Ariana Franklin - Mistress of the Art of Death

Здесь есть возможность читать онлайн «Ariana Franklin - Mistress of the Art of Death» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Триллер, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Mistress of the Art of Death: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Mistress of the Art of Death»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

When Christian children are being kidnapped and murdered in 12th century Cambridge, England, Adelia is sent to seek out the truth, and hopefully absolve the Jews being blamed for the crimes, before the townspeople take matters into their own hands. During a time when women are second-class citizens at best, and the practice of scientific autopsies is considered blasphemous, Adelia is the most skilled “speaker for the dead” hailing from progressive Naples – yet she is forced to masquerade as the meek assistant to her colleagues during their frantic search for the real child killer.
From The Washington Post
It's hard enough to produce a gripping thriller – harder still to write convincing historical fiction that recreates a living, breathing past. But this terrific book does both, and does it with a cast of characters so vivid and engaging that you'd be happy to read about them even if they weren't on the track of a sexually depraved serial child-murderer.
Mistress of the Art of Death opens with a clever takeoff on Chaucer's Canterbury Tales, which introduces the central players, a group of pilgrims returning from the shrine of the newly canonized St. Thomas à Becket: a prior and a prioress (from rival abbeys); two knights, lately returned from the Crusades; an overweight but very shrewd tax collector; a gaggle of citizens; and three Gypsies, who are in fact secret investigators sent by the king of Sicily to discover the truth behind a series of gruesome murders near Cambridge.
Four children have been found dead and mutilated. The Jews of Cambridge have been blamed for the murders, the most prominent Jewish moneylender and his wife have been killed by a mob, and the rest of the Jewish community is shut up in the castle under the protection of the sheriff.
As the only group allowed to commit usury – that is, to lend money at interest – the Jews are prosperous, and thus the king of England considers them his prize cash cows. He wants them cleared of suspicion and released, so they can go back to paying him high taxes. To this end, he appeals to his cousin, the king of Sicily, to send his best master of the art of death: a doctor skilled in "reading" bodies. Enter Vesuvia Adelia Rachel Ortese Aguilar, 25, the best mistress of death that the medical school at Salerno has ever produced. With Simon of Naples, a Jewish "fixer," and Mansur, a eunuch with a mean throwing-ax, it's her job to find a murderer before he – or she – can kill again.
Adelia comes onstage when she meets the prior under dramatic circumstances on the road, saving him from a burst bladder caused by a swollen prostate by thrusting a hollow reed up his penis. Not every man would follow up on an introduction like this, but the prior wants the mystery solved, too – and if the solution happens to ace out the rival abbey, so much the better.
Adelia finds 12th-century England a barbarous place. England finds Adelia a jaw-dropping anomaly. And Franklin exploits the contrast brilliantly. We're on Adelia's side from the start, identifying with her quite modern sensibilities – but at the same time, as she begins to know the English inhabitants as people, we sympathize with them, too. And a small but nice romantic subplot develops as the celibate, married-to-science Adelia discovers to her horror that live bodies have minds of their own.
Though the story is set in Cambridge, the Crusades run through the culture. We see both the corruption and the idealistic faith of the period, and while the Jews come off by far the best, Christians and Muslims are portrayed with evenhanded understanding. Beyond this, the story's background is a wonderful tapestry of the paradoxes and struggles of the times: Christianity and Islam, Christians and Jews, science and superstition, and the new power of Henry II's rule of law versus the stranglehold of the Church.
There are also fascinating details of historical forensic medicine, entertaining notes on women in science (the medical school at Salerno is not fictional), and a nice running commentary on science and superstition, as distinct from religious faith. Franklin does this subtly, by showing effects, rather than by beating us over the head with her opinions. These are clear enough but expressed with artistry rather than political correctness.
Franklin likewise balances cynicism, humanity and objectivity well. Adelia feels horror, fury and sympathy on behalf of the victims and the bereaved, but she doesn't let that get in the way of finding the truth. And the story makes it clear that the motives of those who want a solution to the crime are not necessarily purer than the motives of those who want to conceal it.
Mistress of the Art of Death is wonderfully plotted, with a dozen twists – and with final rabbits pulled out of not one hat but two, as both the mystery and the romance reach satisfactorily unexpected conclusions. It's a historical mystery that succeeds brilliantly as both historical fiction and crime-thriller. Above all, though, Franklin has written a terrific story, whose appeal rests on the personalities of the all-too-human beings who inhabit it.
– Diana Gabaldon, author of a series of historical novels, including "Outlander" and "A Breath of Snow and Ashes."

Mistress of the Art of Death — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Mistress of the Art of Death», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Again, a blink.

“Yes, yes, it will be regarded as strange, but I am the prior of this foundation and my law is second only to Almighty God’s.” He bustled her to the side door of the church and gave her directions. A novice weeding the cloister garden looked up in curiosity, but a click of his superior’s fingers sent him back to work. “I would come with you, but I must go to the castle and discuss eventualities with the sheriff. Between us, we have to prevent another riot.”

Watching the small, brown-clad figure trudge off carrying its goatskin bag, the prior prayed that in this case, his law and Almighty God’s coincided.

He turned round in order to snatch a minute in prayer at the altar, but a large shadow detached itself from one of the nave’s pillars, startling him and making him angry. It had a roll of vellum in its hand.

“What do you here, Sir Rowley?”

“I was about to plead for a private view of the bodies, my lord,” the tax collector said, “but it seems I have been preempted.”

“That is the job of the coroner, and he’s done it. There will be an official inquest in a day or two.”

Sir Rowley nodded toward the side door. “Yet I heard you instructing that lady to examine them further. Do you hope for her to tell you more?”

Prior Geoffrey looked around for help and found none.

