John Connolly - Every Dead Thing

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Every Dead Thing: краткое содержание, описание и аннотация

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“I like the tie,” I said. It was bright red and decorated with lambs and angels.

“I call it my metaphysical tie,” Woolrich replied. “My George Herbert tie.”

We shook hands, Woolrich wiping beignet crumbs from his shirtfront as he stood. “Damn things get everywhere,” he said. “When I die, they’ll find beignet crumbs up the crack of my ass.”

“Thanks, I’ll hold that thought.”

An Asian waiter in a white paper cap bustled up and I ordered coffee. “Bring you beignets, suh?” he asked. Woolrich grinned. I told the waiter I’d skip the beignets.

“How you doin’?” asked Woolrich, taking a gulp of coffee hot enough to scarify the throat of a lesser man.

“I’m okay. How’s life?”

“Same as it ever was: gift wrapped, tied with a red bow, and handed to someone else.”

“You still with…what was her name? Judy? Judy the nurse?”

Woolrich’s face creased unhappily, as if he’d just encountered a cockroach in his beignet. “Judy the nut, you mean. We split up. She’s gone to work in La Jolla for a year, maybe more. I tell you, I decide to take her away for a romantic vacation a couple of months back, rent us a room in a two-hundred-dollar-a-night inn near Stowe, take in the country air if we left the window of the bedroom open, you know the deal. Anyway, we arrive at this place and it’s older than Moses’s dick, all dark wood and antique furniture and a bed you could lose a team of cheerleaders in. But Judy, she turns whiter than a polar bear’s ass and backs away from me. You know what she says?”

I waited for him to continue.

“She says that I murdered her in the very same room in a previous life. She’s backed up against the door, reaching for the handle and looking at me like she’s expecting me to turn into the Son of Sam. Takes me two hours to calm her down and even then she refuses to sleep with me. I end up sleeping on a couch in the corner, and let me tell you, those goddamned antique couches may look like a million bucks and cost more, but they’re about as comfortable to sleep on as a concrete slab.”

He finished off the last bite of beignet and dabbed at himself with a napkin.

“Then I get up in the middle of the night to take a leak and she’s sitting up in bed, wide awake, with the bedside lamp upside down in her hand, waiting to knock my head off if I come near her. Needless to say, this put an end to our five days of passion. We checked out the next morning, with me over a thousand dollars in the hole.

“But you know what the really funny thing is? Her regression therapist has told her to sue me for injuries in a past life. I’m about to become a test case for all those donut heads who watch a documentary on PBS and think they were once Cleopatra or William the Conqueror.”

His eyes misted over at the thought of his lost thousand and the games Fate plays on those who go to Vermont looking for uncomplicated sex.

“You heard from Lisa lately?”

His face clouded over and he waved a hand at me. “Still with the Jesus huggers. Last time she called me, it was to say that her leg was fine and to ask for more money. If Jesus saves, he must have had all his cash tied up with the savings and loan.” Lisa had broken her leg in a roller-skating accident the previous year, shortly before she found God. Woolrich was convinced that she was still concussed.

He stared at me for a time, his eyes narrowed. “You’re not okay, are you?”

“I’m alive and I’m here. Just tell me what you’ve got.”

He puffed his cheeks and then blew out slowly, marshaling his thoughts as he did so.

“There’s a woman, down in St. Martin Parish, an old Creole. She’s got the gift, the locals say. She keeps away the gris-gris. You know, bad spirits, all that shit. Offers cures for sick kids, brings lovers together. Has visions.” He stopped and rolled his tongue around his mouth, and squinted at me.

“She’s a psychic?”

“She’s a witch, you believe the locals.”

“And do you?”

“She’s been…helpful, once or twice in the past, according to the local cops. I’ve had nothing to do with her before.”

“And now?”

My coffee arrived and Woolrich asked for a refill. We didn’t speak again until the waiter had departed and Woolrich had drained half of his coffee in a steaming mouthful.

“She’s got about ten children and thousands of goddamn grandchildren and great-grandchildren. Some of them live with her or near her, so she’s never alone. She’s got a bigger extended family than Abraham.” He smiled but it was a fleeting thing, a brief release before what was to come.

“She says a young girl was killed in the bayou a while back, in the marshlands where the Barataria pirates used to roam. She told the sheriff’s office but they didn’t pay much attention. She didn’t have a location, just said a young girl had been murdered in the bayou. Said she had seen it in a dream.

“Sheriff didn’t do nothing about it. Well, that’s not entirely true. He told the local boys to keep an eye out and then pretty much forgot all about it.”

“What brings it up again now?”

“The old woman says she hears the girl crying at night.”

I couldn’t tell whether Woolrich was spooked or just embarrassed by what he was saying, but he looked toward the window and wiped his face with a giant grubby handkerchief.

“There’s something else, though.” He folded the handkerchief and stuffed it back in his trouser pocket.

“She says the girl’s face was cut off.” He breathed in deeply. “And that she was blinded before she died.”

We drove north on I-10 for a time, past an outlet mall and on toward West Baton Rouge with its truck stops and gambling joints, its bars full of oil workers and, elsewhere, blacks, all drinking the same rotgut whiskey and watery Dixie beer. A hot wind, heavy with the dense, decayed smell of the bayou, pulled at the trees along the highway, whipping their branches back and forth. Then we crossed onto the raised Atchafalaya highway, its supports embedded beneath the waters, as we entered the Atchafalaya swamp and Cajun country.

I had been here only once before, when Susan and I were younger and happier. Along the Henderson Levee Road we passed the sign for McGee’s Landing, where I’d eaten tasteless chicken and Susan had picked at lumps of deep-fried alligator so tough even other alligators would have had trouble digesting it. Then a Cajun fisherman had taken us on a boat trip into the swamps, through a semisubmerged cypress forest. The sun sank low and bloody over the water, turning the tree stumps into dark silhouettes like the fingers of dead men pointing accusingly at the heavens. It was another world, as far removed from the city as the moon was from the earth, and it seemed to create an erotic charge between us as the heat made our shirts cling to our bodies and the sweat drip from our brows. When we returned to our hotel in Lafayette we made love urgently and with a passion that superseded love, our drenched bodies moving together, the heat in the room as thick as water.

Woolrich and I did not go as far as Lafayette. We abandoned the highway for a two-lane road that wove through the bayou country for a time before turning into little more than a rutted track, pitted by holes filled with dank, foul-smelling swamp water around which insects buzzed in thick swarms. Cypress and willow lined the road and, through them, the stumps of trees were visible in the waters of the swamp, relics of the harvestings of the last century. Lily pads clustered at the banks, and when the car slowed and the light was right, I could see bass moving languidly in their shadows, breaking the water occasionally.

I had heard once that Jean Lafitte’s brigands had made their home here. Now others had taken their place, killers and smugglers who used the canals and marshes as hiding places for heroin and marijuana, and as dark, green graves for the butchered, their bodies adding to the riotous growth of nature, their decay masked by the rich stench of vegetation.

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