Jonathan Franzen - The Twenty-Seventh City - A Novel

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From Publishers Weekly
From Library Journal Highly gifted first novelist Franzen has devised for himself an arduous proving ground in this ambitious, grand-scale thriller. Literate, sophisticated, funny, fast-paced, it’s a virtuoso performance that does not quite succeed, but it will keep readers engrossed nonetheless. Bombay police commissioner S. Jammu, a member of a revolutionary cell of hazy but violent persuasion, contrives to become police chief of St. Louis. In a matter of months, she is the most powerful political force in the metropolis. Her ostensible agenda is the revival of St. Louis (once the nation’s fourth-ranked city and now its 27th) through the reunification of its depressed inner city and affluent suburban country. But this is merely a front for a scheme to make a killing in real estate on behalf of her millionaire mother, a Bombay slumlord. Jammu identifies 12 influential men whose compliance is vital to achieving her ends and concentrates all the means at her disposal toward securing their cooperation. Eventually, the force of Jammu’s will focuses on Martin Probst, one of St. Louis’s most prominent citizens, and their fates become intertwined. Franzen is an accomplished stylist whose flexible, muscular, often sardonic prose seems spot-on in its rendition of dialogue, internal monologue and observation of the everyday minutiae of American manners. His imagination is prodigious, his scope sweeping; but in the end, he loses control of his material. Introducing an initially confusing superabundance of characters, he then allows some of them to fade out completely and others to become flat. The result is that, despite deft intercutting and some surprising twists at the end, the reader is not wholly satisfied. Any potential for greater resonance is left undeveloped, and this densely written work ends up as merely a bravura exercise. 40,000 copy first printing; $50,000 ad/promo; BOMC and QPBC selections.
Copyright 1988 Reed Business Information, Inc.
In the late 1980s, the city of St. Louis appoints as police chief an enigmatic young Indian woman named Jammu. Unbeknownst to her supporters, she is a dedicated terrorist. Standing alone against her is Martin Probst, builder of the famous Golden Arch of St. Louis. Jammu attempts first to isolate him, then seduce him to her side. This is a quirky novel, composed of wildly disparate elements. Franzen weaves graceful, affecting descriptions of the daily lives of the Probsts around a grotesque melodrama. The descriptive portions are almost lyrical, narrated in a minimalist prose, which contrasts well with the grand style of the melodramatic sections. The blend ultimately palls, however, and the murky plot grows murkier. Franzen takes many risks in his first novel; many, not all, work. Recommended. David Keymer, SUNY Coll. of Technology, Utica
Copyright 1988 Reed Business Information, Inc.

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They wanted Luisa to come along with them to Edgar’s house to watch Gilligan’s Island and drink lime Kool-Aid, two activities that seemed to have come into vogue since she stopped spending time with them. She wondered what else was in vogue. Group sex? Riflery? They gave no hint of disappointment when they turned up a side street off Glendale Road and she kept on towards Clark. She watched them shoving each other, playing chicken with the puddles, and not looking back at her. It was just like the day before, when no one at school would comment on her hair, not even Stacy. In a bleak mood on Saturday she’d had it cut very short, shorter than she’d ever worn it before. She was positive everyone had noticed — she looked like a punk where three days earlier she’d looked like Stanford material — and it hurt her that they should be so freaked out they couldn’t say anything at all. Maybe they were being delicate because they thought she had emotional problems. But she couldn’t have had emotional problems if she tried.

Wet weather didn’t stop cigarettes from burning. In war footage soldiers smoked through the muddiest of battle scenes. Luisa wondered if anyone passing in a car now, any of her mother’s friends, would recognize her with her glasses and her hair like this, and the cigarette. It wasn’t really her friends who hurt her. She herself, when she got home on Saturday and locked herself in the bathroom, had almost cried at the sight. Her scalp showed white all over. Her lenses were coated with soapy light. She looked so strange and old and unhappy. But what really hurt was that the new style matched the inside of her. This was how she’d look on the inside, too, if anyone could see in there.

Worst of all was that Duane had come home with his cameras and said she looked great. She more or less agreed. She wasn’t stupid. She wouldn’t get a haircut that destroyed her looks. It just seemed unfair that the person who sympathized with her the most was someone she didn’t even get along with anymore.

* * *

“Light rain is falling,” Nissing said to Barbara in a calm, accessible voice. “We sit in this room like two lifelong friends, having this last conversation.”

Last? She raised herself onto two elbows. “What’s going on?”

