China Mieville - Kraken

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The Natural History Museum's prize exhibit – a giant squid – suddenly disappears. This audacious theft leads Clem, the research scientist who has recently finished preserving the exhibit, into a dark urban underworld of warring cults and surreal magic. It seems that for some, the squid represents a god and should be worshiped as such. Clem gradually comes to realise that someone may be attempting to use the squid to trigger an apocalypse. And so it is now up to him and a renegade squid-worshiper named Dean to find a way of stopping the destruction of the world as they know it whilst themselves surviving the all out-gang warfare that they have unwittingly been drawn into…

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A moment cracked. Marge saw Goss way in front of her before she even realised he had let go. She saw him running. She glimpsed a look on his face so aghast it almost made you wince to see it, almost you could sob for it if you weren’t held in still-split time. But no matter how fast he moved Goss was too far away, even with the moments Paul had wasted with that taunt, to get between the scissors and Subby.

Paul brought the blades double-dagger into Subby’s neck. Quick repeated punches. Blood, and the boy’s mindless face did not move except that his eyes widened. Paul stabbed hard. The blood that spattered him was very dark.

Subby dropped to his knees, looking quizzical. “What? What? What’s happening?” the Tattoo foolishly demanded, just like a child.

Goss screeched and screamed and howled. He collapsed midleap. The scissors quivered, embedded in Subby’s neck. Paul shuddered. Goss sprawled across the car bonnet, puking up his own much brighter blood.

“No no no no no no.” He whined and drummed his heels and stared in outrage at the dying boy-thing.

“Do you think,” Paul said-while “what? what’s happening? what?” the Tattoo kept saying-“that I would work with you?” Paul pulled the scissors from Subby’s neck, pushed them back again. Subby looked from side to side and closed his eyes. Goss screamed and bubbled and kicked and drooled sudden smoke and could not stand. Screamed.

“Do you think I would let you come anywhere near me?” Paul said to him. “Did you think I’d collaborate with you? Do you think I’d let you be the muscle for this purebred scum evil motherfucker on my back? Did you think I wouldn’t kill you?” Paul spat at the dying Goss. Spat at the ground in front of him. “You’ve got this flesh basket to hold what makes you tick, and you think that’ll stop me? Goss, stop up your noise. It is time for you to go to hell and take your poor fucking empty little life-carrier with you.”

Subby was immobile. The blood was coming out of him slower. Goss wheezed and gurgled and looked as if he was trying to level some good-bye curse, but as Subby died with closing eyes, he died too. His last breath went without smoke.

And whatever else was happening-

in times and places all over-

unmentionably many-

that going out-

that finishedness-

rippled-

was very felt-

and every one of London’s bullied and terrified were for a metamoment, from 1065 to 2006, all in their own instants and entangled for a blink, in every awful situation, every little room where they were head-flushed, thumbscrewed, decried, name-debased, taunted, punched, sneered at, the foil of brutality, for a moment just then, for one instant, which might not save them but which would at the very least be a tiny comfort, for always, felt better-felt joy.

PAUL WATCHED GOSS GO.

“What’s happening? What’s happening? What? What?” the Tattoo said. Paul ignored it. Marge ignored it.

She watched without motion, holding her head where Goss had hurt her. When Subby died-as if he was a “he,” as if it were more than a box with a face-he mouldered away. He crumbled into a disgustingness, and then that crumbled too, into nothing, leaving only a heart, a man’s unbeating heart too big for Subby’s chest.

Goss did not crumble. Goss lay there like the dead man he was.

“I’m sorry,” Paul said to her, at last.

“I needed him to trust me,” Paul said. “He never would have left Subby alone otherwise.” They stared at each other. The Tattoo screamed, forced to stare into the parking lot darkness where nothing was happening.

“What did you do?” the Tattoo said.

“I knew they’d find me,” Paul said. “And I could never take him. This was all I could think to do. I knew they’d hear what we said if we sent it from here, and I needed them to listen in and come. Can you help me cover him? Him.” He raised his arms. “The Tattoo.”

He said, “I didn’t mean that to happen to Wati. I’m sorry. I thought Goss and Subby would get here first. Well, they did, but I didn’t think they’d hide and wait. I tried to persuade him to leave.”

“I don’t understand,” she said. “Anything.”

“Yeah. I’m sorry. Let me tell you what I can.”

Chapter Seventy-Two

THEY KNEW-PAUL EXPLICITLY, MARGE BY THE INSTINCTS SHE was accruing-that that was hardly the end of it as far as London went. For them, though, it had been an epoch-ending execution. They sat where they had fallen, talking a little, but often just sitting and breathing in Goss-and-Subbyless air. Paul kicked Goss’s heart across the concrete.

When Goss died, the lights in the garage had dimmed twice and gone up again in a hip-hip-hooray, in object joy. Colours changed and shadows moved as emissaries from various courts-seelie, unseelie, abseelie, paraseelie-passed through to check out the spreading rumour. A few ghosts that Marge did not see but felt as movements of sad warmth. With a squee, a pigness passed her. It was not long after that that they heard a car.

Without a siren but with lights whirling a police car bumped down the ramp and to them. Three officers emerged, their batons out, pepper spray and Tasers out, their hands overfull of weapons. Their terror was quite obvious. After a pause, out of the car in a smart sweep, her clothes and hair jouncing, leaking smoke from one corner of her mouth, a cigarette bobbing from the other, her eyes narrow and turning her head a little, splendid as Boudicca, was Collingswood.

She stared at Paul, put one hand out, took her Taser from her belt. She looked at Marge, raised an eyebrow and nodded in recognition. She chirruped and whistled, and stroked the air as if it were a piglet’s head.

Collingswood smacked her lips. “Fucking fucking fuck me,” she whispered. She smiled an utterly beautiful smile. “It’s true. You really did. Fuck me. Finally. Oh… my… gosh. We could do with a bit of good news tonight.”

“I told you there was stuff going on with me,” Marge said.

“And look,” said Collingswood. “Slap my naughty knuckles for making the wrong call. And it’s you.” She said that to Paul. “Well, I mean not you but you. Fucked if I know what’s the point tonight, but you got to do what you can, right? Come on then.” She motioned the two of them up. They obeyed.

“What is this?” Marge said. She sounded mild, not outraged-curious.

“Give me a minute I’ll come up with a bunch of stuff to charge you with,” Collingswood said. “Basically, the gist of it is, you’re coming with me. Might as well salvage something. You too.” She looked at Paul. He stood meekly enough. He looked side to side as something invisible circled him. “I don’t want any trouble. From you or from, y’know. Your passenger. For fuck’s sake, don’t you want to get out of all this?” she said.

Yes, thought Marge. Really. Collingswood nodded at her. The officer did not need her sensitivities to read that answer. “Come on then,” she said. “Bloody star, you.”

Paul slumped, walked toward the car too, then abruptly raced past Collingswood and her fumbling officers, toward the exit. He knocked her as he went, so she staggered and dropped her cigarette.

“Naughty fucking naughty,” she shouted. “Tase the bastard.” One of the officers missed, but another got Paul in the back, in his unseen Tattoo, with the electricity-spitting wires. Paul shrieked and fell, spasming.

“Stop, stop!” shouted Marge. “Don’t you know who he is, don’t you know what he’s…? He can’t face being locked up anymore, that’s why-”

“Boohoo,” said Collingswood. “Do I look like I give a shit?” She stood over Paul as he strained to breathe. In truth she did look like she gave a little of a shit. She wore an expression not of regret, exactly, but of troubled irritation, as if the paper in the photocopier had run out.

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