Jeffery Deaver - The Empty Chair

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The Barnes Noble Review
May 2000
The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year.
Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise.
According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work.
This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook.
After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable.
It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed.
If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment.
– Bill Sheehan

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"What is that evidence?"

"After we learned that Billy Stail had gone to Blackwater Landing to kill Mary Beth McConnell I began speculating why he'd done that. And I concluded that he'd been paid to kill her. He -"

"Why did you think he was paid?"

"It's obvious why," Rhyme grumbled. He had little patience for irrelevant questions and Geberth was deviating from his script.

"Share that with us, if you would."

"Billy had no romantic relationship with Mary Beth of any kind. He wasn't involved in the murder of Garrett Hanlon's family. He didn't even know her. So he'd have no motivation to kill her other than financial profit."

"Go on."

Rhyme continued, "Whoever hired him wasn't going to pay by check, of course, but in cash. Deputy Kerr went to the house of Billy Stail's parents and was given permission to search his room. She discovered ten thousand dollars hidden beneath his mattress."

"What was there about this -"

"Why don't I just finish the story?" Rhyme asked the lawyer.

The judge said, "Good idea, Mr. Rhyme. I think counsel's laid enough groundwork."

"With Officer Kerr's assistance I did a friction ridge analysis – that's a fingerprint check – of the top and bottom bills in the stacks of cash. I found a total of sixty-one latent fingerprints. Aside from Billy's prints, two of these prints proved to be from a person involved in this case. Deputy Kerr got another warrant to enter that individual's house."

"Did you search it too?" the judge asked.

He replied with forced patience, "No, I didn't. It wasn't accessible to me. But I directed the search, which was conducted by Deputy Kerr. Inside the house she found a receipt for the purchase of a shovel identical to the murder weapon, eighty-three thousand dollars in cash, secured with wrappers identical to the ones around the two stacks of money in Billy Stail's house."

Dramatic as ever, Rhyme had saved the best till the last. "Deputy Kerr also found bone fragments in the barbecue behind that premises. These fragments match the bones of Garrett Hanlon's family."

"Whose house was this?"

"Deputy Jesse Corn's."

This drew some loud murmurs from the courtroom pews. The prosecutor remained unfazed but sat up slightly, his shoes scuffling on the tile floor, and whispered to his colleagues as they considered the implications of the revelation. In the gallery Jesse's parents turned to each other, shock in their eyes; his mother shook her head and started to cry.

"Where exactly are you going, Mr. Rhyme?" the judge asked.

Rhyme resisted telling the judge that the destination was obvious. He said, "Your Honor, Jesse Corn was one of the individuals who had conspired with Jim Bell and Steve Farr – to kill Garrett Hanlon's family five years ago and then to kill Mary Beth McConnell the other day."

Oh, yeah. This town's got itself a few hornets.

The judge leaned back in his chair. "This has nothing to do with me. You two duke it out." Nodding from Geberth to the prosecutor. "You got five minutes then she accepts the plea bargain or I'll set bail and schedule trial."

The prosecutor said to Geberth, "Doesn't mean she didn't kill Jesse. Even if Corn was a co-conspirator he was still the victim of a homicide."

Now the Northerner got to roll his eyes. "Oh, come on," Geberth snapped, as if the D.A. were a slow student. "What it means is that Corn was operating outside his jurisdiction as a law-enforcer and that when he confronted Garrett he was a felon and armed and dangerous. Jim Bell admitted they were planning on torturing the boy to find Mary Beth's whereabouts. Once they found her, Corn would've been right there with Culbeau and the others to kill Lucy Kerr and the other deputies."

The judge's eyes swept from left to right slowly as he watched this unprecedented tennis match.

The prosecutor: "I can only focus on the crime at hand. Whether Jesse Corn was going to kill anybody or not doesn't matter."

Geberth shook his head slowly. The lawyer said to the court reporter, "We're suspending the deposition. This is off the record." Then, to the prosecutor: "What's the point of proceeding? Corn was a killer."

Rhyme joined in, speaking to the prosecutor. "You take this to trial and what do you think the jury's going to feel when we show the victim was a crooked cop planning to torture an innocent boy to find a young woman and then murder her?"

Geberth continued, "You don't want this notch on your grip. You've got Bell, you've got his brother-in-law, the coroner…"

Before the prosecutor could protest again Rhyme looked up at him and said in a soft voice, "I'll help you."

"What?" the prosecutor asked.

"You know who's behind all this, don't you? You know who's killing half the residents of Tanner's Corner?"

"Henry Davett," the prosecutor said. "I've read the filings and depos."

Rhyme asked, "And how's the case against him?"

"Not good. There's no evidence. There's no link between him and Bell or anybody else in town. He used middlemen and they're all stonewalling or out of the jurisdiction."

"But," Rhyme said, "don't you want to nail him – before any more people die of cancer? Before more children get sick and kill themselves? Before more babies are born with birth defects?"

"Of course I want to."

"Then you need me . You won't find a criminalist anywhere in the state who can bring Davett down. I can." Rhyme glanced at Sachs. He could see tears in her eyes. He knew that the only thought in her mind now was that, whether they sent her to jail or not, she hadn't killed an innocent man.

The prosecutor sighed deeply. Then nodded. Quickly, as if he might change his mind, he said, "Deal." He looked at the bench. "Your Honor, in the case of the People versus Sachs, the state is withdrawing all charges."

"So ordered," said the bored judge. "Defendant is free to go. Next case." He didn't even bother to bang down his gavel.

45

"I didn't know whether you'd show up," Lincoln Rhyme said.

He was, in fact, surprised.

"Wasn't sure I was going to either," Sachs replied.

They were in his hospital room at the medical center in Avery.

He said, "I just got back from visiting Thom on the fifth floor. That's pretty odd – I'm more mobile than he is."

"How is he?"

"He'll be fine. He should be out in a day or two. I told him he was about to see physical therapy from a whole new angle. He didn't laugh."

A pleasant Guatemalan woman – the temporary caregiver – sat in the corner, knitting a yellow-and-red shawl. She seemed to be weathering Rhyme's moods though he believed that this was because she didn't understand English well enough to appreciate his sarcasm and insults.

"You know, Sachs," Rhyme said, "when I heard you'd busted Garrett out of detention it half occurred to me you'd done it to give me a chance to rethink the operation."

A smile curved her Julia Roberts lips. "Maybe there was a bit of that."

"So you're here now to talk me out of it?"

She rose from the chair and walked to the window. "Pretty view."

"Peaceful, isn't it? Fountain and garden. Plants. Don't know what kind."

"Lucy could tell you. She knows plants the way Garrett knows bugs. Excuse me, insects . A bug is only one type of insect… No, Rhyme, I'm not here to talk you out of it. I'm here to be with you now and to be in the recovery room when you wake up."

"Change of heart?"

She turned to him. "When Garrett and I were on the run he was telling me about something he read in that book of his. The Miniature World ."

"I have a new respect for dung beetles after reading it," Rhyme said.

"There was something he showed me, a passage. It was a list of the characteristics of living creatures. One of them was that healthy creatures strive to grow and to adapt to the environment. I realized that's something you have to do, Rhyme – have this surgery. I can't interfere with it."

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