Jeffery Deaver - The Empty Chair

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The Barnes Noble Review
May 2000
The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year.
Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise.
According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work.
This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook.
After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable.
It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed.
If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment.
– Bill Sheehan

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"That's completely right," the black man said coolly. "So, talk to me. I don't want to be here any longer than I have to."

Mason said, "Here's the way it's shaking out. Rhyme's talking to Jim Bell right now over in the County Building. And that Amelia Sachs, she's in the lockup up the street."

"Where should we go first?"

Without hesitating Mason said, "The woman."

"Then that's what we'll do," the man said as if it were his idea. He slipped the gun away, placed the newspaper on the dresser and, with a politeness that Mason believed was more mockery than anything else, said, "After yourself." And gestured toward the door.

• • •

"The bodies of the Hanlons?" Jim Bell asked Rhyme. "Where are they?"

"Over there," Rhyme said. Nodding to a pile of the bones that had been in Mary Beth's backpack. " Those're what Mary Beth found at Blackwater Landing," the criminalist said. "She thought they were the bones of the survivors of the Lost Colony. But I had to break the news to her that they're not that old. They looked decayed but that's just because they were partially burned. I've done a lot of work in forensic anthropology and I knew right away they've been in the ground only about five years – which is just how long ago Garrett's folks were killed. They're the bones of a man in his late thirties, a woman about the same age who'd borne children and a girl about ten. That describes Garrett's family perfectly."

Bell looked at them. "I don't get it."

"Garrett's family's property was right across Route 112 from the river in Blackwater Landing. Mason and Culbeau poisoned the family then burned and buried the bodies and pushed their car into the water. Davett bribed the coroner to fake the death report and paid off somebody at the funeral home to pretend to cremate the remains. The graves're empty, I guarantee. Mary Beth must've mentioned finding the bones to somebody and word got back to Mason. He paid Billy Stail to go to Blackwater Landing to kill her and steal the evidence – the bones."

" What? Billy?"

"Except that Garrett happened to be there, keeping an eye on Mary Beth. He was right, you know: Blackwater Landing is a dangerous place. People did die there – those other cases in the last few years. Only it wasn't Garrett who killed them. It was Mason and Culbeau. They were murdered because they'd gotten sick from the toxaphene and started asking questions about why. Everybody in town knew about the Insect Boy so Mason or Culbeau killed that one girl – Meg Blanchard – with the hornets' nest to make it look like he was the killer. The others they hit over the head and pitched into the canal to drown. People who didn't question getting sick – like Mary Beth's father and Lucy Kerr – they didn't bother with."

"But Garrett's fingerprints were on the shovel… the murder weapon."

"Ah, the shovel," Rhyme mused. "Something very interesting about that shovel. I stumbled again… There were only two sets of fingerprints on it."

"Right, Billy's and Garrett's."

"But where were Mary Beth's?" Rhyme asked.

Bell 's eyes narrowed. He nodded. "Right. There were none of hers."

"Because it wasn't her shovel. Mason gave it to Billy to take to Blackwater Landing – after wiping his own prints off it, of course. I asked Mary Beth about it. She said that Billy came out of the bushes carrying it. Mason figured it would be the perfect murder weapon – because as an archaeologist Mary Beth'd probably have a shovel with her. Well, Billy gets to Blackwater Landing and sees Garrett with her. He figures he'll kill the Insect Boy too. But Garrett got the shovel away and hit Billy. He thought he killed him. But he didn't."

"Garrett didn't kill Billy?"

"No, no, no… He only hit Billy once or twice. Knocked him out but didn't hurt him that seriously. Then Garrett took Mary Beth away with him to the moonshiners' cabin. Mason was the first on the scene. He admitted that."

"That's right. He took the call."

"Kind of a coincidence that he was nearby, don't you think?" Rhyme asked.

"I guess. I didn't think about it at the time."

"Mason found Billy. He picked up the shovel – wearing latex evidence gloves – and beat the boy until he died."

"How do you know that?"

"Because of the position of the latex prints. I had Ben reexamine the handle of the shovel an hour ago with an alternative light source. Mason held the shovel like a baseball bat. That's not how somebody would pick up evidence at a crime scene. And he adjusted his grip a number of times to get better leverage. When Sachs was at the crime scene she said the blood pattern showed Billy'd been hit first in the head and knocked down. But he was still alive. Until Mason hit him in the neck with the shovel."

Bell looked out the window, his face hollow. "Why would Mason kill Billy?"

"He probably figured that Billy'd panic and tell the truth. Or maybe the boy was conscious when Mason got there and said he was fed up and wanted out of the deal."

"So that's why you wanted Mason to leave… a few minutes ago. I wondered what that was about. So how're we going to prove all of this, Lincoln?"

"I've got the latex prints on the shovel. I've got the bones, which test positive for toxaphene in high concentrations. I want to get a diver and look for the Hanlons' car in the Paquenoke. Some evidence will've survived – even after five years. Then we should search Billy's house and see if there's any cash there that can be traced to Mason. And we'll search Mason's house too. It'll be a tough case." Rhyme gave a faint smile. "But I'm good, Jim. I can do it." Then his smile faded. "But if Mason doesn't turn state's evidence against Henry Davett it's going to be tough to make the case against him . All I've got's that." Rhyme nodded to a plastic exemplar jar filled with about eight ounces of pale liquid.

"What's that?"

"Pure toxaphene. Lucy got a sample from Davett's warehouse a half hour ago. She said there must've been ten thousand gallons of the stuff there. If we can establish a compositional identity between the chemical that killed Garrett's family and what's in that jar we might convince the prosecutor to bring a case against Davett."

"But Davett helped us find Garrett."

"Of course he did. It was in his interest to find the boy – and Mary Beth – as fast as possible. Davett was the one who wanted her dead most of all."

"Mason," Bell muttered, shaking his head. "I've known him for years… You think he suspects?"

"You're the only one I've told. I didn't even tell Lucy – I just had her do some legwork for me. I was afraid somebody'd overhear and word'd get back to Mason or Davett. This town, Jim, it's a nest of hornets. I don't know who to trust."

Bell sighed. "How can you be so sure it's Mason?"

"Because Culbeau and his friends showed up at the moonshiners' cabin just after we figured out where it was. And Mason was the only one who knew that… aside from me and you and Ben. He must've called Culbeau and told him where the cabin was. So… let's call the state police, have one of their divers come on down here and check out Blackwater Landing. We should get on those warrants to search Billy's and Mason's houses too."

Rhyme watched Bell nod. But instead of going to the phone he walked to the window and slid it shut. Then he stepped to the door again, opened it, looked out, closed it.

Locked the latch.

"Jim, what're you doing?"

Bell hesitated then took a step toward Rhyme.

The criminalist looked once into the sheriff's eyes and gripped the sip-and-puff controller quickly between his teeth. He blew into it and the wheelchair started forward. But Bell stepped behind him and yanked the battery cable free. The Storm Arrow eased forward a few inches and stopped.

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