Lisa Jackson - Born To Die

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Born To Die: краткое содержание, описание и аннотация

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Disturbed when a series of women who look exactly like her turn up dead, small-town doctor Kacey Lambert starts looking for connections between the victim's lives and her own. As the body count mounts, Lambert's discoveries lead back to her new boyfriend even though local detectives find no motive that can explain the murders. Striking an uncertain balance between paranoia and legitimate fear, BORN TO DIE offers the deadly suggestion that the more alike we are, the more likely we may be to share a terrible destiny.

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Or to save the marriage.

Peeling off her coat and scarf, she hung both in a closet near the back door, then kicked off her boots and lost two inches in the process.

After filling a cup with water and placing it in the microwave, she scrounged in her refrigerator, where she found two pieces of a pizza she’d picked up three nights earlier and an unopened salad in a bag.

“Perfect,” she muttered under her breath and reminded herself that she had to stop at the store tomorrow. Her toilet paper, dish detergent, and coffee levels were getting dangerously low.

The microwave dinged and she quickly made a cup of tea, which she carried upstairs to her bedroom tucked under the eaves. Between sips of the hot brew, she stripped out of the slacks and sweater she’d worn all day. As she reached for her flannel pajama bottoms, she eyed her workout gear, black sweats, and an old Huskies long-sleeved T-shirt.

Could she do it?

Really?

With this headache?

The last thing she wanted to do was lift weights in front of the television, even though there was bound to be a Real Housewives of somewhere on and she could indulge in her own personal guilty pleasure. She’d rationalized that the mindless TV helped her unwind, and if she could exercise while watching it, all the better.

“Damn it,” she muttered under her breath, but she was already pulling her sweatpants from the hook where she’d hung them.

Back downstairs she finished her tea, ate half a banana, then turned on the television in the den, a cozy room separated from the front foyer with French doors, a spot where, if she closed her eyes and imagined, she could still smell her grandfather’s blend of pipe tobacco and her grandmother’s potpourri — a mixture of cinnamon, vanilla, and fruit, which she’d hoped would mask that very same tobacco.

Of course those scents, like the memories, were all in her mind. After a quick perusal of the news and finding it too depressing, she switched channels and began an exercise routine she could do by rote. While the housewives spent their normal days deep in high drama, four-inch heels, and glittering jewelry, Kacey worked out with the hand weights she kept in the long cabinet under her flat screen, while balancing on a large ball she kept tucked in the closet.

She thought longingly of the treadmill she’d left in Seattle as part of the divorce decree. At the time of the split, when she’d been an emotional wreck, Jeffrey had insisted that he needed all the exercise equipment they kept in their personal gym, and she’d been too tired to fight him for something so trivial. She had just wanted to move on, had been desperate to start a new life.

And now, with snow falling, running the country roads was out, and she wished she had the damned treadmill instead of a cardio workout tape from the nineties.

She finished her routine, somehow managing to work up a sweat. The housewives were over, and she had the remote in her hand to click off the television when the lead story for one of those entertainment “news” shows flashed on the screen and she found herself staring at Shelly Bonaventure’s smiling face while the announcer, in a cheery voice, said, “And now the latest news on Shelly Bonaventure’s suicide.” A slide show of Shelly’s life, from the time she was a toddler until her most recent red carpet appearance, rolled over the screen. Kacey hated to admit it, but Heather was right: she and Shelly Bonaventure did look a little alike. During the quick biography, the announcer mentioned that Shelly had spent the first five years of her life in Helena, Montana, before the family moved to Southern California.

“Huh.” So the B-level actress was born in the same city as Kacey and had Montana roots. Not exactly an earth-shattering coincidence. Just because they looked alike and came from the same area, there was no reason to make anything of it. The situation was a little odd, maybe, and even possibly a bit disturbing, but really, it was just coincidence.

“And though the case has been ruled a suicide, there is still one Los Angeles detective who isn’t quite convinced,” the announcer said. The screen flashed to a handsome black man in a crisp suit and sunglasses. He was standing outside, palm trees visible in the background. The announcer’s voice continued, “Veteran detective Jonas Hayes has been with the LAPD for over fifteen years.”

A reporter appeared on the screen with the policeman. “Detective Hayes, could you comment on the ruling that Shelly Bonaventure’s death was a suicide?”

Hayes’s face turned into a scowl. “No.”

“A reliable source quoted you as saying you weren’t convinced that she took her own life.”

“No comment.”

“But, Detective Hayes,” the reporter insisted, chasing after the much taller man as he strode toward a parking lot of cars. “Is it possible that her death was a homicide?”

Hayes’s broad shoulders, under the expensive weave of his jacket, visibly stiffened. He turned slowly, pinning the reporter beneath his shaded glare. Very slowly he said, “As with all investigations, Shelly Bonaventure’s case will remain open until all the facts are in.”

“So there’s a chance of foul play?” the reporter replied, pushing.

Unlocking his car door remotely, Hayes shrugged. “Isn’t there always ‘a chance’?” he asked rhetorically, then slid behind the wheel of his vehicle.

The final frame was of taillights as his SUV blended into the thick Southern California traffic, and the screen returned to the hosts of the show.

“So I guess nothing’s conclusive,” the blond anchor said. “You know, Shelly was found much like Marilyn Monroe was half a century ago. The similarities in their deaths are really bizarre.” With that the camera panned to a large black-and-white head shot of Marilyn Monroe, which morphed into a montage of pictures of the iconic blonde and ended with an interior black-and-white shot of the death scene, her bedroom within her Brentwood bungalow.

“Trash TV,” Kacey muttered because of the exploitive edge to the segment.

And yet, possibly because of the morbidity of the report, she experienced a chill crawling up her spine, and she glanced to the window and the darkness outside.

She remembered the depths of her own despair, the fear in those frightening moments when her own life had been threatened, when she was certain she would die, when she stared into the face of evil.

For a split second, she remembered those horrid last words spoken by the man who had meant to run a knife through her heart. She shuddered, his last words, which had been snarled as he staggered away, reverberating through her mind. It’s not over. . You’re one of them.

His vile prediction had meant nothing, the ramblings of a deranged man whose psychosis and deadly intentions had somehow been trained on her. Don’t go there…. It’s over!

Shaking off the memory, she forced her attention to the television screen.

The hostess of the show, a blonde who appeared to be a human version of a Barbie doll, mentioned Shelly’s acting credits, rumored lovers, and reiterated the fact that though her death was ruled a suicide, detectives at the LAPD “hadn’t ruled out the possibility of foul play.”

Wide-eyed, glossy lipstick perfect, the hostess went on to the possibility of a conspiracy with her cohost, a younger, hipper man in a dark suit, with spiked hair.

Kacey clicked off the television.

On her way to the bathroom for a quick shower, she started peeling off her workout clothes and was naked once she reached the small room. Inside, she turned on the water and hit the play button on her radio before stepping into the old claw-foot tub and drawing the curtain closed.

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