Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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"You must not," Mrs Frant hissed. "Come, ma'am, it is only a few steps more."

"Why must I not?" wailed Mrs Johnson. "What does it matter?"

"You must go on because otherwise I will pinch you until you shriek," Mrs Frant replied with such resolution in her voice that Mrs Johnson gathered up her skirts and fairly cantered up the remaining stairs.

The burst of energy did not last. She clung to us as we steered her through the labyrinth of passages to the front of the inn, where the Carswalls' apartments were situated. She moaned almost continuously, a low, mournful drone strangely wearing on the nerves. At one point she muttered, "I wish I was dead. I wish I was dead."

"We will all be dead soon enough," Mrs Frant told her.

"Cold, unfeeling woman!" whispered Mrs Johnson. "No wonder-"

"In the meantime, however," Mrs Frant interrupted, "I am persuaded you will feel much better in the morning."

We were fortunate to meet no one. At last we attained our own part of the house. Lamps burned in the passage, but when we opened the door of the chamber where Mrs Johnson was to sleep, we found the room beyond lit only by a sullen orange glow from the fire. I helped Mrs Frant lower Mrs Johnson on to the bed and went in search of candles. When I returned a moment later, I found Mrs Johnson lying flat on her back, snoring quietly, still in her sodden ballroom finery.

"Would you be so good as to attend to the fire, Mr Shield?" Mrs Frant said. "Mrs Johnson is very cold."

So indeed was I. I jabbed the fire with a poker, added a few more coals, and soon there was a respectable blaze in the grate. A moment later, Mrs Frant joined me, and we stood there by the fire, warming our hands. A few yards away behind us, the air pumped noisily in and out of Mrs Johnson's lungs. I glanced at Mrs Frant, whose cheeks looked flushed in the firelight.

"Should you like me to fetch a doctor, ma'am?"

"I think not." She turned and looked at me. "Her clothes must be changed, but then the best medicine for her condition is rest and warmth. I know I need not ask you to be discreet."

I inclined my head.

"We were fortunate not to encounter anyone." She sat down on the chair by the fire and passed her hand across her forehead. "But we are not safe yet."

"Has Lady Ruispidge sent a maid for her?"

"I doubt it. If only Kerridge were here."

"Then we must ring for Miss Carswall's maid."

"There is a risk of scandal-" Mrs Frant began.

"There will be a worse risk of scandal if she is not made comfortable. We have to trust someone on Mrs Johnson's behalf, do we not? She cannot be found like this, ma'am, and you cannot shut yourself up here with her without arousing comment. We should tell the maid that Mrs Johnson is indisposed, and leave it at that."

"You are in the right of it. I – I might mention to her – the maid, that is – that earlier in the evening Mrs Johnson attempted to revive herself with a glass of brandy."

"That will be wise."

Our eyes met. A spark of amusement leapt between us.

"Let us say you went for a stroll," she continued, "and you chanced to meet her at the Bell, and offered to escort her back. She felt faint, and needed air. You brought her back and came in with her by the side door, to avoid troubling the servants."

"It will serve, ma'am. And the Ruispidges?"

"I shall write to Lady Ruispidge directly."

"If you wish, I will deliver your note to their lodgings myself. They will naturally be anxious."

I knew we understood each other perfectly. Leaving Mrs Frant to minister to the invalid, I returned to the parlour and rang for the maid. In one respect, I was not entirely surprised by the turn the evening's events had taken. Even in the smallest village, one sees the effect that an unhealthy dependence on liquor has on women as well as men. If a woman might drink in the purlieus of the Strand or in Seven Dials, so too might her more affluent sister in Belgrave-square or indeed Clearland-court. I had noted Mrs Johnson's high colour from the first, and marked a slurring in her speech; and she was irritable with servants for no good reason.

But there remained much that was puzzling. Why had Mrs Johnson left the Ruispidges so early, though by her dress she had clearly intended to accompany them to the ball? Why had she found it necessary to drink a great deal in a very short time? Why had she left the warmth and safety of the Bell or the Ruispidges' lodgings? Above all, was her extraordinary behaviour connected with the man who had run away as Mrs Frant and I approached the corner where she lay? If so, who was the stranger?

At last the maid came, her cap awry, her pert face flushed and liquor on her breath. I told her that Mrs Johnson was unwell, that Mrs Frant was at present with her and that she was to take her place and settle Mrs Johnson for the night. I sweetened this intelligence with half a crown I could ill afford, after which the woman's expression softened.

I led her into the passage, where I tapped on Mrs Johnson's door. As the maid slipped inside, Mrs Frant handed me a pencilled note for Lady Ruispidge. A moment later I left the house by the side door and walked briskly up Westgate-street to the Cross. The music from the Bell was loud and clear in the night air, and there was a press of people and carriages outside the inn.

The Ruispidges' lodgings were in a fine, ashlar-fronted mansion at the far end of Eastgate-street. I explained my errand and asked for Lady Ruispidge's maid. She positively ran into the hall.

"Thank God you're come, sir," she said in a rush, her face as shiny as a polished apple. "Is Mrs Johnson safe? I've been fretting about her, not knowing what to do for the best."

Relief made the woman garrulous, and she needed little encouragement to tell her story. Mrs Johnson's lack of consideration gave her narrative the spice of malice. A boy had brought a letter for Mrs Johnson soon after the party's arrival in Gloucester, and its contents had depressed her spirits. The maid hinted that it had probably been a bill, and also that such occurrences were not uncommon in Mrs Johnson's life. She had dashed off a reply, which the boy had taken, and had been in the sullens thereafter.

The party from Clearland-court had dined together before the ball. Mrs Johnson complained of tiredness and the headache and decided to rest on the sofa, which did not please the servants, who had hoped for a few hours to themselves. The Ruispidges had gone to the Bell without her, on the understanding that Mrs Johnson would join them later. Her luggage had already been sent down to Fendall House.

An hour later, a servant of the house had gone to make up the fire and found her gone. He had not thought to mention the circumstance, assuming she had followed the others to the Bell. Lady Ruispidge's maid had not discovered Mrs Johnson's disappearance until twenty minutes before my arrival.

"I didn't rightly know what to do, sir. She might have gone to the Bell. But I couldn't be sure one way or the other. The servants are coming and going tonight so I couldn't ask them all if they'd taken her, or called a chair for her. And I knew her ladyship wouldn't be best pleased if I raised the alarm for nothing."

I would have liked to question the woman further, but I dared not run the risk of arousing her suspicions; she was already willing to think the worst of Mrs Johnson. I said goodnight and walked back to Fendall House.

I will not conceal the fact that I was now greatly agitated. At our lodgings, I considered knocking on the bedroom door again, and asking Mrs Frant to discover whether Mrs Johnson still had the letter on her person. For a moment or two, I paced up and down the passage in an agony of indecision. At length, I went back to the parlour.

I cared little or nothing for Mrs Johnson and her plight: if I am to be completely honest, I would admit that my motives for helping her were entirely self-interested: on the one hand I wished to ingratiate myself with Mrs Frant, and on the other I wished to guard against the possibility of open scandal because I strongly suspected that if Mr Carswall required a scapegoat, he would have no hesitation in selecting me for the role. No, as far as I was concerned, Mrs Johnson could go hang.

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