John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“Mr. Loomax may be right. She may simply have moved on again.”

Mrs. Barton shook her head insistently. “No, she would have told me, I’m sure of it. Stephen hasn’t heard from her and neither have I. I’m afraid for her and I want to know that she is safe. That’s all. She doesn’t even have to know that I hired you, or that I was concerned for her. Will you take the case?”

I was still reluctant to do Walter Cole’s dirty work and to take advantage of Isobel Barton, but I had little else on my plate except an appearance in court the following day on behalf of an insurance firm, another case I had taken for the money and to pass the time.

If there was a connection between the disappearance of Catherine Demeter and Sonny Ferrera, then she was almost certainly in trouble. If Sonny had been involved in the killing of Fat Ollie Watts, it was clear that he was going off the rails.

“I’ll give it a few days,” I said. “As a favor,” I added. “Do you want to know my rates?”

She was already writing a check, drawn on her private account and not that of the trust. “Here’s three thousand dollars in advance and this is my card. My private number is on the back.”

She moved her chair forward. “Now, what else do you need to know?”

That evening, I had dinner at River on Amsterdam Avenue, close to Seventieth Street, where the classic beef made it the best Vietnamese in town and where the staff moved by so softly that it was like being waited on by shadows or passing breezes. I watched a young couple at a nearby table intertwining their hands, running their fingers over each other’s knuckles and fingertips, tracing delicate circles in their palms, then gripping their hands together and pressing the heel of each hand forcefully against the other. And as they simulated their lovemaking, a waitress drifted by and smiled knowingly at me as I watched.

6

THE DAY AFTER I visited Isobel Barton, I made a brief visit to court in connection with the insurance case. A claim had been made against a phone company by a contracted electrician, who said he had fallen down a hole in the road while examining underground cables and was no longer able to work as a result.

He may not have been able to work, but he had still been able to power lift five hundred pounds in a cash contest in a Boston gymnasium. I had used a palm-size Panasonic video camera to capture his moment of glory. The insurance company presented the evidence to a judge, who suspended any further decision on the matter for one week. I didn’t even have to give evidence. Afterward I had coffee in a diner and read the paper before heading over to Pete Hayes’s old gym in Tribeca.

I knew Stephen Barton worked out there sometimes. If his girlfriend had disappeared, then there was a strong possibility that Barton might know where she had gone or, equally important, why. I remembered him vaguely as a strong, Nordic-looking type, his body obscenely pumped from steroid use. He was in his late twenties but the combination of training and tanning salons had worn his face to the consistency of old leather, adding at least ten years to his age.

As artists and Wall Street lawyers had started moving into the Tribeca area, attracted by loft space in the cast iron and masonry buildings, Pete’s gym had moved upmarket, filling what used to be a spit and sawdust place with mirrors and potted palms and, sacrilege upon sacrilege, a juice bar. Now heavyweight boneheads and serious power lifters worked out alongside accountants with paunches and female executives with power-dress business suits and cell phones. The bulletin board at the door advertised something called “spinning,” which involved sitting on a bike for an hour and sweating yourself into a red agony. Ten years ago, even the suggestion that the gym might be used for such a purpose would have caused Pete’s regular clientele to bust the place up.

A wholesome-looking blonde in a gray leotard buzzed me into Pete’s office, the last bastion of what the gym had once been. Old posters advertising power lifting competitions and Mr. Universe shows shared wall space with pictures of Pete alongside Steve Reeves, Joe Weider, and, oddly, the wrestler Hulk Hogan. Bodybuilding trophies sat in a glass-fronted cabinet while behind a battered pine desk sat Pete himself, his muscles slackening in old age but still a powerful, impressive figure, his salt-and-pepper hair cut in a short military style. I had trained in the gym for almost six years, until I was promoted to detective and started to destroy myself.

Pete stood and nodded, his hands in his pockets and his loose-fitting top doing nothing to conceal the size of his shoulders and arms.

“Long time,” he said. “Sorry about what happened to…” He trailed off and moved his chin and shoulders in a kind of combination shrug, a gesture to the past and what it contained.

I nodded back and leaned against an old gunmetal gray filing cabinet adorned with decals advertising health supplements and lifting magazines.

“Spinning, Pete?”

He grimaced. “Yeah, I know. Still, spinning makes me two hundred dollars an hour. I got forty exercise bikes on the floor above us and I couldn’t make more money with a printing press and green ink.”

“Stephen Barton around?”

Pete kicked at some imaginary obstacle on the worn wooden floor. “Not for a week or so. He in trouble?”

“I don’t know,” I replied. “Is he?”

Pete sat down slowly and, wincing, stretched his legs out in front of him. Years of squatting had taken their toll on his knees, leaving them weak and arthritic. “You’re not the first person to come here asking about him this week. Couple of guys in cheap suits were in here yesterday trying to find him. Recognized one of them as Sal Inzerillo. Used to be a good light-middleweight until he started taking falls.”

“I remember him.” I paused. “Works for old man Ferrera now, I hear.”

“Might do,” nodded Pete. “Might do. Might have worked for the old man in the ring too, if you believe the stories. This about drugs?”

“I don’t know,” I replied. Pete glanced at me quickly to see if I was lying, decided I wasn’t, and went back to examining the tops of his sneakers. “You hear of any trouble between Sonny and the old man, anything that might have involved Stephen Barton?”

“There’s trouble between them, sure, otherwise what’s Inzerillo doing damaging my floor with his black rubber soles? Don’t know that it involves Barton, though.”

I moved on to the subject of Catherine Demeter.

“Do you remember a girl with Barton recently? She may have been around here sometimes. Short, dark hair, slight overbite, maybe in her early thirties.”

“Barton has lots of girls but I don’t remember that one. Don’t notice, mostly, unless they’re smarter than Barton, which makes me wonder.”

“Not difficult,” I said. “This one probably was smarter. Is Barton a hitter?”

“He’s mean, sure. Popping pills frazzled his brain, gave him bad ’roid rage. It’s fight or fuck with him. Fuck, mainly. My old lady could take him in a fight.” He looked at me intently. “I know what he was into, but he didn’t sell here. I’d have force-fed his shit to him till he burst if he tried it.” I didn’t believe Pete but I let it go. Steroids were part of the game now and there was nothing Pete could do except bluster.

He pursed his lips and pulled his legs slowly in. “A lot of women were attracted to him by his size. Barton was a big guy and he sure talked big. Some women just want the protection someone like him seems to offer. They believe if they give the guy what he wants he’ll look out for them.

“Pity she chose Stephen Barton, then,” I said.

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