Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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In the end, though, my powers of invention were exhausted. I took the path to the house, walking ever more slowly. Images of Mrs Frant, images of Miss Carswall, whirled through my mind. I could not think clearly, and even derived a gloomy pleasure from my plight: was I not the very pattern of a romantic hero?

As I was walking along the wall of the kitchen gardens, immersed in gloomy thoughts, the boys ran whooping like redskins through a doorway. They hurled themselves into me with such force that I staggered and almost fell.

"I beg your pardon, sir," said Edgar, glancing at Charlie.

The boys burst into giggles. I pretended to roar at them and they scampered away with cries of simulated terror. I chased them through the walled gardens and seized both of them by the scruffs of their necks.

"Juvenal tells us maxima debetur puero reverentia," I said. "Translate, Edgar."

"The greatest reverence is due to a boy, sir."

"But Juvenal is inaccurate on this occasion. The greatest reverence is due to a boy's master."

I pretended to cuff them and they ran off, shrieking. Soon they would grow older and more serious. Time was running out for their boyhood. For that matter, time was running out for us all, and running faster and faster. I thought of Mr Carswall and his watch: for all his wealth the old man was time's slave, as completely in its power as any of his niggers had ever been in his. As for me, my sojourn at Monkshill was slipping away. In a few short weeks, I would take Edgar Allan back to Stoke Newington, and leave behind whatever was happening here.

Worst of all, I would leave Sophia Frant and Flora Carswall. At that moment, the prospect of losing them seemed an insupportable fate. They had become my pleasure, my pain and my necessity. They had become my meat and drink, my Alpha and Omega. I was enslaved to them, I told myself, and to what they represented: and in my addiction I was no better than an opium-eater tapping a coin on the druggist's counter as he waits for his heaven and his hell in a pill-box.

50

The following day, Mr Noak sent down to say that he was unwell. He had a severe cold. Harmwell explained that his master would be obliged to keep to his bed for at least a day or two. Owing to boyhood illnesses, Mr Noak's chest was weak. The greatest care was needed if he was to avoid fever, a severe and debilitating cough and possibly pneumonia. The news spread throughout the house long before Mr Carswall announced it formally at dinner, which gave Miss Carswall ample opportunity to consult her brown duodecimo volume.

"You must not be anxious, Papa," she said when he told us the news with a long face. "I have already instructed Harmwell to dose Mr Noak regularly. I have prescribed a spoonful of syrup of hore-hound in a glass of spring water, into which he should stir ten drops of the spirit of sulphur: I am reliably informed that this is a remedy that will generally relieve the severest cold."

"A very proper attention," he said. "But I was depending on him for our excursion to Gloucester." For an instant his lips formed the pout I had seen more than once on Miss Carswall's face. "It is so provoking."

"I suppose the poor man cannot help his health."

"I do not say that he can." Mr Carswall took another sip of wine. "But I shall miss his conversation. And Harmwell could have made himself useful when we passed through a turnpike, and in Gloucester. There are always arrangements to be made, errands to be run."

"Surely there is at least a partial remedy immediately to hand? We should invite Mr Shield to accompany us in Mr Noak's place."

Carswall gestured for his glass to be refilled and stared down the table at me. "Aye, that might answer. You shall accompany us, Shield. Not to the ball itself, however – there will be no need for that. No doubt you will enjoy the change of scene. Yes, it will be quite a treat for you."

I bowed and said nothing. Mr Carswall liked to give the impression that consulting his own comfort was merely the indirect means of doing someone else a favour. In my absence, the boys would be left in the care of Mrs Kerridge.

On the Wednesday morning, Mr Carswall plunged into a morass of indecision. He consulted his watch – he glanced at the dark, grey sky – he prophesied snow. What if we should become stuck in a snowdrift? What if a wheel should break while we were in the depths of the country? What if we had not allowed enough time for a journey at this time of year, and we were benighted on the road and froze to death? As he grew older, Mr Carswall lived in a world of terrifying possibilities, a world whose dangers increased in proportion to his own frailties.

Miss Carswall soothed him. There would be a constant stream of travellers. Most of our way would lie along the newly cut turnpike road beside the river. We would never be far from a pike-house, a farm or a village. Mr Shield, the coachman and the footmen were all able-bodied men capable of wielding a shovel or walking for assistance. Besides, it was not yet snowing, and even if it had been, there was no reason to fear that the road would be blocked.

At last Mr Carswall's anxiety subsided sufficiently for us to leave. Miss Carswall's maid and his own man had already gone on ahead to make our apartments ready, so the five of us travelled inside the great coach – the three ladies, Mr Carswall and I. Mr Carswall's splendid equipage was nothing if not luxurious. We glided along the macadamised surface of the turnpike road. The coach's big wheels and long springs combined with the perfectly flat gravelled surface to create an impression of rapid but almost effortless motion. I was in close proximity to both Mrs Frant and Miss Carswall; indeed I sometimes felt a gentle pressure from the latter's foot upon my own. There was pleasure, too, in leaving behind Monkshill-park, that elegant and spacious prison.

We came into Gloucester by the Over Causeway, a circumstance which caused Mr Carswall much agitation, for the river was rising and the masonry of the arches was already in a ruinous condition. To his relief, we crossed the Westgate Bridge and entered the city while it was still light.

Our lodgings were in Fendall House in Lower Westgate-street, not far from St Nicholas's Church with its stunted spire. Bowing and scraping, the owner of the house conducted our party up to the apartments on the first floor, formerly reserved for Lord Vauden. Nothing could have been more obliging, and nothing (I suspected) could have been more expensive.

The accommodations consisted of a large parlour with two tall windows at the front of the house, facing the south-west, and four bedrooms – one each for Mr Carswall and Mrs Lee, one for Miss Carswall and Mrs Frant, and a fourth which had been designed for Mr Noak. Having settled Mr Carswall in an elbow chair by the fire, our host handed him a letter which Sir George Ruispidge's man had delivered not half an hour earlier.

Grunting, Carswall perused it. "Sir George asks a favour," he said, addressing Miss Carswall. "He has heard that Mr Noak is not come with us, and begs to inquire whether Mrs Johnson might be able to take his place. It seems that the chamber reserved for her in their lodgings in Eastgate has been damaged by fire, and there is at present no other suitable accommodation available. He adds that Mrs Johnson would be most gratified to extend her acquaintance with Mrs Frant and Miss Carswall, so the arrangement would kill two birds with one stone."

"It is a very civil note, Papa. But what about Mr Shield?"

"I see no difficulty there." Mr Carswall glanced up at the landlord, who was hovering in front of him. "The boys' tutor has come in place of Mr Noak, but he will not be coming to the ball and in any case he is a plain man with simple needs easily satisfied – eh, Shield?"

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