John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“We also have evidence of a sadistic element to the homicides. The adult victim was tortured prior to death. Flensing took place, specifically on the front of the torso and the face. Combined with the sexual elements, you’re dealing with a sexual sadist who obtains gratification from excessive physical and, I would think, mental torture.

“I think he-and I’m assuming it’s a white male, for reasons I’ll go into later-wanted the mother to watch the torture and killing of her child before she herself was tortured and killed. A sexual sadist gets his kicks from the victim’s response to torture; in this case, he had two victims, a mother and child, to play off against each other. He’s translating sexual fantasies into violent acts, torture, and, eventually, death.”

Outside the door of the interrogation room I heard voices suddenly raised. One of them was Walter Cole’s. I didn’t recognize the other. The voices subsided again, but I knew that they were talking about me. I would find out what they wanted soon enough.

“Okay. The largest focus group for sexual sadists consists of white, female adults who are strangers to the killer, although they may also target males and, as in this case, children. There is also sometimes a correspondence between the victim and someone in the offender’s own life.

“Victims are chosen through systematic stalking and surveillance. The killer had probably been watching the family for some time. He knew the husband’s habits, knew that if he went to the bar then he would be missing for long enough to allow him to complete what he wanted to do. In this case, I don’t think the killer managed that completion.

“The crime scene is unusual in this case. Firstly, the nature of the crime means that it requires somewhere solitary to give the offender time with his victim. In some cases, the offender’s residence may have been modified to accommodate his victim, or he may use a converted car or van for the killing. In this case, the killer chose not to do this. I think he may like the element of risk involved. I also think he wanted to make, for want of a better term, an ‘impression.’ ”

An impression, like wearing a bright tie to a funeral.

“The crime was carefully staged to impact in the most traumatic way on the husband when he returned home.”

Maybe Walter had been right. Maybe I shouldn’t have come to the briefing. Wolfe’s matter-of-factness reduced my wife and child to the level of another gruesome statistic in a violent city, but I hoped that she would say something that would resonate inside me and provide some clue to drive the investigation forward. Two weeks is a long time in a murder case. After two weeks with no progress, unless you get very, very lucky, the investigation starts to grind to a halt.

“This seems to indicate a killer of above-average intelligence, one who likes playing games and gambling,” said Wolfe. “The fact that he appeared to want the element of shock to play a part could lead us to conclude that there was a personal element to what he did, directed against the husband, but that’s just speculation, and the general pattern of this type of crime is impersonal.

“Generally, crime scenes can be classified as organized, disorganized, or some mix of the two. An organized killer plans the murder and targets the victim carefully, and the crime scene will reflect this element of control. The victims will meet certain criteria which the killer has set: age, hair color maybe, occupation, lifestyle. The use of restraints, as we have in this case, is typical. It reflects the elements of control and planning, since the killer will usually have to bring them to the scene.

“In cases of sexual sadism, the act of killing is generally eroticized. There’s a ritual involved; it’s usually slow, and every effort is made to ensure that the victim remains conscious and aware up to the point of death. In other words, the killer doesn’t want to end the lives of his victims prematurely.

“Now, in this case he didn’t succeed, because Jennifer Parker, the child, had a weak heart and it failed following the release of epinephrine into her system. Combined with her mother’s attempted escape and the damage caused to her face by striking it against the wall, which may have resulted in temporary loss of consciousness, I believe the killer felt he was losing control of the situation. The crime scene moved from organized to disorganized, and shortly after he commenced flensing, his anger and frustration got the better of him and he mutilated the bodies.”

I wanted to leave then. I had made a mistake. Nothing could come of this, nothing good.

“As I said earlier, mutilation of the genitals and breasts is a feature of this type of crime, but this case doesn’t conform to the general pattern in a number of crucial ways. I think the mutilation in this case was either a result of anger and loss of control, or it was an attempt to disguise something else, some other element of the ritual which had already commenced and from which the killer was trying to divert attention. In all likelihood, the partial flensing is the key. There’s a strong element of display-it’s incomplete, but it’s there.”

“Why are you so sure it’s a white male?” asked Joiner, a black Homicide detective with whom I’d worked once or twice.

“The most frequent perpetrators of sexual sadism are white males. Not women, not black males. White males.”

“You’re off the hook, Joiner,” someone said. There was a burst of laughter, an easing of the tension that had built up in the room. One or two of the others glanced at me but for the most part they acted as if I wasn’t there. They were professionals, concentrating on amassing any information that might lead to a greater understanding of the killer.

Wolfe let the laughter fade. “Research indicates that as many as forty-three percent of sexual murderers are married. Fifty percent have children. Don’t make the mistake of thinking that you’re looking for some crazy loner. This guy may be the hero of his local PTA meetings, the coach of the Little League team.

“He could be engaged in a profession that brings him into contact with the public, so he’s probably socially adept and he may use that to target his victims. He may have engaged in antisocial behavior in the past, although not necessarily something serious enough to have gotten him a police record.

“Sexual sadists are often police buffs or weapons freaks. He may try to stay in touch with the progress of the investigation, so keep an eye on individuals who ring in with leads or who try to trade off information. He also owns a clean, well-maintained car: clean so it doesn’t attract attention, well maintained because he has to be sure he doesn’t get stranded at or near the crime scene. The car could have been modified to allow him to transport victims; the door and window handles in the rear will have been removed, the trunk may have been soundproofed. If you think you have a possible suspect, check the trunk for extra fuel, water, ropes, cuffs, ligatures.

“If you go for a search warrant, you’ll be looking for any items relating to sexual or violent behavior: pornographic magazines, videos, low-end true-crime stuff, vibrators, clamps, women’s clothing, particularly undergarments. Some of these may have belonged to victims or he may have taken other personal items from them. Look out also for diaries and manuscripts; they may contain details of victims, fantasies, even the crimes themselves. This guy may also have a collection of police equipment and almost certainly has a knowledge of police procedures.” Wolfe took a deep breath and sat back in her chair.

“Is he going to do it again?” asked Walter. There was silence in the room for a moment.

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