John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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I arrived at Walter’s home shortly after nine. He answered the door himself and showed me into what, for a less educated man, would have been called his den, although “den” didn’t do justice to the miniature library he had assembled over half a century of avid reading: biographies of Keats and Saint-Exupéry shared shelf space with works on forensics, sex crimes, and criminal psychology. Fenimore Cooper stood back to back with Borges; Barthelme looked uneasy surrounded by various Hemingways.

A Macintosh PowerBook sat on a leather-topped desk beside three filing cabinets. Paintings by local artists adorned the walls, and a small glass-fronted case in the corner displayed shooting trophies, haphazardly thrown together as if Walter was simultaneously proud of his ability yet embarrassed by his pride. The top half of the window was open and I could smell freshly mown grass and hear the sound of kids playing street hockey in the warm evening air.

The door to the den opened and Lee entered. She and Walter had been together for twenty-four years and they shared each other’s lives with an ease and grace that Susan and I had never approached, even at the best of times. Lee’s black jeans and white blouse hugged a figure that had survived the rigors of two children and Walter’s love of Oriental cuisine. Her ink black hair, through which strands of gray wove like moonlight on dark water, was pulled back in a ponytail. When she reached up to kiss me lightly on the cheek, her arms around my shoulders, the scent of lavender enfolded me like a veil and I realized, not for the first time, that I had always been a little in love with Lee Cole.

“It’s good to see you, Bird,” she said, her right hand resting lightly on my cheek, lines of anxiety on her brow giving the lie to the smile on her lips. She glanced at Walter and something passed between them. “I’ll be back later with some coffee.” She closed the door softly behind her on the way out.

“How are the kids doing?” I asked as Walter poured himself a glass of Redbreast Irish whiskey-the old stuff with the screw top.

“Good,” he replied. “Lauren still hates high school. Ellen’s going to study law in Georgetown in the fall, so at least one member of the family will understand the way it works.” He inhaled deeply as he raised the glass to his mouth and sipped. I gulped involuntarily and a sudden thirst gripped me. Walter noticed my discomfiture and reddened.

“Shit, I’m sorry,” he said.

“It’s all right,” I responded. “It’s good therapy. I notice you’re still swearing in the house.” Lee hated swearing, routinely telling her husband that only oafs resorted to profanity in speech. Walter usually countered by pointing out that Wittgenstein once brandished a poker in the course of a philosophical argument, proof positive in his eyes that erudite discourse sometimes wasn’t sufficiently expressive for even the greatest of men.

He moved to a leather armchair at one side of the empty fireplace and motioned to its opposite number. Lee entered with a silver coffeepot, a creamer, and two cups on a tray and then left, glancing anxiously at Walter as she did. I knew they had been talking before I arrived; they kept no secrets from each other and their unease seemed to indicate that they had discussed more than their concerns about my well-being.

“Do you want me to sit under a light?” I asked. A small smile moved across Walter’s face with the swiftness of a breeze and then was gone.

“I heard things over the last few months,” he began, looking into his glass like a mystic examining a crystal ball. I stayed silent.

“I know you talked to the feds, pulled in some favors so you could take a look at files. I know you were trying to find the man who killed Susan and Jenny.” He looked at me for the first time since he had begun talking.

I had nothing to say, so I poured some coffee for both of us, then picked up my own cup and sipped. It was Javan, strong and dark. I breathed deeply. “Why are you asking me this?”

“Because I want to know why you’re here, why you’re back. I don’t know what you’ve become if some of the things I’ve heard are true.” He swallowed and I felt sorry for him, for what he had to say and the questions he had to ask. If I had answers to some of them, I wasn’t sure that I wanted to give them, or that Walter really wanted to hear them. Outside, the kids had finished their game as darkness drew in, and there was a stillness in the air that made Walter’s words sound like a portent.

“They say you found the guy who did it,” he said, and this time there was no hesitation, as if he had steeled himself to say what he had to say. “That you found him and killed him. Is that true?”

The past was like a snare. It allowed me to move a little, to circle, to turn, but in the end, it always dragged me back. More and more, I found things in the city-favorite restaurants, bookshops, tree-shaded parks, even hearts carved bone white into the wood of an old table-that reminded me of what I had lost, as if even a moment of forgetfulness was a crime against their memories. I slipped from present to past, sliding down the snake heads of memory into what was and what would never be again.

And so, with Walter’s question, I fell back to late April, back to New Orleans. They had been dead for almost four months.

Woolrich sat at a table at the rear of the Café du Monde, beside a bubble gum machine, with his back against the wall of the main building. On the table before him stood a steaming cup of café au lait and a plate of hot beignets covered in powdered sugar. Outside, people bustled down Decatur, past the green-and-white pavilion of the café, heading for the cathedral or Jackson Square.

He wore a tan suit, cheaply made, and his silk tie was stretched and faded so that he didn’t even bother to button his shirt at the collar, preferring instead to let the tie hang mournfully at half mast. The floor around him was white with sugar, as was the only visible part of the green vinyl chair upon which he sat.

Woolrich was an assistant SAC of the local FBI field office over at 1250 Poydras. He was also one of the few people from my police past with whom I’d stayed in touch in some small way, and one of the only feds I had ever met who didn’t make me curse the day Hoover was born. More than that, he was my friend. He had stood by me in the days following the killings, never questioning, never doubting. I remember him standing, rain-soaked, by the grave, water dripping from the rim of his outsized fedora. He had been transferred to New Orleans soon after, a promotion that reflected a successful apprenticeship in at least three other field offices and his ability to keep his head in the turbulent environment of the New York field office in downtown Manhattan.

He was messily divorced, the marriage over for maybe twelve years. His wife had reverted to her maiden name, Karen Stott, and lived in Miami with an interior decorator whom she had recently married. Woolrich’s only daughter, Lisa-now, thanks to her mother’s efforts, Lisa Stott-had joined some religious group in Mexico, he said. She was just eighteen. Her mother and her new husband didn’t seem to care about her, unlike Woolrich, who cared but couldn’t get his act together enough to do anything about it. The disintegration of his family pained him in a very particular way, I knew. He came from a broken family himself, a white-trash mother and a father who was well meaning but inconsequential, too inconsequential to hold on to his hellcat wife. Woolrich had always wanted to do better, I think. More than the rest, I believed, he shared my sense of loss when Susan and Jennifer were taken.

He had put on more weight since I last saw him, and the hair on his chest was visible through his sweat-soaked shirt. Rivulets rolled down from a dense thatch of rapidly graying hair and into the folds of flesh at his neck. For such a big man, the Louisiana summers would be a form of torture. Woolrich may have looked like a clown, may even have acted that way when it suited him, but no one in New Orleans who knew him ever underestimated him. Those who had in the past were already rotting in Angola penitentiary.

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