Ariana Franklin - Mistress of the Art of Death

Здесь есть возможность читать онлайн «Ariana Franklin - Mistress of the Art of Death» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Триллер, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Mistress of the Art of Death: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Mistress of the Art of Death»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

When Christian children are being kidnapped and murdered in 12th century Cambridge, England, Adelia is sent to seek out the truth, and hopefully absolve the Jews being blamed for the crimes, before the townspeople take matters into their own hands. During a time when women are second-class citizens at best, and the practice of scientific autopsies is considered blasphemous, Adelia is the most skilled “speaker for the dead” hailing from progressive Naples – yet she is forced to masquerade as the meek assistant to her colleagues during their frantic search for the real child killer.
From The Washington Post
It's hard enough to produce a gripping thriller – harder still to write convincing historical fiction that recreates a living, breathing past. But this terrific book does both, and does it with a cast of characters so vivid and engaging that you'd be happy to read about them even if they weren't on the track of a sexually depraved serial child-murderer.
Mistress of the Art of Death opens with a clever takeoff on Chaucer's Canterbury Tales, which introduces the central players, a group of pilgrims returning from the shrine of the newly canonized St. Thomas à Becket: a prior and a prioress (from rival abbeys); two knights, lately returned from the Crusades; an overweight but very shrewd tax collector; a gaggle of citizens; and three Gypsies, who are in fact secret investigators sent by the king of Sicily to discover the truth behind a series of gruesome murders near Cambridge.
Four children have been found dead and mutilated. The Jews of Cambridge have been blamed for the murders, the most prominent Jewish moneylender and his wife have been killed by a mob, and the rest of the Jewish community is shut up in the castle under the protection of the sheriff.
As the only group allowed to commit usury – that is, to lend money at interest – the Jews are prosperous, and thus the king of England considers them his prize cash cows. He wants them cleared of suspicion and released, so they can go back to paying him high taxes. To this end, he appeals to his cousin, the king of Sicily, to send his best master of the art of death: a doctor skilled in "reading" bodies. Enter Vesuvia Adelia Rachel Ortese Aguilar, 25, the best mistress of death that the medical school at Salerno has ever produced. With Simon of Naples, a Jewish "fixer," and Mansur, a eunuch with a mean throwing-ax, it's her job to find a murderer before he – or she – can kill again.
Adelia comes onstage when she meets the prior under dramatic circumstances on the road, saving him from a burst bladder caused by a swollen prostate by thrusting a hollow reed up his penis. Not every man would follow up on an introduction like this, but the prior wants the mystery solved, too – and if the solution happens to ace out the rival abbey, so much the better.
Adelia finds 12th-century England a barbarous place. England finds Adelia a jaw-dropping anomaly. And Franklin exploits the contrast brilliantly. We're on Adelia's side from the start, identifying with her quite modern sensibilities – but at the same time, as she begins to know the English inhabitants as people, we sympathize with them, too. And a small but nice romantic subplot develops as the celibate, married-to-science Adelia discovers to her horror that live bodies have minds of their own.
Though the story is set in Cambridge, the Crusades run through the culture. We see both the corruption and the idealistic faith of the period, and while the Jews come off by far the best, Christians and Muslims are portrayed with evenhanded understanding. Beyond this, the story's background is a wonderful tapestry of the paradoxes and struggles of the times: Christianity and Islam, Christians and Jews, science and superstition, and the new power of Henry II's rule of law versus the stranglehold of the Church.
There are also fascinating details of historical forensic medicine, entertaining notes on women in science (the medical school at Salerno is not fictional), and a nice running commentary on science and superstition, as distinct from religious faith. Franklin does this subtly, by showing effects, rather than by beating us over the head with her opinions. These are clear enough but expressed with artistry rather than political correctness.
Franklin likewise balances cynicism, humanity and objectivity well. Adelia feels horror, fury and sympathy on behalf of the victims and the bereaved, but she doesn't let that get in the way of finding the truth. And the story makes it clear that the motives of those who want a solution to the crime are not necessarily purer than the motives of those who want to conceal it.
Mistress of the Art of Death is wonderfully plotted, with a dozen twists – and with final rabbits pulled out of not one hat but two, as both the mystery and the romance reach satisfactorily unexpected conclusions. It's a historical mystery that succeeds brilliantly as both historical fiction and crime-thriller. Above all, though, Franklin has written a terrific story, whose appeal rests on the personalities of the all-too-human beings who inhabit it.
– Diana Gabaldon, author of a series of historical novels, including "Outlander" and "A Breath of Snow and Ashes."

