Jonathan Franzen - The Twenty-Seventh City - A Novel

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From Publishers Weekly
From Library Journal Highly gifted first novelist Franzen has devised for himself an arduous proving ground in this ambitious, grand-scale thriller. Literate, sophisticated, funny, fast-paced, it’s a virtuoso performance that does not quite succeed, but it will keep readers engrossed nonetheless. Bombay police commissioner S. Jammu, a member of a revolutionary cell of hazy but violent persuasion, contrives to become police chief of St. Louis. In a matter of months, she is the most powerful political force in the metropolis. Her ostensible agenda is the revival of St. Louis (once the nation’s fourth-ranked city and now its 27th) through the reunification of its depressed inner city and affluent suburban country. But this is merely a front for a scheme to make a killing in real estate on behalf of her millionaire mother, a Bombay slumlord. Jammu identifies 12 influential men whose compliance is vital to achieving her ends and concentrates all the means at her disposal toward securing their cooperation. Eventually, the force of Jammu’s will focuses on Martin Probst, one of St. Louis’s most prominent citizens, and their fates become intertwined. Franzen is an accomplished stylist whose flexible, muscular, often sardonic prose seems spot-on in its rendition of dialogue, internal monologue and observation of the everyday minutiae of American manners. His imagination is prodigious, his scope sweeping; but in the end, he loses control of his material. Introducing an initially confusing superabundance of characters, he then allows some of them to fade out completely and others to become flat. The result is that, despite deft intercutting and some surprising twists at the end, the reader is not wholly satisfied. Any potential for greater resonance is left undeveloped, and this densely written work ends up as merely a bravura exercise. 40,000 copy first printing; $50,000 ad/promo; BOMC and QPBC selections.
Copyright 1988 Reed Business Information, Inc.
In the late 1980s, the city of St. Louis appoints as police chief an enigmatic young Indian woman named Jammu. Unbeknownst to her supporters, she is a dedicated terrorist. Standing alone against her is Martin Probst, builder of the famous Golden Arch of St. Louis. Jammu attempts first to isolate him, then seduce him to her side. This is a quirky novel, composed of wildly disparate elements. Franzen weaves graceful, affecting descriptions of the daily lives of the Probsts around a grotesque melodrama. The descriptive portions are almost lyrical, narrated in a minimalist prose, which contrasts well with the grand style of the melodramatic sections. The blend ultimately palls, however, and the murky plot grows murkier. Franzen takes many risks in his first novel; many, not all, work. Recommended. David Keymer, SUNY Coll. of Technology, Utica
Copyright 1988 Reed Business Information, Inc.

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* * *

At 2:45 Sam and Herb arrived in East St. Louis. Five minutes later they located the last item in their catalogue, a fireproof storage warehouse. It had no windows, but it did have skylights, in which, from a block away, against rainclouds, they could see light.

As they pulled closer, they saw someone enter.

“That’s him!” Sam said. “That’s Nissing. They’re in there.”

Herb parked the station wagon behind a deserted filling station across the street and down a hundred yards. It was the only cover for blocks around, clear out to the surrounding expressways. He and Sam forced entry to the office with a wrecking bar, bringing gray light to bear on plaster rubble, fallen ceiling tiles, roaches, glass daggers, Fram and STP stickers, a 1977 Pennzoil calendar. They carried in two folding chairs. They set up the video camera and the infrared source, aiming both through a chink in the boards on the glassless windows, and while Herb went back out for the thermos and field telephone, Sam peered up the street at the target, a tall and slender building, a castle in this barbarian wilderness. He focussed the camera and settled in to wait. There was no place left to go.

After a late lunch at the local grill with Bob Montgomery, Probst was at his office with the rest of the company, with the draftsmen, clerks and secretaries who were beginning the last leg of their day, their afternoon coffee breaks behind them. He was letting everyone leave thirty minutes early today to give them a jump on the evening rush at the polls, and to judge from the absence of laughter or even conversation leaking into the hall outside his office, they were returning the favor with special diligence. Metal drawers rumbled in the silence as Carmen filed. Probst was proofreading and signing her morning production of letters. Typewriter bells rang faintly in the hall, the patter of rain and keys blending. Someone in narrow heels was walking briskly towards him. The heels reached the carpeting of the outer office and fell silent.

“Oh, Mrs. Probst,” Carmen said.

Probst’s arms went numb. He stared through the open door to the outer office and saw her shadow, the back of a familiar skirt.

“Hi, is he here?”

“Yes, go right in. Mr. Probst—?” Carmen sang.

“Thank you,” Barbara said.

He spun in his chair to the window, and reflected in the glass he saw his wife shut the door behind her, rest a closed umbrella against the wall and stand looking at him, her hands at her sides. “Martin?”