The tax collector asked with apparent genuine interest, “How might she do that? Conjurement? Invocation? Is she a necromancer? A witch?”

He’d gone too far. The prior said quietly, “Those children are sacred to me, my son, as is this church. You may leave.”

“I apologize, my lord.” The tax collector didn’t look sorry. “But I too have a concern in this matter, and I have here the king’s warrant whereby to pursue it.” He waved a roll so that the royal seal swung. “What is that woman?”

A king’s warrant trumped the authority of a canonry prior, even one whose word was next to God’s. Sullenly, Prior Geoffrey said, “She is a doctor versed in the morbid sciences.”

“Of course. Salerno . I should have known.” The tax collector whistled with satisfaction. “A woman doctor from the only place in Christendom where that is not a contradiction in terms.”

“You know it?”

“Stopped there once.”

“Sir Rowley.” The prior raised his hand in admonition. “For the safety of that young woman, for the peace of this community and town, what I have told you must remain within these walls.”

Vir sapit qui pauca loquitur, my lord. First thing they teach a tax collector.”

Not so much wise as cunning, the prior decided, but probably able to keep silent. What was the man’s purpose? At a sudden thought, he held out his hand. “Let me see that warrant.” He examined it, then handed it back. “This is merely the usual tax collector’s warrant. Is the king taxing the dead now?”

“Indeed not, my lord.” Sir Rowley seemed affronted by the idea. “Or not more than usual. But if the lady is to conduct an unofficial inquest, it might subject both town and priory to punitive taxes-I don’t say it will, but the regular amercements, confiscation of goods, et cetera, might apply.” The plump cheeks bunched in an engaging smile. “Unless, of course, I am present to see that all is correct.”

The prior was beaten. So far Henry II had withheld his hand, but it was fairly certain that at the next assize, Cambridge would be fined, and fined heavily, for the death of one of the king’s most profitable Jews.

Any infringement of his laws gave the king an opportunity to fill his coffers at the expense of the infringers. Henry listened to his tax collectors, the most dreaded of royal underlings; if this one should report to him an irregularity connected with the children’s deaths, then the teeth of that rapacious Plantagenet leopard might tear the heart out of the town.

“What do you want of us, Sir Rowley?” Prior Geoffrey asked wearily.

“I want to see those bodies.” The words were spoken quietly, but they flicked at the prior like a lash.

APART FROM THE FACT that its three-foot-thick walls kept it cool, and its situation in a glade at the far end of Barnwell’s deer park was isolated, the cell in which the Saxon anchoress Saint Werbertha had passed her adult life-until, that is, it had been ended somewhat abruptly by invading Danes-was unsuitable for Adelia’s purposes. For one thing, it was small. For another, despite the two lamps the prior had provided, it was dark. A slit of a window was shut by a wooden slide. Cow parsley frothed waist-high around a tiny door set in an arch.

Damn all this secrecy. She would have to keep the door open in order to have enough light-and the place was already beset by flies trying to get in. How did they expect her to work in these conditions?

Adelia put her goatskin bag on the grass outside, opened it to check its contents, checked them again-and knew she was putting off the moment when she would have to open the door.

This was ridiculous; she was not an amateur. Quickly, she knelt and asked the dead beyond the door to forgive her for handling their remains. She asked to be reminded not to forget the respect owed to them. “Permit your flesh and bone to tell me what your voices cannot.”

She always did this; whether the dead heard her she was unsure, but she was not the complete atheist her foster father was, though she suspected that what lay ahead of her this afternoon might convert her into one.

She rose, took her oilcloth apron from the bag, put it on, removed her cap, tied the gauze helmet with its glazed eyepiece over her head, and opened the cell door…

SIR ROWLEY PICOT enjoyed the walk, pleased with himself. It was going to be easier than he’d thought. A mad female, a mad foreign female, was always going to be forced to succumb to his authority, but it was unexpected bounty that someone of Prior Geoffrey’s standing should also be under his thumb through association with the same female.

Nearing the anchorage, he paused. It looked like an overgrown beehive- Lord, how the old hermits loved discomfort. And there she was, a figure bending over something on a table just inside its open door.

To test her, he called out, “Doctor.”

“Yes?”

Ah, hah, Sir Rowley thought. How easy. Like snatching a moth.

As she straightened and turned toward him, he began, “You remember me, madam? I am Sir Rowley Picot, whom the prior-”

“I don’t care who you are,” the moth snapped. “Come in here and keep the flies off.” She emerged, and he was presented with an aproned human figure with the head of an insect. It tore a clump of cow parsley from the ground and, at his approach, shoved the umbellifers at him.

It wasn’t what Sir Rowley had in mind, but he followed her, squeezing through the door to the beehive with some difficulty.

And squeezing out again. “Oh my God.”

“What’s the matter ?” She was cross, nervy.

He leaned against the arch of the doorway, breathing deeply. “Sweet Jesus, have mercy on us all.” The stench was appalling. Even worse was what lay exposed on the table.

She tutted with irritation. “Stand in the doorway then. Can you write?”

With his eyes closed, Rowley nodded. “First thing they teach a tax collector.”

She handed him a slate and chalk. “Put down what I tell you. In between times, keep fanning the flies away.”

The anger went out of her voice, and she began speaking in monotone. “The remains of a young female. Some fair hair still attached to the skull. Therefore she is”-she broke off to consult a list she’d inked onto the back of her hand-“Mary. The wildfowler’s daughter. Six years old. Disappeared Saint Ambrose, that is, what, a year ago? Are you writing?”

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Mistress of the Art of Death»

Представляем Вашему вниманию похожие книги на «Mistress of the Art of Death» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Mistress of the Art of Death»

Обсуждение, отзывы о книге «Mistress of the Art of Death» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x