Mistress of the Art of Death — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Mistress of the Art of Death», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

“Yes, ma’am.” The chalk squeaked over the slate, but Sir Rowley kept his face to the open air.

“The bones are unclothed. Flesh almost entirely decomposed; what there is has been in contact with chalk. There is a dusting of what appears to be dried silt on the spine, also some lodged in the rear of the pelvis. Is there silt near here?”

“We’re on the edge of the silt fens. They were found on the fen edge.”

“Were the bodies lying faceup?”

“God, I don’t know.”

“Hmm, if so, it would account for the traces on the back. They are slight; she wasn’t buried in silt, more likely chalk. Hands and feet tied by strips of black material.” There was a pause. “There are tweezers in my bag. Give them to me.”

He fumbled in the bag and passed on a pair of thin wooden tweezers, saw her use them to pick at a strip of something and hold it to the light.

“Mother of God.” He returned to the doorway, his arm reaching inside to continue whisking the cow parsley about. From the woodland beyond came the call of the cuckoo, confirming the warmth of the day, and the smell of bluebells among the trees. Welcome, he thought, oh God, welcome. You’re late this year.

“Fan harder,” she snapped at him, then resumed her monotone. “These ties are strips of wool. Mmm. Pass me a vial. Here, here. Where are you, blast you?” He retrieved a vial from her bag, gave it to her, waited, and retook possession of it, now containing a dreadful strip. “There are crumbs of chalk in the hair. Also, an object adhering to it. Hmm. Lozenge-shaped, possibly a sticky sweetmeat of some kind that has now dried to the strands. It will need further examination. Hand me another vial.”

He was instructed to seal both vials with red clay from the bag. “Red for Mary, a different color for each of the others. See to it, please.”

“Yes, Doctor.”

USUALLY PRIOR GEOFFREY went in pomp to the castle, just as Sheriff Baldwin returned his visits with equal pomp; a town must always be aware of its two most important men. Today, however, it was a sign of how troubled the prior was that trumpeter and retinue had been left behind and he rode across Great Bridge to Castle Hill with only Brother Ninian in attendance.

Townspeople pursued him, hanging on to his stirrups. To all of them he replied in the negative. No, it wasn’t the Jews. How could it have been? No, be calm. No, the fiend hadn’t been caught yet, but he would be, God’s grace he would be. No, leave the Jews be, they did not do this.

He worried for Jew and Gentile. Another riot would bring the king’s anger down on the town.

And as if that wasn’t enough, the prior thought savagely, there was the tax collector, God punish him and all his breed. Apart from the fact that Sir Rowley’s probing fingers were now investigating a matter the prior would rather, much rather, they had not meddled with, he was concerned for Adelia-and for himself.

The upstart will tell the king, he thought. Both she and I will be undone. He suspects necromancy; she will be hanged for it, while I…I shall be reported to the Pope and cast out. And why, if the taxman wished to see the bodies so much, did he not insist on being present when the coroner examined them? Why avoid officialdom when the man was, himself, official?

Just as troubling was the familiarity of Sir Rowley’s round face- Sir Rowley, indeed; since when did the king confer knighthood on tax collectors?-it had bothered him all the way from Canterbury.

