Dustin Thomason - 12.21

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12.21: краткое содержание, описание и аннотация

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From the co-author of the two-million copy mega-bestseller
comes a riveting thriller with a brilliant premise based on the 2012 apocalypse phenomenon—perfect for readers of Steve Berry, Preston and Child, and Dan Brown.
For decades, December 21, 2012, has been a touchstone for doomsayers worldwide. It is the date, they claim, when the ancient Maya calendar predicts the world will end.
In Los Angeles, two weeks before, all is calm. Dr. Gabriel Stanton takes his usual morning bike ride, drops off the dog with his ex-wife, and heads to the lab where he studies incurable prion diseases for the CDC. His first phone call is from a hospital resident who has an urgent case she thinks he needs to see. Meanwhile, Chel Manu, a Guatemalan American researcher at the Getty Museum, is interrupted by a desperate, unwelcome visitor from the black market antiquities trade who thrusts a duffel bag into her hands.
By the end of the day, Stanton, the foremost expert on some of the rarest infections in the world, is grappling with a patient whose every symptom confounds and terrifies him. And Chel, the brightest young star in the field of Maya studies, has possession of an illegal artifact that has miraculously survived the centuries intact: a priceless codex from a lost city of her ancestors. This extraordinary record, written in secret by a royal scribe, seems to hold the answer to her life’s work and to one of history’s great riddles: why the Maya kingdoms vanished overnight. Suddenly it seems that our own civilization might suffer this same fate.
With only days remaining until December 21, 2012, Stanton and Chel must join forces before time runs out.

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I looked to Kawil, Prince Smoke Song’s servant, who always stood waiting for the prince during our lessons. Kawil is a good servant and very tall. He stayed silent and only stared ahead.

It was too painful to explain what would happen to the girls, daughters of Auxila, so I said simply:

—Yes, Prince, she survives, but you must put Flamed Plume out of your mind, for she is untouchable to you. You must focus on your studies.—

The boy seemed sad, but he pointed at the macaw and spoke:

—What is this, teacher? What do you bring me?—

My spirit animal is most sociable, and so I let him out of his cage to show the prince. As we reviewed his knowledge of spirit animals, I explained that mine came to me in the form of this macaw and that I had become one with the bird through the drops of my blood. Then the bird, my animal form, flew about the room, which pleased the boy to see. We flew to the roof and back down; we circled him and landed on his shoulder.

I told the prince my spirit animal had stopped in Kanuataba on the great path of migration every macaw makes with its flock. I told him that in a few weeks we would continue our journey in search of the land that our ancestor birds have returned to every harvest season for thousands of years.

I told the prince:

—Every man must transcend the everyday human world, and the animal self is the embodiment of that ideal.—

Smoke Song’s animal self is a jaguar, as befi ts all future kings. I watched him taking in the bird, considering how the macaw could be my bridge to the overworld. I mourn that Smoke Song might never again see his spirit animal. Few holy jaguars roam the land anymore.

When we finished talking of animal spirits, the boy spoke:

—Wise teacher, my father the king has told me that I may accompany the army on their journey to fight on behalf of the people of Kanuataba. That we may go to Sakamil, Ixtachal, and Laranam and fight them as decreed by the morning star passing into darkness. It will be a great evening-star war. Are you not proud, wise teacher?—

Anger swelled up inside me, and I let go words that could have cost me my life:

—Have you been to the streets and to the barren markets, stricken by drought? It is difficult to witness, Prince, but you see the suffering of the people with your own eyes. Even the army is starving, whatever salting techniques they may have now. We can hardly afford to wage wars in distant lands!—

But the boy snapped back:

—My father has received a divination that we must wage the star war against the distant kingdoms! How can you know better than the stars? We will fight as our gods have commanded! I will fight with the warriors of Kanuataba!—

I looked at the child with a pained heart and spoke:

—Fire ripples through the heart of every man of Kanuataba, Prince. But one day you must lead us, and you must prove your wits. You are in the midst of your studies. I was not brought here to train you as a warrior with a blowgun or length of rope, so that you may die on the warpath!—

The prince ran from the library, hiding the tears that poured from his eyes. I called after him, but he did not return.

