Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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"My gloves, my gloves," cried Mr Carswall. "Who has taken them?"

"I believe I see them on the arm of your chair, sir," I said.

"I hope there will still be a place by the fire," croaked Mrs Lee. "If only we had not waited so long."

At last the three of them were gone and I was alone. I listened to their voices and footsteps fading on the stairs and in the hall. The front door closed. Silence flowed into the parlour. I sat down at the table again and turned a page of the newspaper.

I tried to read. But the newspaper bored me. I was aware of noises outside the room – the hurrying of servants' feet, the ebb and flow of carriages in the street below, raised voices, and distant snatches of music. Miss Carswall was right. There is nothing so sad as sitting alone and listening to the sounds of others enjoying themselves in society.

I was not sleepy. I could have gone out and settled in the corner of a taproom or a coffee house but I was not in the mood for company. Instead, I fetched pen and paper and settled down to write overdue letters to Edward Dansey and Mr Rowsell.

I must have written for well over an hour. I could be entirely frank, of course, with neither man, though for different reasons. But there was plenty of matter for my pen in describing the splendours of Monkshill-park and the characters of its principal inhabitants. I was nearing the end of the second letter when there came a tap on the door. I looked up, expecting a maidservant. Instead it was Sophia Frant, still in the dress she had worn at dinner.

"I beg your pardon, Mr Shield," she said hurriedly in a voice that was not altogether steady. "I hope I do not disturb you."

"I am entirely at your service, ma'am."

"I wish to consult with you on a matter of – of some delicacy."

I drew up a chair to the fire. "Pray sit down."

"A moment ago, I happened to go to one of the windows in our chamber," she began in a low voice. "The sashes were rattling, and I wished to wedge them. The window on that side overlooks the lane running up to Westgate-street. I looked down, and I saw a woman." She hesitated. "I – I must request you to treat this as a confidence, Mr Shield."

"Of course, ma'am."

"I knew I might rely on you." She was calmer now, fully in control of herself. "The fact of the matter is this: a shaft of light fell across the lane from a doorway of a tavern, and it showed the face of the woman. It was Mrs Johnson."

"But I thought she was with the Ruispidges, at the assembly."

"So did I. But wait, there is more. Mrs Johnson was wearing a cloak with a hood. But the hood had fallen backwards from her head. She did not have a cap, and her hair was quite loose, falling in disarray to her shoulders. I – I watched her walking up to Westgate-street. She swayed from side to side, and once she slipped and nearly fell. A man came out of the tavern and put his hand on her arm and she pushed him away. Then she turned the corner and I saw her no more. And the man followed her."

"She is indisposed?" It was my turn to pause. "Or-?"

"Or something worse," Mrs Frant finished for me. "It is possible that she entered the house once I lost sight of her. I went to the chamber set aside for her – it is just along the passage from ours. Her luggage is Come but there was no sign of her. Not that I thought it likely, because we would have heard her knocking on the door."

"Might she be below-stairs?"

"No, she is not – I rang for the maid and asked if she had seen Mrs Johnson this evening. I pretended I had a message for her – I did not like to say the truth. I do not know whether the people here are trustworthy. And if Mrs Johnson is not herself…" Her voice died away.

"No," I said. "I understand your drift, ma'am. May I suggest that I go in search of Mrs Johnson? It will not take me a moment to fetch my hat and greatcoat. The part of the building where I am lodged has a separate flight of stairs that runs down to a side entrance. I am sure I could slip out without attracting attention."

"Let us hope so." Mrs Frant stood up. "I am infinitely obliged to you, Mr Shield. If you allow me two minutes."

"Madam – you cannot accompany me."

"Why not?"

"It would not be fitting. If you were seen-"

She was already at the door. "I shall not be seen."

"It is still snowing, ma'am."

"A little snow will not harm me. I too have a cloak with a hood. You must be sensible of Mrs Johnson's feelings if she were to suspect that a man were pursuing her at this time of night. Especially if her wits are at all disordered."

"But she knows me."

"She does not know you well. No, Mr Shield, my mind is quite made up. I shall be perfectly safe under your protection. And if we find – when we find – Mrs Johnson, she need feel no uneasiness at being accosted by a lady."

51

As to time, Mrs Frant was as good as her word. Hooded and cloaked, with a pair of pattens in her hand, she met me in the passage. We passed no one as we threaded our way across the upper floors of the house to the flight of stairs that descended to the lobby and side door. Impatient to be gone, she lead the way down to the dingy hall, which was lit by a solitary lamp.

The door was bolted, not locked. It opened on to a narrow alley on the other side of the house from the lane with the tavern. Mrs Frant slipped on her pattens and took my arm. We picked our way through the gloom to the lights of Westgate-street.

People were still abroad. The paved footways on either side were covered with a feathery layer of snow; the cobbles of the pitching were coated with rutted, partly frozen slush. We saw no one resembling Mrs Johnson in either direction.

"Let us walk up towards the crossroads," Mrs Frant suggested. "If she did not call in at the house, we must assume she went in that direction."

So we set off, looking into the dark mouths of doorways and alleys, glancing into brightly lit taprooms, examining every passer-by. We did not speak. The hood of Mrs Frant's cloak was across her face, so nothing was visible of her except a pair of eyes. I feared she might fall, for there were patches of black ice concealed beneath the powdering of snow. I listened anxiously to the sound of her pattens clinking and scraping on the pavement, ready to hold her more tightly if she should slip.

We passed St Nicholas's Church. A few yards beyond was another of the city's principal inns, the King's Head on the corner of Three Cocks-lane. Two servants loitered in the doorway, no doubt waiting to light their masters home. They were smoking and, despite the cold, had the air of men who were at their leisure. I asked if they had seen a lady in the last quarter of an hour, not in the best of health, perhaps, and wearing a long cloak.

"Hear that, Joe? The gent here's looking for a lady." He poked the stem of his pipe towards Mrs Frant, waiting some yards away with her back to us. "Another lady."

Joe chuckled. "Ain't we all? Could be in luck. Plenty of ladies tonight. If you ain't too particular."

I felt in my pocket and produced a shilling. "A lady in a cloak. She came up from the lane beyond Fendall House. You know where I mean?" The shilling was on the palm of my hand and I let the light fall on it from the lantern beside the door. "She is not well – we are looking for her."

Joe scooped the shilling from my hand. "Aye, sir. There was a skirt come up from there – ill, you say? I'd say she was lushy. Slipped on some ice, fell on her arse in the gutter, and let fly like a trooper."

"Which way did she go?"

"They went up Westgate."

"They?" said Mrs Frant just behind me. "She was not alone?"

"No, ma'am." Joe studied her and would have come closer if I had not taken a step forward to prevent him. "A gent come running up from behind when she fell down, and he helped her up and gave her his arm."

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