As his horse began to labor up the steep road to the castle, the prior’s mind’s eye pictured the scene that had been played out on this very hill a year ago. Sheriff’s men trying to hold off a maddened crowd from frightened Jews, himself and the sheriff bellowing uselessly for order.

Panic and loathing, ignorance and violence…the devil had been in Cambridge that day.

And so had the tax collector. A face glimpsed in the crowd and forgotten until now. Contorted like all the others as its owner struggled…struggled with whom? Against the sheriff’s men? Or for them? In that hideous conglomeration of noise and limbs, it had been impossible to tell.

The prior clicked his horse to go on.

The man’s presence on that day in this place was not necessarily sinister; sheriffs and taxmen went together. The sheriff collected the king’s revenue; the king’s collector ensured that the sheriff didn’t keep too much of it.

The prior reined in. But I saw him at Saint Radegund’s fair much later. The man was applauding a stilt-walker. And that was when little Mary went missing. God save us.

The prior dug his heels into the horse’s side. Quickly now. More urgent than ever to talk to the sheriff.

“MMM. The pelvis is chipped from below, possibly accidental damage postmortem but, since the slashes seem to have been inflicted with considerable force and the other bones show no damage, more probably caused by a instrument piercing upward in an attack on the vagina…”

Rowley hated her, hated her equable, measured voice. She did violence to the feminine even by enunciating the words. It was not for her to open her woman’s lips and give them shape, loosing foulness into the air. She had become spokesman for the deed and thereby complicit in its doing. A perpetrator, a hag. Her eyes should not look on what she saw without expelling blood.

Adelia was forcing herself to see a pig. Pigs were what she’d learned on. Pigs-the nearest approximation in the animal world to human flesh and bone. Up in the hills, behind a high wall, Gordinus had kept dead pigs for his students, some buried, some exposed to the air, some in a wooden hut, others in a stone byre.

Most of the students introduced to his death farm had been revolted by the flies and stench and had fallen away; only Adelia saw the wonder of the process that reduced a cadaver to nothing. “For even a skeleton is impermanent and, left to itself, will eventually crumble to dust,” Gordinus had said. “What marvelous design it is, my dear, that we are not overwhelmed by a thousand years’ worth of accumulated corpses.”

It was marvelous, a mechanism that went into action as breath departed the body, releasing it to its own device. Decomposition fascinated her because-and she still didn’t understand how-it would occur even without the help of the flesh flies and blowflies, which, if the corpse were accessible to them, came in next.

So, having achieved qualification as a doctor, she’d learned her new trade on pigs. On pigs in spring, pigs in summer, pigs in autumn and winter, each season with its own rate of decay. How they died. When. Pigs set up, pigs with heads down, pigs lying, pigs slaughtered, pigs dead from disease, pigs buried, pigs unburied, pigs kept in water, old pigs, sows that had littered, boars, piglets.

The piglet. The moment of divide. Recently dead, only a few days old. She’d carried it to Gordinus’s house. “Something new,” she’d said. “This matter in its anus, I can’t place it.”

“Something old,” he’d told her, “old as sin. It is human semen.”

He’d guided her to his balcony overlooking the turquoise sea and sat her down and fortified her with a glass of his best red wine and asked her if she wanted to proceed or return to ordinary doctoring. “Will you see the truth or avoid it?”

He’d read her Virgil, one of the Georgics, she couldn’t remember which, that took her into roadless, sun-soaked Tuscan hills, where lambs, full of winey milk, leaped for the joy of leaping, tended by shepherds swaying to the pipes of Pan.

“Any one of which may take a sheep, shove its back legs into his boots and his organ into its back passage,” Gordinus had said.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Mistress of the Art of Death»

Представляем Вашему вниманию похожие книги на «Mistress of the Art of Death» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Mistress of the Art of Death»

Обсуждение, отзывы о книге «Mistress of the Art of Death» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x