Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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"What did he look like?"

"I don't know. Big fellow. Well set-up. I expect you'd know him, sir, eh? I expect he's one of her friends as well."

There was no mistaking the impudence, though it was phrased in such a way that there was no objecting to it either. The shilling had not been enough to buy respect as well as information.

Mrs Frant took my arm again and we hurried down the street which sloped gently upwards to the ancient crossroads at the centre of the city. A burst of ribald laughter followed us.

"Loathsome men," she murmured.

"Not loathsome," I said. "Merely ordinary."

I felt her hand tighten on my arm but she said no more. I knew she was upset. Joe and his fellow servants might indeed be ordinary men, but they were not ordinary men of the type with which she was familiar. It shocked her to discover that Mrs Johnson had sunk to become a figure of fun, a drunken woman to be ridiculed when she fell on the street rather than helped to her feet; a woman whose morals were perhaps suspect in all matters – at least in the opinion of those ordinary men.

The snowflakes still floated silently down from the great darkness of the sky, though less urgently than before. It was as cold as charity. We hurried onwards as fast as we dared. We reached the crossroads, and lingered for a moment on the corner by the Tolsey, the building where the city's business was transacted.

"What shall we do?" Mrs Frant said. "She might be anywhere. Should we go on?"

"But in which direction?"

"I fear for her safety."

"At least she is not alone."

"Some companions may prove worse than solitude."

"I think we should retrace our steps," I said. "Is it not more likely that they turned into one of the alleys we passed? Or went into one of the inns or alehouses?"

Mrs Frant shivered. "We cannot abandon her. We must try something. Anything might have happened to her. Should we not find a constable?"

"If we cannot find her, then we must."

"I shudder to think of the scandal."

"Listen," I said.

Someone close at hand was crying quietly. Mrs Frant's hand tightened its grip on my arm. Suddenly, a man burst out of a doorway on the other side of Westgate-street. He ran across the road, slipping on the cobbles, and into a lane below the Fleece. The sobbing continued. Mrs Frant tugged her arm, trying to free it from my grasp, but I would not let her.

"Wait," I said. "Let me investigate first."

"We shall go together," she said, and I knew that nothing short of brute force would change her mind.

We moved cautiously across the road. The sobbing came from outside an old house used as a bank. We drew nearer. The storeys above projected into the street, and there was enough light to read below the first-floor windows the words

COUNTY FIRE OFFICE

PROVIDENT LIFE OFFICE

"Is anyone there?" Mrs Frant said.

The crying stopped. My eyes made out a patch of deeper darkness among the shadows along the base of the bank's frontage. I heard a whimper.

"Mrs Johnson?" I said. "Is that you, ma'am?"

"Let me alone, damn you." Mrs Johnson's voice was so thick and weary that it was barely recognisable. "Let me die."

Mrs Frant tore her arm away from mine and knelt beside the unfortunate woman, who lay curled on her side in the bank's doorway, with flecks of snow on her mantle. "Mrs Johnson, we are come to find you."

"I do not wish to be found. I wish to stay here."

"Indeed you shall not. You will catch your death of cold. Are you hurt?"

Mrs Johnson did not answer.

"Come, ma'am, Mr Shield is here too, and you may lean on my arm on one side and his on the other."

"Let me alone," Mrs Johnson murmured, but this time there was more habit than conviction in her tone.

"No, of course we shall not," said Mrs Frant briskly, as though Mrs Johnson were a sick and foolish child. "Lady Ruispidge would worry, so would we all, and that would never do. Let me help you up."

Between us, Mrs Frant and I raised Mrs Johnson and propped her against the door. Her head lolled against my arm and she muttered something I could not distinguish. Mingling with the unpleasant odours of the street was the sharp tang of brandy.

"Who was the man who ran away?" Mrs Frant said.

"I don't know," Mrs Johnson said. "What man?" She jabbed her elbow in my side with unexpected force. "This man? Who are you?"

"My name is Shield, ma'am. I-"

"Oh, yes – the damned tutor." The voice was slurred but the malignancy as clear as a curse. "You're no good. No, no, no."

"You will be more comfortable directly," Mrs Frant said, ignoring this. "In any case, I did not mean Mr Shield. I meant the man who ran away as we came up to you. Who was he?"

Mrs Johnson did not reply for a moment. Then: "What man? There was no man. No, no, you must be mistaken. Oh, dear God, I feel so ill. So terribly ill."

She began to weep all the harder. A moment later, she turned to retching, then gave a great groan and vomited. I sprang back just in time to prevent her fouling my greatcoat.

"We must get her to Fendall House," I said. "A pair of men might carry her upon a door, if we cannot find a cart or a sedan chair."

"No," Mrs Frant said. "That would not do. She – she is too ill to be seen like this. Besides, moderate exercise might be beneficial. I believe that if we supported her-"

"Murder," said Mrs Johnson quietly. "No, no."

"What is it, ma'am?" Mrs Frant cried. "What do you mean?"

"What – was I dreaming?" Mrs Johnson tried to stand up. "Oh, pray take me home, Mrs Frant. I do not feel at all the thing."

Mrs Frant pulled and I lifted; and between us we brought Mrs Johnson to her feet. For a moment she swayed to and fro. But her knees held out and she remained upright, clinging to our arms.

"You felt faint," Mrs Frant said firmly. "That is what we shall say if we encounter anyone on our way back. You felt faint, and no doubt that is why you are not at the ball. I suggested to you that fresh air might be the best medicine, and Mr Shield was obliging enough to escort us while we took a turn up and down the street. Your stomach is upset, and there is the possibility of an inflammation of the bowels."

Mrs Johnson groaned.

"Do you understand?" Mrs Frant said. "If we meet anyone, pray remain silent. Mr Shield or I will say whatever needs to be said."

I own that Mrs Frant's behaviour both surprised and impressed me. I had not anticipated such firmness of character, such presence of mind in a crisis. We made our way slowly, painfully, back to Fendall House. Mrs Johnson leaned heavily on our arms but did not fall. Gradually the fresh air and the motion revived her slightly, and she took more of her weight herself. I glanced down at her as we came into a circle of lamplight, and saw her haggard face, her disordered hair, and, beneath the stained cloak, a bedraggled ball dress. But she had not changed her shoes: in other words, she had never reached the assembly rooms at the Bell: which suggested that she had intended to go to the ball but something, or someone, had diverted her from her purpose.

We walked, or rather staggered, in silence for most of the way, our feet slithering on cobbles made triply treacherous by their covering of snow and by patches of ice. Fortunately the servants were no longer idling outside the King's Head so we were spared their catcalls. The only people abroad seemed as drunk as Mrs Johnson. They avoided us, and we avoided them. The snowflakes fell even more thickly than before, which was a blessing because the passers-by kept their faces sheltered from the weather.

At Fendall House, we faced another difficulty, that of avoiding servants. We guided our unstable burden into the tunnel-like alley. The little door was still unbolted. The lobby was empty, though there were voices somewhere in the back of the house. On the stairs, Mrs Frant pulled, I pushed, and Mrs Johnson showed an inclination to collapse.

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