John Connolly - Every Dead Thing

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Every Dead Thing: краткое содержание, описание и аннотация

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“You used to be a cop too,” Walter muttered. “You’ve picked up some bad habits.”

“Gimme a break, Walter. How do I know who you’re checking up on? What am I supposed to do, go to confession to you once a week?” I poured some hot coffee into my cup. “Anyway, you think there might be a connection between this disappearance and Sonny Ferrera?” I continued.

“It’s possible,” said Walter. “The feds were tracking Stephen Barton for a while, maybe a year ago, before he was supposed to have started seeing Catherine Demeter. They were chasing their tails with that kid, so they let it go. According to the Narcotics file she doesn’t seem to have been involved, at least not openly, but what do they know? Some of them still think a crack pipe is something a plumber fixes. Maybe she could have seen something she wasn’t supposed to see.”

His face betrayed how lame he thought the link was, but he left me to voice it. “C’mon, Walter, steroids and minor coke? There’s money in it but it’s strictly Little League compared to the rest of Ferrera’s business. If he knocked off someone over musclehead drugs, then he’s even more stupid than we know he is. Even his old man thinks he’s the result of a defective gene.”

Ferrera senior, sick and decrepit but still a respected figure, had been known to refer to his only son as “that little prick” on occasion. “Is that all you’ve got?”

“As you say, we’re the police. No one tells us anything useful,” he replied dryly.

“Did you know Sonny is impotent?” I offered.

Walter stood up, waving his empty glass in front of his face and smiling for the first time that evening. “No. No, I didn’t. I’m not sure I wanted to know, either. What the hell are you, his urologist?” He glanced over at me as he reached for the Redbreast. I waved my fingers in a gesture of disregard that went no farther than my wrist.

“Pili Pilar still with him?” I asked, testing the waters.

“Far as I know. I hear he pushed Nicky Glasses out of a window a few weeks back because he fell behind on the vig.”

The World Bank had loans out that attracted lower interest than Sonny Ferrera’s financial operations. Then again, the World Bank probably didn’t throw people out of the tenth floor because they couldn’t keep up with the interest, at least not yet.

“Tough on Nicky. Another hundred years and he’d have had the loan paid off. Pili’d better ease up on his temper or he’s gonna run out of people to push through windows.”

Walter didn’t smile.

“Will you talk to her?” he asked as he resumed his seat.

“MPs, Walter…” I sighed. Fourteen thousand people disappear in New York every year. It wasn’t even clear if this woman was missing-in which case she didn’t want to be found or someone else didn’t want her found-or simply misplaced, which meant that she had merely upped sticks and moved off to another town without breaking the news to her good friend Isobel Barton or to her lovely boyfriend, Stephen Barton.

Those are the kinds of issues PIs have to consider when faced with missing persons cases. Tracing missing persons is bread and butter for PIs, but I wasn’t a PI. I had taken on Fat Ollie’s skip because it was easy work, or seemed to be at the time. I didn’t want to file for a PI license with the state licensing services in Albany. I didn’t want to get involved in missing persons work. Maybe I was afraid it would distract me too much. Maybe I just didn’t care enough, not then.

“She won’t go to the cops,” said Walter. “The woman isn’t even officially missing yet, since no one has reported her.”

“So how come you know about it?”

“You know Tony Loo-Loo?” I nodded. Tony Loomax was a small-time PI with a stammer who had never graduated beyond skips and white trash divorces.

“Loomax is an unusual candidate for Isobel Barton’s patronage,” I said.

“It seems he did some work for one of the household staff a year or two back. Traced her husband, who’d run off with their savings. Mrs. Barton told him she wanted something similar done, but wanted it done quietly.”

“Still doesn’t explain your involvement.”

“I have some stuff on Tony, mild overstepping of legal boundaries, which he would prefer I didn’t act on. Tony figured I might like to know that Isobel Barton had been making low-key approaches. I spoke to Kooper. He believes the trust doesn’t need any more bad publicity. I figured maybe I could do him a favor.”

“If Tony has the call, then why are you approaching me?”

“We’ve encouraged Tony to pass it on. He’s told Isobel Barton that he’s passing her on to someone she can trust because he can’t take the case. Seems his mother just died and he has to go to the funeral.”

“Tony Loo-Loo doesn’t have a mother. He was brought up in an orphanage.”

“Well, someone’s mother must have died,” said Walter testily. “He can go to that funeral.”

He stopped and I could see the doubt in his eyes as the rumors he had heard flicked a fin in the depths of his mind. “And that’s why I’m approaching you. Even if I tried to do this quietly through the usual channels, someone would know. Christ, you take a drink of water at headquarters and ten guys piss it out.”

“What about the girl’s family?”

He shrugged. “I don’t know much more but I don’t think there is one. Look, Bird, I’m asking you because you’re good. You were a smart cop. If you’d stayed on the force the rest of us would have been cleaning your shoes and polishing your shield. Your instincts were good. I reckon they still are. Plus you owe me one: people who go shooting up the boroughs don’t usually walk away quite so easily.”

I was silent for a while. I could hear Lee banging around in the kitchen while a TV show played in the background. Perhaps it was a remnant of what had taken place earlier, the apparently senseless killing of Fat Ollie Watts and his girlfriend, the death of the shooter, but it felt as if the world had shifted out of joint and that nothing was fitting as it should. Even this felt wrong. I believed Walter was holding back on me.

I heard the doorbell ring and then there was a muffled exchange of voices, one of them Lee’s and the other a deep male voice. Seconds later there was a knock on the door and Lee showed in a tall, gray-haired man in his fifties. He wore a dark blue double-breasted suit-it looked like Boss-and a red Christian Dior tie with an interlocking gold CD pattern. His shoes sparkled like they’d been shined with spit, although, since this was Philip Kooper, it was probably someone else’s spit.

Kooper was an unlikely figure to act as chairman and spokesman of a children’s charity. He was thin and pale faced, and his mouth managed the unique trick of being simultaneously slim and pursed. His fingers were long and tapering, almost like claws. Kooper looked like he had been disinterred for the express purpose of making people uneasy. If he had turned up at one of the trust’s kids’ parties, all of the children would have cried.

“This him?” he asked Walter, after declining a drink. He flicked his head at me like a frog swallowing a fly. I played with the sugar bowl and tried to look offended.

“This is Parker,” nodded Walter. I waited to see if Kooper would offer to shake hands. He didn’t. His hands remained clasped in front of him like a professional mourner at a particularly uninvolving funeral.

“Have you explained the situation to him?”

Walter nodded again but looked embarrassed. Kooper’s manners were worse than a bad child’s. I stayed seated and didn’t say anything. Kooper sniffed and then stood in silence while he looked down on me. He gave the impression that it was a position with which he was entirely familiar.

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