Jeffery Deaver - The Empty Chair

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The Barnes Noble Review
May 2000
The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year.
Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise.
According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work.
This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook.
After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable.
It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed.
If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment.
– Bill Sheehan

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"Officer Kerr," Davett said, "what's the problem?"

But she could see in his eyes, now no longer in reflection, that he knew exactly what the problem was.

And still they remained as guilt-free and in control as when he'd noticed the gyrations of the flashing lights on her Crown Victoria.

Her anger tugged at its restraints and she snapped, "Get out of the car, Davett."

"Honey, what did you do?"

"Officer, what's the point of this?" Davett asked, sighing.

"Out. Now." Lucy reached inside and popped the door locks.

"Can she do that, honey? Can she -"

"Shut up, Edna."

"All right. I'm sorry."

Lucy swung the door open. Davett unsnapped his seat belt and stepped out onto the dusty shoulder.

A semi sped past and wrapped its wake around them. Davett looked distastefully at the gray Carolina clay settling on his blue blazer. "My family and I are late for church and I don't think -"

She took him by the arm and pulled him off the shoulder, into the shade of wild rice and cattails; a small stream, a feeder to the Paquenoke, ran beside the road.

He repeated with exasperation, "What is the point?"

"I know everything."

"Do you, Officer Kerr? Do you know everything! Which would be?"

"The poison, the murders, the canal…"

Davett said smoothly, "I never had a bit of direct contact with Jim Bell or anybody else in Tanner's Corner. If there were some damn crazy fools on my payroll who hired some other damn crazy fools to do things that were illegal that's not my fault. And if that happened I'll be cooperating with the authorities one hundred percent."

Unfazed by his suave response she growled, "You're going down with Bell and his brother-in-law."

"Of course I'm not. Nothing links me to a single crime. There're no witnesses. No accounts, no money transfers, no evidence of any wrongdoing. I'm a manufacturer of petrochemical-based products – certain cleaners, asphalt and some pesticides."

"Illegal pesticides."

"Wrong," he snapped. "The EPA still allows toxaphene to be used in some cases in the U.S. And it's not illegal at all in most Third World countries. Do some reading, Deputy, without pesticides malaria and encephalitis and famine'd kill hundreds of thousands of people every year and -"

"- and give the people who're exposed to it cancer and birth defects and liver damage and -"

Davett shrugged. "Show me the studies, Deputy Kerr. Show me the research that proves that."

"If it's so fucking harmless then why did you stop shipping it by truck? Why did you start using barges?"

"I couldn't get it to port any other way – because some knee-jerk counties and towns've banned transportation of some substances they don't know the facts about. And I didn't have the time to hire lobbyists to change the laws."

"Well, I'll bet the EPA'd be interested in what you're doing here."

"Oh, please," he scoffed. "The EPA? Send them out. I'll give you their phone number. If they ever get around to visiting the factory they'll find permissible levels of toxaphene everywhere around Tanner's Corner."

"Maybe what's in the water alone is at a permissible level, maybe what's in the air alone, maybe the local produce alone… But what about the combination of them? What about a child who drinks a glass of water from his parents' well then plays in the grass then eats an apple from a local orchard then -"

He shrugged. "The laws're clear, Deputy Kerr. If you don't like them write your congressman."

She grabbed him by the lapel. She raged, "You don't understand. You are going to prison."

He pulled away from her, whispered viciously, "No, you don't understand, Officer. You're way out of your depth here. I'm very, very good at what I do. I do not make mistakes." He glanced at his watch. "I have to go now."

Davett walked back to the SUV, patting his thinning hair. The sweat had darkened it and stuck the strands into place.

He climbed in and slammed the door.

Lucy walked up to the driver's side as he started the engine. "Wait," she said.

Davett glanced at her. But the deputy ignored him. She was looking at his passengers. "I'd like you to see what Henry did." Her strong hands ripped her own shirt open. The women in the car gaped at the pink scars where her breasts had been.

"Oh, for pity's sake," Davett muttered, looking away.

"Dad…" the girl whispered in shock. Her mother stared, speechless.

Lucy said, "You said that you don't make mistakes, Davett?… Wrong. You made this one."

The man put the car in gear, clicked on his turn signal, checked his blind spot and eased slowly onto the highway.

Lucy stood for a long moment, watching the Lexus disappear. She fished in her pocket and pinned her shirt closed with several safety pins. She leaned against her car for a long moment, fighting tears, then she happened to look down and notice a small, ruddy flower by the roadside. She squinted. It was a pink moccasin flower, a type of orchid. Its blossoms resemble tiny slip-on shoes. The plant was rare in Paquenoke County and she'd never seen one as lovely as this. In five minutes, using her windshield ice scraper, she'd uprooted the plant and had it packed safely in a tall 7-Eleven cup, the root beer sacrificed for the beauty of Lucy Kerr's garden.

44

A plaque on the courthouse wall explained that the name of the state came from the Latin Carolus , for Charles. It was King Charles I who granted a land patent to settle the colony.

Carolina

Amelia Sachs had assumed the state was named for Caroline, some queen or princess. Brooklyn-born and -raised, she had little interest in, or knowledge of, royalty.

She now sat, handcuffed still, between two guards on a bench in the courthouse. The red-brick building was an old place, filled with dark mahogany and marble floors. Stern men in black suits, judges or governors, she assumed, looked down on her from oil paintings as if they knew she was guilty. There didn't seem to be air-conditioning but breezes and the darkness cooled the place thanks to efficient eighteenth-century engineering.

Fred Dellray ambled up to her. "Hey there – you want some coffee or something?"

The left-field guard got as far as "No speaking to the -" before the Justice Department ID card crimped off the recitation.

"No, Fred. Where's Lincoln?"

It was nearly nine-thirty.

"Dunno. You know that man – sometimes he just appears. For a man who doesn't walk he gets around more'n anybody I know."

Lucy and Garrett weren't here either.

Sol Geberth, in a rich-looking gray suit, walked up to her. The guard on her right scooted over and let the lawyer sit down. "Hello, Fred," the lawyer said to the agent.

Dellray nodded, but coolly, and Sachs deduced that, as with Rhyme, the defense lawyer must've gotten acquittals for suspects that the agent had collared.

"It's a deal," Geberth said to Sachs. "The prosecutor's agreed to involuntary manslaughter – no other counts. Five years. No parole."

Five years…

The lawyer continued. "There's one aspect to this I didn't think about yesterday."

"What is it?" she asked, trying to gauge from the look on his face how deep this new trouble ran.

"The problem is you're a cop."

"What does that have to do with anything?"

Before he could say anything Dellray said, "You being a law enforcement officer. Inside."

When she still didn't get it the agent explained, "Inside prison. You'll have to be segregated. Or you wouldn't last a week. That'll be tough, Amelia. That'll be nasty tough."

"But nobody knows I'm a cop."

Dellray laughed faintly. "They'll know ever-single-thing there is to know 'bout you by the time you get yourself issued your jumpsuit and linen."

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