Росс Макдональд - The Goodbye Look

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Lew Archer #15
In The Goodbye Look, Lew Archer is hired to investigate a burglary at the mission-style mansion of Irene and Larry Chalmers. The prime suspect, their son Nick, has a talent for disappearing, and the Chalmerses are a family with money and memories to burn. As Archer zeros in on Nick, he discovers a troubled blonde, a stash of wartime letters, a mysterious hobo. Then a stiff turns up in a car on an empty beach. And Nick turns up with a Colt .45. In The Goodbye Look, Ross Macdonald delves into the world of the rich and the troubled and reveals that the past has a deadly way of catching up to the present.
If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it is Ross Macdonald. Between the late 1940s and his death in 1983, he gave the American crime novel a psychological depth and moral complexity that his predecessors had only hinted at. And in the character of Lew Archer, Macdonald redefined the private eye as a roving conscience who walks the treacherous frontier between criminal guilt and human sin.

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The sergeants came back and regretted to say that they hadn’t been able to get in touch with Truttwell. But they wouldn’t let me try to phone him myself. In a way this breach of my rights encouraged me: it meant that I wasn’t a serious suspect.

They were on a fishing expedition, hoping I’d done their work for them. I sat and let them do some of mine. The dead man was Sidney Harrow, without much question: his thumbprint matched the thumbprint on his driver’s license. He’d been shot in the head, once, and been dead for at least twelve hours. That placed the time of death no later than last midnight, when I had been at home in my apartment in West Los Angeles.

I explained this to the sergeants. They weren’t interested. They wanted to know what I was doing in their county, and what my interest in Harrow was. They wheedled and begged and coaxed and pleaded and threatened me and made jokes. It gave me a queer feeling, which I didn’t mention to them, that I had indeed inherited Sidney Harrow’s life.

chapter 6

A man in plain dark clothes came quietly into the room. Both the sergeants stood up, and he dismissed them. He had clipped gray hair, eyes that were hard and sober on either side of a scarred and broken nose. His mouth was chewed and ravaged by lifelong doubt and suspicion, and it kept working now. He sat down facing me across the table.

“I’m Lackland, Captain of Detectives. I hear you been giving our boys a bad time.”

“I thought it was the other way around.”

His eyes searched my face. “I don’t see any marks on you.”

“I have a right to a lawyer.”

“We have a right to your cooperation. Try bucking us and you could end up flat on your rear end without a license.”

“That reminds me, I want my photostat back.”

Instead, he took a manila envelope out of his inside pocket and opened it. Among other things it contained a snapshot, or a piece of snapshot, which Lackland pushed across the table to me.

It was a picture of a man in his forties. He had fair thinning hair, bold eyes, a wry mouth. He looked like a poet who had missed his calling and had had to settle for grosser satisfactions.

His picture had been cut from a larger picture which had included other people. I could see girls’ dresses on either side of him, but not the girls. The thing looked like a blown-up snapshot at least twenty years old.

“Know him?” Captain Lackland said.

“No.”

He thrust his scarred face toward me like a warning of what my face might become. “You’re sure about that, are you?”

“I’m sure.” There was no use mentioning my unsupported guess that this was a picture Jean Trask had given Harrow, and that it was a picture of her father.

He leaned toward me again. “Come on now, Mr. Archer, help us out. Why was Sidney Harrow carrying this?” His forefinger jabbed at the blown-up snapshot.

“I don’t know.”

“You must have some idea. Why were you interested in Harrow?”

“I have to talk to John Truttwell. After that I may be able to say something.”

Lackland got up and left the room. In about ten minutes he came back accompanied by Truttwell. The lawyer looked at me with concern.

“I understand you’ve been here for some time, Archer. You should have got in touch with me before.” He turned to Lackland. “I’ll talk to Mr. Archer in private. He’s employed by me in a confidential capacity.”

Lackland retreated slowly. Truttwell sat down across from me. “Why are they holding you, anyway?”

“A part-time bill collector named Sidney Harrow was shot last night. Lackland knows I was following Harrow. He doesn’t know that Harrow was one of several people involved in the theft of the gold box.”

Truttwell was startled. “You’ve found that out already?”

“It wasn’t hard. This is the sloppiest burglary in history. The woman who has the box now keeps it lying around in plain view.”

“Who is she?”

“Her married name is Jean Trask. Who she really is is another question. Apparently Nick stole the box and gave it to her. Which is why I can’t talk freely, to Lackland or anyone else.”

“I should certainly say you can’t. Are you sure about all this?”

“Unless I’ve been having delusions.” I stood up. “Can’t we finish this outside?”

“Of course. Wait here for a minute.”

Truttwell went out, closing the door behind him. He came back smiling and handed me the photostat of my license. “You’re sprung. Oliver Lackland’s a fairly reasonable man.”

In the narrow corridor that led to the parking lot, I ran the gauntlet of Lackland and his sergeants. They nodded at me, too many times for comfort.

I told Truttwell what had happened as we drove across town in his Cadillac. He turned up Pacific Street.

“Where are we going?”

“To my house. You made quite an impression on Betty. She wants to ask your advice.”

“What about?”

“It’s probably something to do with Nick. He’s all she thinks about.” Truttwell added after a long pause: “Betty seems to believe I’m prejudiced against him. That’s really not the case. But I don’t want her to make any unnecessary mistakes. She’s the only daughter I have.”

“She told me she’s twenty-five.”

“Betty’s very young for her age, though. Very young and vulnerable.”

“Superficially, maybe. She struck me as a resourceful woman.”

Truttwell gave me a look of pleased surprise. “I’m glad you think so. I brought her up by myself, and it’s been quite a responsibility.” After another pause he added: “My wife died when Betty was only a few months old.”

“She told me her mother was killed by a hit-run driver.”

“Yes, that’s true.” Truttwell’s voice was almost inaudible.

“Was the driver ever caught?”

“I’m afraid not. The Highway Patrol found the car, near San Diego, but it was a stolen car. Strangely enough, whoever it was had made an attempt to burglarize the Chalmerses’ house. My wife apparently saw them enter the house and scared them out of there. They ran her down when they made their getaway.”

He gave me a bleak look which resisted further questions. We drove in silence the rest of the way to his house, which was diagonally across the street from the Chalmerses’ Spanish mansion. He dropped me at the curb, said he had a client waiting, and drove away.

The architecture on upper Pacific Street was traditional but eclectic. Truttwell’s house was a white colonial one, with green shutters upstairs and down.

I knocked on the green front door. It was answered by a gray little woman in a housekeeper’s dim quasi-uniform. The formal lines which bracketed her mouth softened when I told her who I was.

“Yes. Miss Truttwell is expecting you.” She led me up a curving stair to the door of a front room. “Mr. Archer is here to see you.”

“Thanks, Mrs. Glover.”

“Can I get you anything, dear?”

“No thanks.”

Betty delayed her appearance till Mrs. Glover had gone. I could see why. Her eyes were swollen and her color was bad. She held her body tensely, like a kicked animal expecting to be kicked again.

She stood back to let me enter the room, and closed the door behind me. It was a young woman’s study, bright with chintz and Chagall, its shelves loaded with books. She faced me standing up, with her back to the windows overlooking the street.

“I’ve heard from Nicholas.” She indicated the orange telephone on the worktable. “You won’t tell Father, will you?”

“He already suspects it, Betty.”

“But you won’t tell him anything more?”

“Don’t you trust your father?”

“About anything else, yes. But you mustn’t tell him what I’m going to tell you.”

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