John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“This is a standard confidentiality agreement drawn up by the trust’s legal advisers,” she began, pushing it toward me with one hand while clicking a pen simultaneously with the other. “It is an undertaking on your behalf to keep all communication relating to the matter in hand between Mrs. Barton, myself, and yourself.” She used the pen to point to the relevant sections on the agreement, like an insurance salesman trying to slip a bum contract past a sucker. “I’d like you to sign it before we proceed any further,” she concluded.

It seemed like nobody involved with the Barton Trust had a particularly trusting nature. “I don’t think so,” I said. “If you’re concerned about possible breaches of confidentiality, then hire a priest to do your work. Otherwise you’ll have to take my word that what passes between us will go no further.” Perhaps I should have felt guilty about lying to her. I didn’t. I was a good liar. It’s one of the gifts God gives alcoholics.

“That’s not acceptable. I am already unconvinced about the necessity of hiring you and I certainly feel it is inappropriate to do so without-”

She was interrupted by the sound of the office door opening. I turned to see a tall, attractive woman enter, her age indeterminable through a combination of the gentleness of nature and the magic of cosmetics. At a glance I would have guessed she was in her late forties, but if this was Isobel Barton, then I knew she was closer to fifty-five, maybe older. She wore a pale blue dress that was too subtly simple to be anything but expensive and displayed a figure that was either surgically enhanced or extremely well preserved.

As she drew closer and the tiny wrinkles in her face became clearer, I guessed it was the latter: Isobel Barton did not look like the sort of woman who resorted to plastic surgery. Around her neck gold and diamonds glittered, and a pair of matching earrings sparkled as she walked. Her hair too was gray, but she let it hang long and loose on her shoulders. She was still an attractive woman and she walked like she knew it.

Philip Kooper had borne the brunt of the media attention following the disappearance of the Baines boy, but that attention had not been significant. The Baines boy was from a family of dopers and no-hopers. His disappearance merited a mention only because of the trust, and even then the trust’s lawyers and patrons had called in enough favors to ensure that speculation was kept to a minimum. The boy’s mother was separated from his father and they hadn’t been getting along any better since he left.

The police were still trying to trace the father in case of a possible snatch, even though every indication was that the father, a petty criminal, hated his child. In some cases, that might be enough to justify taking the child and killing him to get at his estranged wife. When I was a rookie patrolman, I once arrived at a tenement to find a man had abducted his baby daughter and drowned her in the bath because his ex-wife wouldn’t let him have the TV after they separated.

Only one piece of coverage of the Baines disappearance stuck in my mind: a picture of Mrs. Barton, snapped head-bowed as she visited the mother of Evan Baines in a rundown project. It was supposed to have been a private visit. The photographer, returning from the scene of a drug killing, just happened to be passing. One or two papers took the picture, but they ran it small.

“Thank you, Caroline. I’ll talk to Mr. Parker alone for a while.” She smiled as she said it but her tone brooked no argument. Her assistant affected a lack of concern at the dismissal but her eyes flashed fire. When she had left the room, Mrs. Barton seated herself on a stiff-backed chair away from the desk and motioned me toward a black leather couch, then turned her smile on me.

“I’m sorry about that. I didn’t authorize any such agreement but Caroline can be overprotective of me at times. Can we offer you coffee, or would you prefer a drink?”

“Neither, thank you. Before you go any further, Mrs. Barton, I should tell you that I don’t really do missing persons work.” In my experience, searching for missing persons was best left to specialist agencies with the manpower to chase up leads and possible sightings. Some solo investigators who took on that kind of work were at best ill equipped and at worst little better than parasites who preyed on the hopes of those who remained to keep funding minimal efforts for even smaller returns.

“Mr. Loomax said you might say that, but only out of modesty. He told me to say he would regard it as a personal favor.”

I smiled, despite myself. The only favor I would give Tony Loo-Loo would be not to piss on his grave when he died.

According to Mrs. Barton, she had met Catherine Demeter through her son, who had seen the girl working at DeVries’s department store and had pestered her for a date. Mrs. Barton and her son-her stepson, to be accurate, since Jack Barton had been married once before, to a Southern woman who had divorced him after eight years and moved to Hawaii with a singer-were not close. She was aware that her son was engaged in activities that were, as she put it, “unsavory,” and had tried to get him to change his ways, “both for his own sake and the sake of the trust.” I nodded sympathetically. Sympathy was the only possible emotion to feel for anyone involved with Stephen Barton.

When she heard he was seeing a new girlfriend she asked if they could all meet together, she said, and a date had been arranged. In the end her son had failed to appear but Catherine had turned up, and after an initial awkwardness, the two quickly struck up a friendship far more amicable than the relationship that existed between the girl and Stephen Barton. The two had continued to meet occasionally for coffee and lunch. Despite invitations, the girl had politely refused offers from Mrs. Barton to come out to the house, and Stephen Barton had never brought her.

Then Catherine Demeter had simply dropped out of sight. She had left work early on Saturday and had failed to keep an early dinner appointment on Sunday with Mrs. Barton. That was the last anyone had heard of Catherine Demeter, said Mrs. Barton. Two days had now passed and she had heard nothing from her.

“Because of, well, the publicity that the trust has received recently over the disappearance of that poor child, I was reluctant to cause a fuss or draw any further adverse attention down on us,” she said. “I called Mr. Loomax and he seemed to think that Catherine may simply have drifted on somewhere else. It happens a lot, I believe.”

“Do you think there’s something more to it than that?”

“I really don’t know, but she was so happy with her job and she appeared to be getting on well with Stephen.” She stopped for a moment at this mention of her son’s name, as if considering whether or not to proceed. Then: “Stephen has been running wild for some time-since before his father’s death, in fact. Do you know the Ferrera family, Mr. Parker?”

“I’m aware of them.”

“Stephen fell in with their youngest son, despite all of our efforts. I know he keeps bad company and I know he’s involved with drugs. I’m afraid he may have dragged Catherine into something. And…” She paused again, briefly. “I enjoyed her company. There was something gentle about her and she seemed so sad sometimes. She said that she was anxious to settle down here, after moving around for so long.”

“Did she say where she had been?”

“All over. I gather that she had worked in a number of states.”

“Did she say anything about her past, give any indication that something might be troubling her?”

“I think something may have happened to her family when she was young. She told me that she had a sister who died. She didn’t say any more. She said she couldn’t talk about it and I didn’t press her on it.”

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