John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“Yeah,” agreed Pete. “Maybe she wasn’t so smart after all.”

I had brought my training gear with me and did ninety minutes in the gym, the mirrored walls reflecting my efforts back at me from every angle. It had been some time since I trained properly. To avoid embarrassment I skipped the bench and stuck to shoulders, back, and light arm work, enjoying the sensation of strength and movement in the bent-over rows and the pressure on my biceps during the curls.

I still looked pretty good, I thought, although the assessment was a result of insecurity instead of vanity. At just under six feet, I still retained some of my lifter’s build-the wide shoulders, definition in the biceps and triceps, and a chest that was at least bigger than two eggs frying on the sidewalk-and I hadn’t regained much of the fat I had lost during the year. I still had my hair, although there was gray creeping back from the temples and sprinkling the fringe. My eyes were clear enough to be recognizably gray-blue, set in a slightly long face now deeply etched at the eyes and mouth with the marks of remembered grief. Clean shaven, with a decent haircut, a good suit, and some flattering light, I could look almost respectable. In the right light, I could even have claimed to be thirty-two without making people snigger too loudly. It was only two years less than my age on my driver’s license, but these little things become more important as you get older.

When I was finished, I packed my gear, declined Pete’s offer of a protein shake-it smelled like rotten bananas- and stopped off for a coffee instead. I felt relaxed for the first time in weeks, the endorphins pumping through my system and a pleasant tightness developing across my shoulders and back.

The next call I made was to DeVries’s department store on Fifth Avenue. The personnel manager called himself a human resources manager and, like personnel managers the world over, was one of the least personable people one could meet. Sitting opposite him, it was difficult not to feel that anyone who could happily reduce individuals to resources, to the same level as oil, bricks, and canaries in coal mines, probably shouldn’t be allowed to have any human relations that didn’t involve locks and prison bars. In other words, Timothy Cary was a first-degree prick from the tip of his close-cropped dyed hair to the toes of his patent leather shoes.

I had contacted his secretary earlier that afternoon to make the appointment, telling her that I was acting for an attorney in the matter of an inheritance coming to Ms. Demeter. Cary and his secretary deserved each other. A wild dog on a chain would have been more helpful than Cary ’s secretary, and easier to get past.

“My client is anxious that Ms. Demeter be contacted as soon as possible,” I told him as we sat in his small, prissy office. “The will is extremely detailed and there are a lot of forms to be filled out.”

“And your client would be…?”

“I’m afraid I can’t tell you that. I’m sure you understand.”

Cary looked like he understood but didn’t want to. He leaned back in his chair and gently rubbed his expensive silk tie between his fingers. It had to be expensive. It was too tasteless to be anything else. Crisp lines showed along his shirt as if it had just been removed from its packaging, assuming Timothy Cary would have anything to do with something so plebeian as a plastic wrapper. If he ever visited the shop floor it must have been like an angel descending, albeit an angel who looked like he’d just encountered a bad smell.

“Miss Demeter was due in work yesterday.” Cary glanced down at a file on his desk. “She had Monday off, so we haven’t seen her since Saturday.”

“Is that usual, to have Monday off?” I wasn’t anxious to know, but the question distracted Cary from the file. Isobel Barton didn’t have Catherine Demeter’s new address. Catherine would usually contact her, or Mrs. Barton would have her assistant leave a message at DeVries’s. As Cary brightened slightly at the opportunity to discuss a subject close to his heart and started mouthing off about work schedules, I memorized her address and SSN. I eventually managed to interrupt him for long enough to ask if Catherine Demeter had been ill on her last day at work or had complained of being disturbed in any way.

“I’m not aware of any such communication. Miss Demeter’s position with DeVries is currently under review as a result of her absence,” he concluded smugly. “I hope, for her sake, that her inheritance is considerable.” I don’t think he meant it.

After some routine delaying tactics, Cary gave me permission to speak with the woman who had worked with Catherine on her last shift in the store. I met her in a supervisor’s office off the shop floor. Martha Friedman was in her early sixties. She was plump, with dyed red hair and a face so caked with cosmetics that the floor of the Amazon jungle probably saw more natural light, but she tried to be helpful. She had been working with Catherine Demeter in the china department on Saturday. It was her first time to work with her, since Mrs. Friedman’s usual assistant had been taken ill and someone was needed to cover for her.

“Did you notice anything unusual about her behavior?” I asked, as Mrs. Friedman took the opportunity afforded by some time in the supervisor’s office to discreetly examine the papers on his desk. “Did she seem distressed or anxious in any way?”

Mrs. Friedman furrowed her brow slightly. “She broke a piece of china, an Aynsley vase. She had just arrived and was showing it to a customer when she dropped it. Then, when I looked around, she was running across the shop floor, heading for the escalators. Most unprofessional, I thought, even if she was sick.”

“And was she sick?”

“She said she felt sick, but why run for the escalators? We have a staff washroom on each floor.”

I got the feeling that Mrs. Friedman knew more than she was saying. She was enjoying the attention and wanted to draw it out. I leaned toward her confidentially.

“But what do you think, Mrs. Friedman?”

She preened a little and leaned forward in turn, touching my hand lightly to emphasize her point.

“She saw someone, someone she was trying to reach before they left the store. Tom, the security guard on the east door, told me she ran out by him and stood looking around the street. We’re supposed to get permission to leave the store when on duty. He should have reported her, but he just told me instead. Tom’s a schvartze, but he’s okay.”

“Do you have any idea who she might have seen?”

“No. She just refused to discuss it. She doesn’t have any friends among the staff, far as I can tell, and now I can see why.”

I spoke to the security guard and the supervisor, but they couldn’t add anything to what Mrs. Friedman had told me. I stopped at a diner for coffee and a sandwich, returned to my apartment to pick up a small black bag my friend Angel had given me, and then took another cab, to Catherine Demeter’s apartment.

7

THE APARTMENT was in a converted four-story redbrick in Greenpoint, a part of Brooklyn that was populated mainly by Italians, Irish, and Poles, the latter counting a large number of former Solidarity activists among them. It was from Greenpoint’s Continental Iron Works that the ironclad Monitor had emerged to fight the Confederate ship Merrimac, when Greenpoint was Brooklyn ’s industrial center.

The cast iron manufacturers, the potters, and printers were all gone now, but many of the descendants of the original workers still remained. Small clothing boutiques and Polish bakeries shared frontage with established kosher delis and stores selling used electrical goods.

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