I expected the boy’s servant, Kawil, to follow the prince quickly, but to my surprise he did not move. Instead, he spoke:

—I will bring him back to you, scribe.—

—Go, then.—

—May I speak first, holy scribe? It concerns Auxila.—

I gave the servant permission.

Kawil told me he was sitting outside the palace walls, several nights after Auxila’s sacrifice, and that he had seen Haniba, the wife of Auxila, with her two daughters.

He explained:

—They had come to worship at the altar where Auxila was sacrificed.—

I was shocked to hear this. Every woman knows what she must do when her husband is sacrificed at the altar. Haniba had insulted the gods by failing to do her duty. Kawil explained that he followed her all the way to the Outskirts, where she was living.

Now there was no question in my mind what I had to do.

Someone had to remind Auxila’s wife of her duty. It is decreed by Itzamnaaj for all of our history that the wives of sacrificed nobles are to join their husbands in the overworld by an honorable suicide. Auxila was my close friend, my brother, and his wife deserved better than the horrors of the Outskirts.

If she would not heed the call of the gods, I would have to help her.

* * *

When the morning star passed through the reddest part of the great scorpion in the sky once more, I dressed in a commoner’s loincloth and leather sandals so as not to be recognized.

The Outskirts shelter the dregs of Kanuataba, where men and women have been saved from death by omens but exiled from the city proper for their crimes. Here were thieves and adulterers who had escaped death by an eclipse, errant borrowers who lived only by the grace of the evening star, drug addicts, and even those we are told are the greatest sinners of all, bound to walk the earth for all eternity from the north to the south: those who stupidly worship only those deities who they believe favor them.

No limestone or marble is wasted on the buildings in the Outskirts, and if any of the quarrymen are caught sneaking limestone, they are guaranteed a public death, so the buildings are made of mud and thatch. There are only the illegal trades—the market for dream mushrooms, gambling on ball court games, and whoring.

I had obscured my face with my blotting towel, which I use to prepare the gesso for books. In the palm of my hand I carried several cacao beans and doled out each one as I spoke with women in the streets who might be able to guide me to Haniba. These women all offered me their bodies in exchange for the bean and were utterly confused when I refused them. Instead, I spoke with an old whore. She sent me another two hundred paces down the causeway to a series of stalls, which I had not seen since I was in the Outskirts as a young boy, where I lost my own virginity.

In the back of one of the stalls, I heard a woman moaning. I went around and found a man on top of Haniba, a vile man thrusting himself into her. Haniba was defiling herself! There were four cacao shells laid neatly on the ground beside them, and in the midst of their copulation they could not hear as I leaned down to check the beans. I found no beans inside two of the shells. The man was a cheat.

I picked up a large sitting stone in the corner of the stall and raised it above my head. I bore down with all my might. The man slumped on top of Auxila’s wife and she screamed, not understanding. I believe she thought the stone had come down from Iztamnaaj himself to punish her for her trespasses. But when I lifted the man off her and she saw my face, she turned away. Haniba was deeply ashamed. Yet there could be no deeper shame before the gods than that she was still living on this earth.

She spoke:

—They have taken everything from me, Paktul, my house, all of my clothing, and Auxila’s goods—

—I know why you are here, and I am come to implore you, Haniba. You must act prudently. Your children starve because no one will take them until you are gone. People will learn you are still alive—

The woman wept, barely able to breathe:

—I cannot heed the order until I know my children are safe. Flamed Plume is turning to the age where she will be taken up by some old man who wishes to have a fresh girl! You have seen the way Prince Smoke Song himself looks at my Flamed Plume—she might have been queen, Paktul! The king was considering their betrothal, and the prince is good, deserving of her. But now that her father has been shamed, we all know they cannot be betrothed. So what good man will take Flamed Plume? Surely you understand, Paktul. Surely this shame is like the shame you felt when your father left you!—

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