John Pearson - James Bond - The Authorised Biography
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- Название:James Bond: The Authorised Biography
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- Издательство:Random House
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- Год:2008
- ISBN:9780099502920
- Рейтинг книги:4 / 5. Голосов: 1
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James Bond: The Authorised Biography: краткое содержание, описание и аннотация
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Bond was becoming slightly bored with the whole air of mystery.
‘Why the delay?’ he asked.
‘Because it's taking just a little while to get him out of prison,’ Maddox replied.
‘Prison?’
‘Yes, Wormwood Scrubs. A splendid fellow called Esposito – Steffi Esposito. American, I'm afraid. And, as you'd imagine with a name like that, he's a professional card-sharp. Scotland Yard tell me he's the best in Britain.’
‘He must be if he's in Wormwood Scrubs.’
‘That's not the point,’ said Maddox. ‘He's going to teach you everything he knows. Work hard. You've a lot to learn.’
Bond tried to find out more, but Maddox's wrinkled monkey-face was now impassive. All that he would tell Bond was to take his work seriously.
‘They're letting this Esposito off a nine-month rap in your honour.’
James Bond met his teacher three days later in an over-furnished flat off Baker Street. He was expecting someone seedy from the underworld (Bond's experience of criminals was limited). Instead, he found himself greeted by an impeccably dressed, plump, grey-haired man with sad eyes and a pompous manner. Something about him made Bond think immediately of the chaplain at Eton.
‘I am informed, sir, that I must teach you all I know.’ Esposito sounded much put out by this. His voice had traces of New York and Budapest. ‘I tried to tell the fools that it would be impossible, and probably not in anybody's interests, but the police have never understood my sort of work. Your Mr Maddox seemed a cut above the rest of them. He and I agreed upon a basic course for you on the manipulation of the pack. May I see your hands?’ He felt Bond's fingers, tested the suppleness of the joints, and sighed impatiently.
‘You will have to work. You, my friend, possess the hands of a karate expert. Instead you need the touch of a virtuoso with the violin. Perhaps we should begin with the bread-and-butter business of our art. We call it the Riffle Stack, a straightforward matter of shuffling the cards to produce a desired pattern for the dealer. When – and I use the word ‘when’ advisedly – when we have mastered that we can move on to more artistic things, until we can deal our aces, kings and any card at will. The aim, dear Mr Bond, is to make those fifty-two cards in the pack our devoted servants.’
Esposito, for all his talk, was an iron teacher; for the next week, ten hours a day, he kept Bond practising the Riffle Stack. Bond used to dream of cards at night, but after ten days of this gruelling work, Esposito let drop his first hint of encouragement.
‘You are learning, Mr Bond. Slowly, but you are learning. The fingers are becoming suppler. Within a year or two you might even make a living from the cards.’
But this was not the purpose of the course, and now that Bond was beginning to achieve the basic skills of the card-sharp, Esposito started to introduce him to the main tricks on the repertoire – how aces could be slightly waxed so that the pack broke at them, how cards could be marked on the back with faint razor cuts, and how the whole pack could be minutely trimmed to leave just the faintest belly on a few key cards.
Finally Bond graduated to the gadgetry of the profession – ‘Shiners’, small mirrors fixed into rings or jewellery, devices that would feed cards from underneath the sleeve, electric gadgets that could signal an opponent's hand.
Bond worked for two whole months in that flat off Baker Street. Apart from Esposito he met no one and heard not a word from Maddox. Despite this he had an uncomfortable feeling of being watched; on the third day of each month ?100 would be deposited into his bank account. Then at the end of August, Esposito relaxed. He announced that they would soon be leaving London.
‘Time for a little field-work, my friend.’
Bond packed his passport, dinner jacket, half a dozen shirts, and the next day he and Esposito caught the morning train to France. Esposito was in his element. ‘I feel that I can breathe at last,’ he said, inhaling the mackerel-scented air of the main quay at Dieppe. He wore co-respondent shoes and a violently checked suit that made Bond think of someone on a racecourse. There was a jauntiness about him now that Bond had never seen before. They had lunch together in the Hotel Windsor. Esposito did the ordering in florid French. For a while he reminisced about his past adventures and about certain ‘colleagues’ he had known – tales of extraordinary coups and instant fortunes gained and then squandered over the green baize of the French casinos.
‘If I had kept a tenth of what I've won, I'd be a millionaire. But what is money, my dear friend? Simply a game of chance. It's the game that matters.’
Esposito looked mournfully across the esplanade. The sea was blue, the beaches thronged with regiments of bourgeois families. Bond thought the time had come to ask him when the field-work began. Esposito revived.
‘Tonight, my friend, we make our debut. We shall see how good a teacher Steffi Esposito has been.’
‘You mean … ?’ said Bond.
‘I mean that we shall try our luck – and also just a little skill. It is your Mr Maddox's idea. He feels that, after your training, you should have a trial run. He wants you to know just what it feels like to manipulate the cards.’
‘You mean I have to cheat?’ said Bond.
‘Cheat?’ replied Esposito, looking pained. ‘Please do not use that word. I am an artist and I have tried to teach you just a little of my art. Cheating does not come into it.’
Rather than start an argument, Bond asked him where he planned his trial run.
‘Not in Dieppe. I am known here and it could be embarrassing. There is a place along the coast – quite near Le Touquet. A good hotel, a small casino. It will suit us nicely. It is called Royale-les-Eaux.’
Bond liked the little town immediately. It had a certain style about it, an air of well-fed tolerance. It was not pretentious, but seemed the sort of place where comfortable French families had come for generations for their holidays. There were fat plane trees in the square, an ornate town-hall, several tempting-looking restaurants. There was also a casino, almost a Monte Carlo in miniature. Bond's heart sank when he saw it. Silently he cursed Esposito.
Esposito was in his element. They booked in at the Splendide. They dined together (although for once Bond wasn't feeling hungry). And then they strolled to the casino. Bond could not help but be impressed now by Esposito. As he followed him into the salle des jeux he was reminded of a great musician walking towards the podium. The room was crowded, and for a while Esposito and Bond surveyed the table. The play was high. Royale-les-Eaux was currently attracting an exclusive clientele and suddenly Bond felt an excitement he had never known before. He had known the thrill of gambling for high stakes with the Brintons. This was different. He was experiencing the forbidden pleasure of the card-sharp ready to pit his skill against the table.
After that evening Bond could understand the thrill of beating the system. He and Esposito were playing baccarat. The stakes were high – a group of businessmen from Paris were pushing up the odds and for a while Esposito played along with them. So did Bond. They played cautiously and unobtrusively. After half an hour Esposito was down and Bond about even.
Bond kept his eyes upon Esposito. When card-sharps work in pairs, one is invariably the leader; during those weeks in Baker Street, Bond had learned to follow Esposito minutely. There were certain signs by which Esposito could signal advance details of his play. Suddenly the way he held his cards told Bond that he was about to force the pace.
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