Daniel Silva - Prince of fire

The three men remained behind in the house. The girl walked a half step behind him, with a leather satchel over her shoulder. She gave him another shove, this time in the direction of the Mercedes. He stumbled forward, across the dusty forecourt strewn with toys. The overturned Matchbox cars, the rusted fire truck, the armless doll and headless toy soldier-to Gabriel it seemed like the carnage wrought by one of Khaled’s expertly crafted bombs. He went instinctively to the passenger side of the car.

“No,” said the woman. “You’re going to drive.”

“I’m in no condition.”

“But you must,” she said. “Otherwise we’ll miss our deadline, and your wife will die.”

Gabriel reluctantly climbed behind the wheel. The woman sat next to him. After closing the door, she reached inside the satchel and produced a weapon, a Tanfolgio TA-90, and aimed it at his abdomen.

“I know you can take this from me anytime you wish,” she conceded. “If you choose such a course of action, it will do you no good. I assure you that I do not know the location of your wife, nor do I know our ultimate destination. We’re going on this journey together, you and I. We’re partners in this endeavor.”

“How noble of you.”

She hit him across the cheek with the gun.

“Be careful,” he said, “it might go off.”

“You know France very well, yes? You’ve worked here. You’ve killed many Palestinians here.”

Greeted by Gabriel’s silence, she hit him a second time. “Answer me! You’ve worked here, yes?”

“Yes.”

“You’ve killed Palestinians here, yes?”

He nodded.

“Are you ashamed? Say it aloud.”

“Yes,” he said, “I’ve killed Palestinians here. I killed Sabri here.”

“So you know the roads of France well. You won’t need to waste time consulting a map. That’s a good thing, because we don’t have much time.”

She gave him the keys. “Go to Nimes. You have one hour.”

“It’s a hundred kilometers, at least.”

“Then I suggest you stop talking and start driving.”

He went by way of Arles. The Rhone, silver-blue and swirling with eddies, slid beneath them. On the other side of the river. Gabriel pressed the accelerator toward the floor and started the final run into Nimes. The weather was perversely glorious: the sky cloudless and intensely blue, the fields ablaze with lavender and sunflowers, the hills awash with a light so pure it was possible for Gabriel to make out the lines and fissures of rock formations twenty miles in the distance.

The girl sat calmly with her ankles crossed and the gun lying in her lap. Gabriel wondered why Khaled had chosen her to escort him to his death. Because her youth and beauty stood in sharp contrast to Leah’s ravaged infirmity? Or was it an Arab insult of some sort? Did he wish to further humiliate Gabriel by making him take orders from a beautiful young girl? Whatever Khaled’s motives, she was nonetheless thoroughly trained. Gabriel had sensed it during their first encounter in Marseilles and again at the house in Martigues-and he could see it now in her muscular arms and shoulders and in the way she handled the gun. But it was her hands that intrigued him most. She had the short, dirty fingernails of a potter or someone who worked outdoors.

She hit him again without warning. The car swerved, and Gabriel had to battle to get it under control again.

“Why did you do that?”

“You were looking at the gun?”

“I was not.”

“You’re thinking about taking it away from me.”

“No.”

“Liar! Jewish liar!”

She raised the gun to strike him again, but his time Gabriel lifted his hand defensively and managed to deflect the blow.

“You’d better hurry,” she said, “or we won’t make it to Nimes in time.”

“I’m going nearly two hundred kilometers an hour. I can’t drive any faster without killing us both. Next time Khaled calls, tell him he’s going to have to extend the deadlines.”

“Who?”

“Khaled,” Gabriel repeated. “The man you’re working for. The man who’s running this operation.”

“I’ve never heard of a man named Khaled.”

“My mistake.”

She studied him for a moment. “You speak Arabic very well. You grew up in the Jezreel Valley, yes? Not far from Afula. I’m told there are many Arabs there. People who refused to leave or be driven out.”

Gabriel didn’t rise to her baiting. “You’ve never seen it?”

“Palestine?” A flicker of a smile. “I’ve seen it from a distance,” she said.

Lebanon, thought Gabriel. She’s seen it from Lebanon.

“If we’re going to make this journey together, I should have a name to call you.”

“I don’t have a name. I’m just a Palestinian. No name, no face, no land, no home. My suitcase is my country.”

“Fine,” he said, “I’ll call you Palestine.”

“It’s not a proper name for a woman.”

“All right, then I’ll call you Palestina.”

She looked at the road and nodded. “You may call me Palestina.”

A mile before Nimes, she directed him into the gravel parking lot of a roadside store that sold earthenware planters and garden statuary. For five unbearable moments they waited in silence for her satellite telephone to ring. When it finally did, the electronic chime sounded to Gabriel like a fire alarm. The girl listened without speaking. From her blank expression Gabriel could not discern whether she’d been ordered to keep going or to kill him. She severed the connection and nodded toward the road.

“Get on the Autoroute.”

“Which direction?”

“North.”

“Where are we going?”

A hesitation, then: “Lyon.”

Gabriel did as he was told. As they neared the Autoroute tollbooth, the girl slipped the Tanfolgio into her satchel. Then she handed him some change for the toll. When they were back on the road, the gun came out again. She placed it on her lap. Her forefinger, with her short, dirty nail, lay noncommittally across the trigger.

“What’s he like?”

“Who?”

“Khaled,” Gabriel said.

“As I told you before, I don’t know anyone named Khaled.”

“You spent the night with him in Marseilles.”

“Actually, I spent the night with a man named Monsieur Veran. You’d better drive faster.”

“He’s going to kill us, you know. He’s going to kill us both.”

She said nothing.

“Were you told that this was a suicide mission? Have you prepared yourself to die? Have you prayed and made a farewell videotape for your family?”

“Please drive, and don’t talk anymore.”

“We’re shaheeds, you and I. We’re going to die together-for different causes, mind you, but together.”

“Please, shut up.”

And there it was, he thought. The crack. Khaled had lied to her.

“We’re going to die tonight,” he said. “At seven o’clock. He didn’t mention that to you?”

Another silence. Her finger was moving over the surface of the trigger.

“I guess he forgot to tell you,” Gabriel resumed. “But then it’s always been that way. It’s the poor kids who die for Palestine, the kids from the camps and the slums. The elite just give the orders from their villas in Beirut and Tunis and Ramallah.”

She swung the gun toward his face again. This time he snatched it and twisted it from her grasp.

“When you hit me with this, it makes it hard to drive.”

He held out the gun to her. She took it and placed it back in her lap.

“We’re shaheeds, Palestina. We’re driving toward destruction, and Khaled is giving us directions. Seven o’clock, Palestina. Seven o’clock.”

On the road between Valence and Lyon, he pushed Leah from his mind and thought of nothing but the case. Instinctively, he approached it as though it were a painting. He stripped away the varnish and dissolved the paint, until there was nothing left but the fragmentary charcoal lines of the underdrawing; then he began building it back up again, layer by layer, tone and texture. For the moment he was unable to affix a reliable authentication. Was Khaled the artist, or had Khaled been only an apprentice in the workshop of the Old Master himself, Yasir Arafat? Had Arafat ordered it to avenge the destruction of his power and authority, or had Khaled undertaken the work on his own to avenge the death of a father and grandfather? Was it another battle in the war between two peoples or just an outbreak in the long-simmering feud between two families, the al-Khalifas and the Shamron-Allons? He suspected it was a combination of both, an intersection of shared needs and goals. Two great artists had cooperated on a single work-Titian and Bellini, he thought. The Feast of the Gods.