Her real voice was different from her phone voice, more nasal and clipped. He’d forgotten her. He’d been wrong to think she’d have no power over him when she returned.

“Martin, help me.”

He spun around.

It wasn’t Barbara. It was a woman with Barbara’s light hair, her body, her clothes, her hairstyle and posture and something like her fair skin, except where raindrops had eaten it away. Her hands were dark.

She smiled at him hopefully. “I’m back,” she said, tossing her raincoat on the coatrack. He shrank away. She sat down on his lap sideways and put her arms around his neck. The arms were damaged, purple and black, with scabs and ulcers and long fingers of green beneath the dark skin. She smelled of rotten perspiration. Her lips touched his like ice. She was Barbara’s corpse.

“Who are you?” He tried to stand, dumping her off his lap. She landed in a crouch.

“I’ll be yours,” she said.

“Out, get out.”

“I’ve been with Rolf,” she explained.

Clumsily he put on his coat. Devi Madan. He opened the door and marched past Carmen, and Devi Madan followed.

“Where are we going?” She slipped her arm around his waist.

* * *

Jammu made her first pass around Singh’s building and saw that his car wasn’t in the fenced-in lot. He’d gone to Webster Groves. Could he have taken Barbara with him? Hardly likely. She was inside this building, unprotected, and Jammu had time to circle the block once more, to let the criminal pressure build up in her, and to rehearse the scene again. She would give Barbara a chance to speak. One sentence, a few words, enough to fill her killer’s ears with the slick, vulnerable intelligence she so hated, and then it was a Beatles song. Bang, bang—

No.

A Country Squire, repainted but inevitably Pokorny’s, was parked behind a low boarded-up building across the street. Jammu stepped on the gas, shifting up. She would have done it, but she wouldn’t now. She went back to her desk on Clark Avenue.

* * *

“Don’t touch me.”

“Martin.”

“Don’t touch me.”

They squared off in the parking lot, on the white football grid of the spaces reserved for Probst’s project managers, who were all still out on the job. Devi Madan leaned forward, her eyes wide and more hopeful than ever, with the overexcitement of a friendly dog about to lose control and yelp, and bite. “ Martin .”

Rain was falling on the outer layer of his hair and draining onto his scalp. He didn’t know what to do, but he had to do it quick. The reality of this Indian girl’s presence pelted him, sought gaps in his protection, tried to get inside and drench him. He turned away and unlocked his car.

She ran around to the passenger side. “Where are we going?”

“Go away.”

“What do you mean?”

“Go anywhere,” he said. “You can’t be here.”

It was too late. Each word they exchanged confirmed her right to speak to him and make demands. He couldn’t even tell her to leave without implicating himself. She was in his life.

She looked angrily at the sky, up into the rain pouring down on her eyeglasses. “I’m getting kind of wet.” She was so familiar. She’s insane, he thought. It made no difference.

“Use your umbrella,” he said.

“I left it in your office.”

His was in his office, too.

“Hurry up,” she said. “Get in.”

She knew him. She knew him as surely as if a Hyde-like second Probst had been leading a life with her unbeknownst to the first. He got in the car and leaned across the front seat to raise the lock button on her door. She jumped in and shivered. “Where to?”

Wet clothes, wet skin. Perfume and sweat and cold automotive plastic. Wet exhaust from passing cars. He leaned back and closed his eyes, only dimly aware that he’d made a mistake in letting her into the car. She curled one hand around his neck, laid the other on his leg, and put her mouth to his. Would he kiss her? He was already doing it. The taste of a new mouth didn’t surprise him now. Barbara, Barbara, Barbara, Barbara.

In the street a car door opened.

It was the police. Barbara pulled away from Probst, and through the windshield the two of them watched a patrolman cross the street to the precinct house. His companion remained in the squad car and rested his eyes on them uncuriously. Probst gave him a dumb smile. Barbara’s face had assumed the blankness of a reasonably law-abiding citizen’s. The cop looked away.

Jammu had said Devi Madan was an innocent girl who’d returned to Bombay several weeks ago. Jammu had lied. But Probst loved Jammu. He would be calm. He’d try to help.

He started the engine, backed out, and made a right turn onto Gravois. Two blocks up the street he pulled in alongside the taxi stand outside the National. Old women were wheeling caged groceries away from the automatic doors. He set the brake. “You need money.”

“Yes.”

He opened his wallet and counted bills. “Here’s two hundred twenty.” This wasn’t enough. He took out his checkbook. She was folding up the bills and tucking them in her purse: just another domestic transaction.

“There’s a Boatmen’s right over there,” he said. “Will a thousand be enough?”

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