhyme…

The fly zipped past her face. Instinctively she brushed it away and began to walk forward into the low grass.

• • •

Rhyme said to Bell, "Don't you think somebody might wonder if I die this way? I can hardly open a jar by myself."

The sheriff responded, "You bumped the table. The lid wasn't on tight. It splashed on you. I went for help but we couldn't save you in time."

"Amelia's not going to let it go. Lucy won't either."

"Your girlfriend's not going to be a problem for very much longer. And Lucy? She might just get sick again… and this time there might not be anything to cut off to save her."

Bell hesitated only a moment then he stepped close and poured the liquid over Rhyme's mouth and nose. The rest he splashed onto the front of his shirt.

The sheriff dropped the jar onto Rhyme's lap, stepped back fast and covered his own mouth with a handkerchief.

Rhyme's head jerked back, his lips parted involuntarily and some of the liquid slipped into his mouth. He began to choke.

Bell pulled off the gloves and stuffed them into his slacks. He waited a moment, calmly studying Rhyme, then walked toward the door slowly, unlocked it, swung it open. He called. "There's been an accident! Somebody, I need help!" He stepped into the corridor. "I need -"

He walked right into Lucy Kerr's line of fire, her pistol aimed steadily at his chest.

"Jesus, Lucy!"

"That's enough, Jim. Just hold it right there."

The sheriff stepped back. Nathan, the snapshooting deputy, walked into the room, behind Bell, and snagged the sheriff's pistol from its holster. Another man entered – a large man in a tan suit and white shirt.

Ben too ran inside, ignored everyone else and hurried to Rhyme, wiping the criminalist's face with a paper towel.

The sheriff stared at Lucy and the others. "No, you don't understand! There was an accident! That poison stuff spilled. You've got to -"

Rhyme spit on the floor and wheezed from the astringent liquid and the fumes. He said to Ben, "Could you wipe higher on my cheek? I'm afraid it'll get into my eyes. Thank you."

"Sure, Lincoln."

Bell said, "I was going for help! That stuff spilled! I -"

The man in the suit pulled handcuffs off his belt and ratcheted the loops around the sheriff's wrists. He said, "James Bell, I'm Detective Hugo Branch with the North Carolina State Police. You're under arrest here." Branch looked at Rhyme sourly. "I told you he'd pour it on your shirt. We should've put the unit someplace else."

"But you got enough on tape?"

"Oh, plenty. That's not the point. The point is those transmitters cost money ."

"Bill me," Rhyme said acerbically as Branch opened Rhyme's shirt and untaped the microphone and transmitter.

"It was a setup," Bell whispered.

You got that right.

"But the poison…"

"Oh, it's not toxaphene," Rhyme said. "Just a little moonshine. From that jar we tested. By the way, Ben, if there's any left, I could use a sip just now. And, Christ, could somebody get that AC going?"

• • •

Tense, cut to the left and run like hell. I'll get hit but if I'm lucky it won't stop me.

When you move they can't getcha…

Amelia Sachs took three steps into the grass.

Ready…

Set…

Then a man's voice from behind them, inside the lockup area, called, "Hold it, Steve! Put the weapon on the ground. Now! I'm not telling you again!"

Sachs spun around and saw Mason Germain, his gun pointed at the shocked young man's crew-cut head, his round ears crimson. Farr crouched and set the gun on the floor. Mason hurried forward and cuffed him.

Footsteps sounded from outside, leaves rustled. Dizzy from the heat and the adrenaline, Sachs turned back to the field and saw a lean black man climbing out of the bushes, bolstering a big Browning automatic pistol.

"Fred!" she cried.

FBI agent Fred Dellray, sweating furiously in his black suit, walked up to her, brushing petulantly at his sleeve. "Hey, A -melia. My, it is too too too hot down here. I don't like this town one tiny bit. And look at this suit. It's all, I don't know, dusty or something. What is this shit, pollen? We don't have this stuff in Man-hattan. Look at this sleeve!"

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