“I’ll tell you, but you should know by now. Can’t you feel? In this room that could be anywhere in the world when the rain falls and the afternoon is dark? You’ve said it yourself. You’re still as lonely as you were when you left your husband. Some things can’t be changed, and it seems that you are one of them. It was a happy dream for a while, when you’d broken free and everything was new, living in Manhattan or wherever it was, living with a man who understood you. It was fun while it lasted, until the problem of originality put an end to it and you became, conceptually, what you’d actually been all along: just another forty-three-year-old woman who’d left her home for a younger man and a life of more complete self-expression. Just another victim of the age, with too little youth remaining in you to dismiss your entire past as a prelude and then fashion another life. Maybe other women are braver than you, maybe their stories at this point are the stories of looking bravely to an uncertain and difficult future. But other women aren’t Barbara Probst, and you don’t want to be those other women. And if nothing else you’ve recognized that the apparent novelty of taking up with me and leaving Webster Groves hasn’t been novel at all. The emancipation will begin when you go home. You’re telling me, as we sit here, that you’ve decided to return to St. Louis. Admit it. That’s what you’ve wanted to do all along.”

“But not for any reasons like this.”

He slowed his words even more. “Are you saying you don’t miss your husband and daughter?”

She shook her head. “I hate this game. But if I’d been doing all the things you say I have, I don’t think I’d be making this decision.”

“While I’m saying it’s the easiest decision you’ve ever made.”

“Because you’re making it for me.”

“Leave me out of this. These are thoughts you might think. If my presentation isn’t perfect you should blame it on my not being in your head. I don’t believe I’m that far off the mark.” He stood up and fished in the pocket of his sport coat. He came up with a syringe and a glass bottle with a silver cap.

“What’s that,” she said dully.

“It is immaterial. We continue to talk in our quiet room.” He knelt by her bed and laid the syringe and bottle on the carpeting. He ripped open a small packet, grasped her left forearm, and wiped a patch of skin with an antiseptic swab. She didn’t resist — but she did remember that if anyone had tried to shoot something foreign into her before she’d done time in this cell she would have gone down biting and kicking. Hadn’t she tried to run from him when he kidnapped her? Hadn’t she screamed when he drugged her?

Had she?

“Everyone has secrets,” he said, plunging the needle into the bottle’s cap. “They’re good for the soul. They’re a form of nourishment for the grimmer days. I have a feeling that for the sake of your pride you will recall only the brighter days we’ve spent together, and let Martin believe you’ve had the best time a woman could have had.”

She felt the needle enter. “You’re letting me go?”

“That’s right.” He held her hand ominously. “I’m giving you your freedom, though it hurts us both. There’s no place like home. A funny notion. There’s no place like home. You say it.”

Her blood ran cold. “What are you doing to me?”

“There’s no place like home.”

Already the room was turning. There’s no place like home. He was speaking from the other side, and a pounding heart moves poisons all the faster. This was her last thought.

* * *

“…Jack Strom. We’re very pleased to have as our guest Dr. Carl Sagan on the topic of nuclear winter. We have time for just a few more calls from our listeners. Hello, you’re on the air—”

“Thank you, Jack. I wonder if I could ask Dr. Sagan whether he thinks that publicizing this issue might not force the U.S. and Russia to invest more heavily in weapons like the, the neutron bomb. That is, instead of making war unthinkable, whether your research might actually be putting even more stress on destroying soft targets instead of on weapons that would, you know, start fires. Uh?”

“Thank you very much. Doctor?”

“Well. In the first place—”

“An overnight low down around forty. Tomorrow should be mostly sunny and much warmer, with highs in the low to mid sixties. The outlook for Thursday and the weekend calls for—”

“K-A-K-A, Music Radio, closing in on four o’clock on a dur reary Tuesday afternoon, the Moody Blues with a song by the same name. We have a traffic report coming up at a little after four, and Kash Kallers remember the number one thousand , six hundred and three dollars and eighteen cents, that’s one thousand—

“Cannot simultaneously reduce the number of warheads in the arsenal and introduce a new doctrine like the one the caller—”

“Jesus didn’t turn his back on these people. Jesus said—”

* * *

The gym was miniature. In the entryway, on either side of the inner doors, a volleyball pole stood on an inverted metal dish with a bite taken out for a pair of wheels. The pole on the left had the net wrapped around it, the one on the right just a rope. Luisa wiped her feet on the rubber mat.

The American flag was planted in a weighted wooden base which had reminded her, when she went here, of one of the disks in her Tinkertoy set. There were curtained voting machines against the stage, against the low trellised doors that swung open to let barges laden with folding chairs roll out. The pollwatchers sat at tables from the cafeteria, doll tables. Thick climbing ropes looped from rafter to rafter at a height no longer dizzying; wires attached to the cranks on the gym’s pale green walls held the knotted ends aloft.

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